Short Stories - Steven R. Southard (Poseidon's Scribe)

Home » Category Archive: Short Stories (Page 4)

The Story behind “The Cometeers”

As I mentioned in my News page, Gypsy Shadow Publishing has accepted my story, “The Cometeers” which will be published as part of the What Man Hath Wrought series. The intended launch date is in early September.

Here’s the marvelous cover, designed by Charlotte Holley. Yes, that’s a planet-destroying comet headed right toward the Earth. But if you look closer, you’ll see an silvery man-made projectile on an intercept course. Just possibly, its occupants might save the entire world.

Inquiries have been streaming in from every corner of the planet (and from some of the comets), asking what this story is about. Far be it from me to deny my fans information about my latest tale.

Here’s the book blurb: A huge comet speeds toward a devastating collision with the Earth, but no one will launch space shuttles filled with nuclear weapons. It’s 1897. Instead they’ll fire projectiles from the Jules Verne cannon and try to deflect the comet with a gunpowder explosion. Commander Hanno Knighthead isn’t sure he can motivate his argumentative, multinational crew of geniuses to work together. It turns out one of them is a saboteur. Then things get worse. Only a truly extraordinary leader could get this group to cooperate, thwart the saboteur, and jury-rig a way to divert the comet. Lucky thing Hanno brought his chewing gum.

If you recall the 1998 movie “Armageddon,” then you can think of my story as Steampunk Armageddon.

I don’t recall the exact inspiration for this story. As stated in this post, and this one, I use the “seed and twist” method of coming up with story ideas. In this case the seed is the standard save-Earth-from-destruction idea, and the twist is to set the action in Victorian times.

My problem became one of technology. They just didn’t have sufficient know-how in the Nineteenth Century to divert or destroy a comet. It’s an open question whether we really have the technology today.

Therefore, I assumed the world of Jules Verne’s novel From the Earth to the Moon. In that world, men had already achieved space travel in 1867. With funds from many nations, the Baltimore Gun Club had built a 900 foot long cannon outside Tampa, Florida, and launched a projectile containing three men.

My story is set thirty years later and no one has used the cannon since, due to the enormous expense. With a giant comet on the way, however, something must be done, so every country contributes what it can.

You can’t simply launch projectiles full of gunpowder at the comet and expect to hit it. The target is too small, the distance too great, and the calculations too imprecise. You must send men up also, in separate projectiles, to travel with your gunpowder bombs to make the necessary course corrections along the way.

That plan should work.

Unless something goes wrong.

“The Cometeers” will launch in September. For further updates, keep visiting this blog and reading the posts by—

Poseidon’s Scribe

August 10, 2014Poseidon's ScribePermalink

Eating the Elephant

Is it better to write a short story all at once or over a period of several days? Since each method has its advocates, the question is worth examining.

Everyone knows the adage about the proper way to eat an elephant—one bite at a time, meaning you should break down any major endeavor into manageable tasks and patiently accomplish the tasks. How does that apply to short stories? Let’s hear from both sides in this furious debate.

Mr. One-Sitting Writer:

Forget about elephants. A short story isn’t an elephant. The reasons you must write the first draft of your short story all at once are as follows:

1. You have to capture the mood of the inspiring moment. Enthusiasm is a fleeting thing. When you’re in the mood to write, when you’re consumed by the power of the idea, that’s the time to get it all down. That’s when you’re most likely to get in the zone when the words flow best. Tomorrow you won’t feel the same way. You’ll lose the moment forever.

2. Your readers expect consistency throughout your story. They want a constant tone or mood. The best way to achieve that is to write the first draft all at once. Readers will sense when you haven’t done that and it will lessen their enjoyment of the story and lessen your chance of future sales.

3. There’s a certain romance in staying up late at night and into the morning to type at the computer or scribble on paper. Didn’t all great writers do this? Aren’t all the best stories fueled by nocturnal spirits conjured from the wisps of steaming coffee cups? In that final surge of energy when you type “The End,” compose your e-mail, and hit Send with thirteen seconds to go before the deadline, you know you’re completely spent, and you are channeling the spirits of the best authors of all time.

Ms. Bite-at-a-Time Writer:

I notice Mr. One-Sitting Writer didn’t talk much about how he performed at his day job the next morning. Maybe writing is his day-job and he can afford to sleep late and rest up for his next bout of binge-writing.

