Metrics of Fiction-Writing Success

Every writer wants to know the secret to publishing success. How can you get your first story published? How can you make more money from your writing?

What if somebody did a statistical analysis comparing successful writers to unsuccessful ones to find out what one group has and the other one lacks?

Someone did.

Written Word Media performed that analysis a few years ago, and their founder and Chief Operating Officer, Ferol Vernon, blogged about the results.

They polled a large group of authors and concentrated on two groups: financially successful authors earning greater than $5000 a month from book sales, and “emerging authors” earning less than $500 a month from book sales. What follows is a summary of the five main differences between the two groups.

The more successful group:

  1. Wrote more;
  2. Hired a professional book cover designer;
  3. Hired a professional editor;
  4. Used free promotions; and
  5. Wrote in a popular genre.

Written Word Media drew the obvious conclusion—to be a successful writer, do the things successful writers are doing.

I don’t doubt their methods or their numbers. I’d be a bit skeptical about some of the conclusions, however. Here’s why:

  • In my experience with metrics, I’ve learned people tend to measure only things they can easily measure. Statisticians like quantifiable numbers, or specific questions with yes or no answers. However, success is filled with intangibles, too. For example, how do you measure the quality of a writer’s books? How about the luck of writing the right book at the right time?
  • Sometimes, statisticians fall prey to mistaking causes for effects. For example, they see a high correlation between high-earning authors and the hiring of book designers and editors. They conclude that those authors are successful because of those factors. However, once an author becomes successful, that author is in a better position to hire a book designer and editor, so perhaps the success caused the hiring of experts, not the other way around.  
  • Last, there’s the ‘necessary but not sufficient’ argument. The