Those of us in the real world have lives. We have responsibilities other than writing. We have jobs and families, appointments and duties. We love writing as much as he does, but we have to fit it into the nooks, squeeze it into the crannies of time we can spare.

He made three numbered points; I’ll do the same:

1. I agree it’s best to write a story when you’re wrapped up in the enthusiasm of the idea. If the story is short enough, and if your schedule allows enough time, by all means write the first draft in one sitting to preserve the tone and feel throughout the story.

2. If you can’t do that, then here are a couple of tricks to try:

a. Stop for the night in the middle of a sentence, a sentence for which you know how it should end. You’ll remember that tomorrow and be able to pick right up from there.

b. At the start of your allotted writing time for the day, review the last few pages you wrote. That will help you recapture the mood so you can continue in the same vein.

3. The romance of staying up late to write? Please. I did that a few times in college to finish assignments on time, but it was never my best work. Plus, I’m not as young as I was then.

As for me, Poseidon’s Scribe, I work like Ms. Bite-at-a-Time Writer, but wish I had the time to work like Mr. One-Sitting Writer. You’ll have to take your pick based on your circumstances and what works for you. That’s today’s discussion on elephant-eating by—

Poseidon’s Scribe

April 27, 2014Poseidon's ScribePermalink

FAQs About My Latest Book

Ever since I’ve been dropping hint after hint about my upcoming book (Rallying Cry and Last Vessel of Atlantis), questions have been pouring in. Flooding in. Give me a break, I’m drowning here! More questions came in than I could answer individually.

So I paid for some time on a supercomputer that compiled all the questions, sorted them, combined similar ones, performed complex statistical analyses, and spit out a list of the most frequently asked questions.

Below are those FAQs, complete with answers.

1. What is the book about? In “Rallying Cry,” an aimless youth meets two old geezers who spin bizarre war stories. They tell of a secret World War I regiment in France with ship-sized helicopters and mechanized walking tanks. Just as an inspiring shout can move soldiers to action, perhaps all Kane really needs to turn his life around is a rallying cry. In “Last Vessel of Atlantis,” a ship captain and his crew of explorers return to find Atlantis gone. While facing violent savages, braving fierce storms, and solving internal disputes, they must somehow ensure their advanced Atlantean civilization is not lost forever.

2. Why two stories in one book? I was in a generous mood.

3. Why are these two particular stories combined? They seem so different. Actually, they’re both perfect fits for the What Man Hath Wrought series, which contains stories of alternate history involving people grappling with new technology. The tales are quite different, though, but that means any reader would be bound to like one of them, at least. That makes the book a pretty good purchase, I’d say.

4. What inspired you to write these stories? I’ve written about that before…here and here.

5. That’s a great cover. Who designed it? It is a wonderful cover. Charlotte Holley of Gypsy Shadow Publishing designed it. The bearded soldier gazes at something while a huge steampunk airship glides overhead and a big explosion goes off in the background.

6. Where can I buy the book? Right now you can get it at Smashwords and Amazon. Soon it will be available elsewhere, too.

7. You wrote an Atlantis story before, didn’t you? What a memory you have! My Atlantis-based story, “The Vessel” was published several years ago in an Atlantis anthology. “Last Vessel of Atlantis” is that same story, with a title change and a few other alterations. Definitely worth enjoying again.

8. When will you have a print version rather than an e-book? When the What Man Hath Wrought series is complete, I’m thinking about having a print version of the series. It won’t be for a little while yet, since I have more stories I’d like to add to WMHW.

9. What’s the next story in your What Hath Man Wrought series? But that would spoil the surprise!

Thanks for submitting your questions. I’d invite more, but the deluge nearly crashed the supercomputer last time and almost tripped a wide sector of our national electrical power grid. Let’s avoid tempting that fate, shall we? I suggest you read the book, post a review, and before long there will be another book by—

Poseidon’s Scribe

March 8, 2014Poseidon's ScribePermalink

What Everyone’s Waiting For

Everybody’s talking about it. It’s all over the internet, crashing servers with the added traffic. Social media sites are abuzz about it. You can feel the pervasive air of excitement and anticipation.

Calm down, world. It’s just my next book. You’re going to have to wait until the release date of March 1 to buy it.

Actually, it’s two stories in one e-book release, a two-fer. “Rallying Cry” and “Last Vessel of Atlantis” are paired together. What are these stories about? Thought you’d never ask.

In “Rallying Cry,” an aimless youth named Kane Jones meets two old geezers who spin bizarre war stories. They tell about having served in a secret World War I outfit in France—the Jules Verne Regiment—with ship-sized helicopters and mechanized walking tanks. Just as an inspiring shout can move soldiers to action, perhaps all Kane really needs to turn his life around is a rallying cry.

Ever since reading John Biggins’ novel A Sailor of Austria, I’d longed to write a story set in a nursing home with an older character (two, in my story) imparting the memories of a bygone time to a younger character. I finally did. “Rallying Cry” takes off in different directions than Biggins’ book, of course, and I recommend you read both.

In “Last Vessel of Atlantis, a ship captain and his crew of explorers return to find Atlantis gone. While facing violent savages, braving fierce storms, and solving internal disputes, they must somehow ensure their advanced Atlantean civilization is not lost forever. Fans with long memories will realize this is a slightly revised version of another story of mine published as “The Vessel.” The new title is better, don’t you think?

I explained the origin of this story in a previous blog post. It was fun for me to imagine the difficulties faced by a small crew of sailors who find themselves the sole survivors of their advanced civilization, with all other continents populated by primitive savages.

If you can just hang on a couple of weeks until March 1, the book will be available here. Deep breaths might help you cope with the anxiety until then, along with taking time to think about other, less exciting, things. Your patience will be rewarded, and that’s a promise from—

Poseidon’s Scribe

February 16, 2014Poseidon's ScribePermalink

Thanks to Your Efforts…

My story “A Tale More True” was rated 4th among all Science Fiction short stories in the Critters Workshop Annual Predators and Editors Readers Poll for 2013. I earned a badge signifying a Top Ten finisher.

My thanks to all of you who voted for my story. With your help, next year’s readers poll will be even better for—

Poseidon’s Scribe

January 24, 2014Poseidon's ScribePermalink

The Life Story of a Short Story

Hello. I’m a short story. Since Poseidon’s Scribe never got around to blogging about the whole short story process, he invited me to guest blog today. My title is “Alexander’s Odyssey,” and I was written by Steven R. Southard. My life story is typical of other tales, and might be obvious to many of you, but the steps weren’t clear to Steve when he started.

1. Idea. I started as an idea. You did too, I suppose, but with stories you only need one human with an idea, if you know what I mean. Getting a story idea isn’t as difficult as most believe. Ideas are all around you.

2. Outline. This can take many forms, not just the standard I-A-1-a-(1) type. It can be a mind-map, for example. An outline can keep you focused as you write, but don’t be afraid to deviate from it if the story takes off in a different direction. Steve used an outline for me, but if you don’t want to, just skip this step.

3. Research. You might have to conduct research for your story like Steve did for me. Use the most authoritative sources you can. Steve didn’t include all the researched data when writing me, just a tiny fraction. You might enjoy research, but don’t get stuck at this stage. At some point, enough is enough.

4. First Draft. Steve wrote my first draft fast, without caring about quality. He didn’t even stop to correct typos. He got it all down, the emotions, the drama, and the character interactions.

5. Edit. Steve did several drafts of me where he corrected typos; deleted extraneous stuff; added in foreshadowing, metaphors, similes, and symbolism, etc. Don’t get stuck at this stage either; some stories never even get submitted.

6. Submit. Steve located a suitable market, and had to modify me a bit to conform to the submission guidelines. After much hesitation, he submitted me. These days, you writers have the option of self-publishing us stories, so you could skip this step.

7. Rejection. Actually, I didn’t get rejected the first time, but I know the feeling. I don’t understand why writers take rejection so personally; the editor is rejecting me, not you. Just shake it off and submit your story to some other market. Keep us moving!

8. Accept. I was pretty happy when an anthology editor accepted me, but Steve was positively giddy. I’d never seen him so thrilled and, frankly, the details are embarrassing, so I’ll just move on.

9. Rewrite. The editor suggested Steve change me a bit. He agreed the changes would do me good, and made them. I’ve seen Steve agonize over suggested changes to other stories, though. I’ve even seen him push back against the editor. In the end, they always reach agreement and Steve signs the contracts. I guess he could always refuse and walk away if he wanted.

10. Launch. These days, publishers don’t just publish us, they launch us. It does make me feel like a rocket going off, sort of. Again, Steve seems really happy when a story launches, and again it’s awkward to watch.

11. Market. If I’d been picked up by one of the top publishing houses, they’d spread the word about me. Steve didn’t send me there, so he had to do it. Boy, does he hate that part, though I’ve heard some authors like marketing. Use social media, newsletters, writing conferences—anything to advertise.

12. Read. My favorite step. When a reader buys me and reads me cover to cover, that’s what I live for.

13. Reprint. When the rights to me reverted back to Steve, he submitted me for publication as a reprint. After three rejects, another market accepted me, but asked for significant changes. My reprint version states where and when I was published the first time.

14. Spin-off. Oh, I hope, I hope I can get spun-off into a novel, a play, or even a movie. Hey, a story can dream, can’t it?

That’s my story. Forget about Steve, or Poseidon’s Scribe. Address your comments to—

Alexander’s Odyssey

December 8, 2013Poseidon's ScribePermalink

10 Reasons You Really Are Good Enough to Write Fiction

Perhaps you have a story inside you, but you feel too scared or intimidated or inadequate to believe you could ever write fiction. Here are some ways to banish those feelings.

First, there are at least three levels of fiction-writing. (1) These days you can write and publish something yourself without an editor, at near zero cost. (2) You can get your writing accepted by a publisher, but not make enough money to live on. (3) You can write fiction as your sole means of support. I’ll limit myself to discussing level (2) today.

True, some people aren’t cut out to be writers at all. My purpose today is to keep you from cutting yourself out of the running at the start. Let’s look at ways you might think you’re not fit to be a writer:

I just know I could never be a writer. Where is your resistance to writing coming from? Do you immediately think “I could never do that” when presented with other opportunities in life? Maybe this isn’t about writing at all, but your general negativity toward trying new activities. How many amazing human initiatives haven’t happened because somebody said, “I could never do that,” hmm?
I don’t know anything about writing. Don’t let this stop you. That’s the part you can get help with, through critique groups, writing courses, books about writing, writing conferences, etc.
I’d never write as well as [insert your favorite famous author’s name here]. Stop comparing yourself to the great authors. You can’t know today how you’ll stack up against them one day. So what if you’re not quite as good? You can still get published and win over some readers.
I’m unknown, and people only read books by known authors. Think about it; all published authors started off unknown. What if your favorite author had talked herself or himself out of writing?
No editor will read my stories because I’m unpublished. Not true. Consider that latching on to a new, undiscovered top talent is every publisher’s dream. All they need is one (you?) to make their career.
Novels seem so hard to write. No need to begin with a novel. Try a novella, a short story, flash fiction. Do blog posts for a while.
My teacher told me I’d never be a writer. Is one long-ago English or Language Arts teacher still in your head criticizing you? Keep that teacher in your mind, but dedicate yourself to showing how wrong he or she was; sweet revenge will be yours one day.
My story idea seems trite, or already used, etc. At this point your idea is just a story concept; it might match hundreds of already-published stories. Once you flesh it out and write it down, it becomes uniquely yours, different from all others, and possibly publishable.
It takes too long to write a story. True, writing takes time. But, of all the skills and abilities you’ve developed in life, how many did you master in a day? Let the strength of your story idea sustain you. If it’s truly grabbed you, you’ll persevere until you write it all down.
I couldn’t stand being rejected or getting a bad review. That does stink, no denying it. Any creative endeavor requires a thick skin. Look at editor’s rejections as permissions to send your story elsewhere. As for bad reviews, remember it’s far easier to be the critic. At the worst, the reviewer may actually have a valid point you can use to improve your writing for the next story.

See? You are good enough to at least try being a writer. Shake off those negative emotions. Let your imagination soar. Allow yourself to try it out. Someday, when you’re a famous author, be sure and give partial credit to—

Poseidon’s Scribe

November 17, 2013Poseidon's ScribePermalink

Ay, Now the Plot Thickens

When George Villiers, the 2nd Duke of Buckingham wrote those words for his play “The Rehearsal” in 1663, I believe he had today’s blog post in mind. For, ay, I intend to discuss how to plot a story.

First, what is a plot? It is simply a series of connected fictional events. Here are two rules about these events:

1. In a non-humorous story, the connections between events should be logical, with a minimum of lucky coincidences; the events should be related by cause and effect.

2. To make your story appealing to readers, there should be a certain structure to these events. That is, experience has shown this particular plot structure (sometimes called a “dramatic arc”) to have a maximum emotional impact.

But how are rules 1 and 2 related? What does it mean to have a cause-and-effect chain of events that rises and falls? Think of it this way. Your story must have a protagonist with a problem, a conflict of some kind. Often there is both an external and internal conflict.

I’ve said before that stories are about the human condition. More specifically, stories show human ways of dealing with problems. It may seem strange to generalize that way, but without a problem or conflict, you have no story. Even if there are no humans in your tale, your non-human characters are really just standing in for people.

Back to plotting. Think of the series of events (Rule 1) as events showing your protagonist encountering an initial obstacle, overcoming it, then encountering a worse one, overcoming that one, etc. Each obstacle thrown at her causes her to struggle against it. Her struggle causes the antagonist (which may be a person or nature or anything) to oppose her even more. That’s what Villiers described as a plot thickening.

Think of the dramatic arc (Rule 2) as a portrayal of the increasing difficulties for your protagonist as she contends with her problems. Tensions should increase in this section, culminating in a climactic turning point. There she must confront both her external and internal problems. The remaining events convey the resolution of the conflict and represent a decrease in tension.

Although I’ve geared this discussion to short stories, all fiction is similar. Screenwriter H. R. D’Costa has written a wonderful blog post providing the secrets of movie plot structures.

Oh, one more thing about problems and resolutions—if you have a problem with what I’ve said in this blog post, leave a comment and I’ll try to resolve it. I also accept praise by the heapful. I’ll close by saying, Ay, now the plot’s been thickened by—

Poseidon’s Scribe

September 1, 2013Poseidon's ScribePermalink

The Software Shakespeare Used

Wow! There are a lot of writing software packages available!

By writing software, I’m not talking about word processors like Corel Write, Microsoft Word, TextMaker, WordPerfect, etc. I mean software designed to help you write fiction stories, software packages like Liquid Story Binder, Marshall Plan for Novel Writing, Master Storyteller, MyNovel, Power Structure, Power Writer, Scrivener, StoryBlue, Storybook, StoryCraft, StoryWeaver, WriteItNow, Writer’s Café, Writer’s DreamKit, WriteMonkey, and yWriter5. I’m sure I’ve left out some…sorry.

Would you like a nice analytical comparison of all those writing software packages to help you choose the best one for you? Again, sorry, wrong blog post. I don’t have the money or time to buy, test, and rate software packages, (though that would be interesting).

When I thought of the idea for this blog post topic many months ago, I had intentions of test-driving at least two or three and giving you a comparison of those, at least. Alas, that didn’t happen.

However, I did try out yWriter5, so I can comment on that one. I also was given a disk with Writer’s DreamKit, but it reacted badly with my computer for some reason, and after restoring things I haven’t been brave enough to try it again. I don’t blame the Writer’s DreamKit software; I was able to explore around in it and get a feel for it, but I had problems when I restarted my computer the next time.

yWriter5 is free! It allows you to organize your novel by scenes, then chapters. It keeps readily available all the information about your characters, scene locations, and significant ‘items’ (objects) in your story. It has a storyboard feature; it includes a word usage feature to see if you’re over-using certain words; and it keeps track of your daily word count in a log. There are many more features, too.

I used yWriter5 for one of my short stories. For a short story, yWriter has far more features than I needed. It was a good way to organize notes, characters, etc. Since I do much of my writing while away from a computer using an ancient method involving a ‘pen’ and a ‘pad of paper,’ I was pleased with yWriter’s ability to print reports that could include my characters, scenes, items, and notes. I think yWriter would be quite useful for a complex novel.

In my brief exposure to Writer’s DreamKit, I found that the software asks you an enormous number of questions before you can get going. If you have good ideas for your story in your head and the patience to answer the questions, I’m sure the software would prove useful.

My overall point here is to set expectations. Do not purchase or use writing software with the idea that it will make you a published author. By itself, the software won’t improve your writing. It won’t think for you; it won’t come up with engaging characters, clever plot twists, or vivid settings. It will not write the story for you. Those are the hardest parts of writing fiction, and no software will do those things…yet.

What these software packages will (or can) do is help organize thoughts, keep information readily available to minimize searching for it, measure your progress (word count), and do the sort of low level, background stuff that you wish some assistant would take care of.

No, Shakespeare didn’t use writing software, just the ‘wetware’ within his skull. I’m not even sure he would have recommended any of the packages currently available if he’d had a chance to try them. But neither you nor I are Shakespeare. If you need help with organizing or desire an easy way to sort out scenes, characters, and chapters, then feel free to use software for that. I’d love to read and respond to your comments about this post. Now available in version 3.55, I’m—

Poseidon’s Scribe

August 18, 2013Poseidon's ScribePermalink

The Truth About “A Tale More True”

Gypsy Shadow Publishing just launched my newest story, “A Tale More True” and I’m excited about it. Here’s the blurb:

History’s greatest liar, a colossal clockwork spring, a fantastic trip to the Moon…in 1769. Read it, but don’t expect truth.

What made me write a clockpunk alternate history story about an 18th Century trip to the moon? As both of my many fans know, I’m a great admirer of Jules Verne, who wrote a classic tale called From the Earth to the Moon.

One day I was searching the web about fictional trips to the moon and discovered Verne was a bit of a latecomer to that topic. Here are some of his predecessors, and the methods they used to get their characters to the moon, according to this website:

• Lucian of Samosata, True History, 2nd Century A.D. Carried to the moon by a waterspout/whirlwind, and Icaromenippus, 2nd Century A.D. Flew to the moon in an aerial carriage.
• Johannes Kepler, The Dream, 1634. Transported to the moon by aerial demons.
• Bishop Francis Godwin, The Man in the Moone, 1638. Pulled to the moon by trained geese.
• Cyrano de Bergerac, Comic History of Estates and Empires of the Moon, 1650. Launched to the moon by firecrackers.
• Daniel Defoe, The Consolidator, 1705. Rode an ‘engine’ called The Consolidator.
• Vasily Kevshin, Newest Voyage, 1784. Flew to moon in a self-constructed flying apparatus.
• Wilhelm Kuchelbecker, Land of Acephals, 1824. Flew in a balloon.
• Edgar Allan Poe, The Unparalleled Adventure of One Hans Pfaall, 1835. Flew in a balloon equipped with an air compressor.

I was struck by the fact that no one had written about going to the moon using spring power. During the 1600s and 1700s, they knew about the energy-storage properties of springs, the driving force in most clocks, so I thought someone should write that story.

During the research I also happened upon the interesting historical figure, Baron Hieronymus Carl Friedrich von Münchhausen, well known for his fanciful fibs, including tall tales about making two trips to the moon. In one trip he climbed a tall beanstalk, and in the second a hurricane lifted his ship up to the moon. I wondered if a rival of the Baron might be upset by these lies and might set about to prove Münchhausen wrong.

That’s how “A Tale More True” was born.

Subsequently I happened upon this website, and learned that David Russen had written A Voyage to the Moon in 1703, in which a giant spring is used to reach the moon. Oh, well, I wasn’t the first after all!

For you engineers and realists out there, yes, I know a human would not survive the acceleration of being ‘sprung’ to Earth’s escape velocity. However, it might be possible to construct a huge spring within a cylinder, have the spring drawn down in compression, draw a near vacuum in the cylinder, and launch a solid, unmanned projectile to escape velocity. Why you’d want to do that, I have no idea, but it might be possible.

Still, it’s fun to imagine someone building a giant spring in 1769 and travelling to the moon two centuries early. And as long as I was changing history anyway, I figured I’d also change the moon. In most of those early space-travel stories, (except Verne’s), the moon was inhabited. So why not populate the moon in my story?

And, though it’s outside my normal line, why not make the story humorous?

Anyway, enough said. The book has been sprung upon an unsuspecting world, and is available at Gypsy Shadow Publishing, Amazon, Smashwords, and other outlets as well. You’ll enjoy it, thinks—

Poseidon’s Scribe

June 9, 2013Poseidon's ScribePermalink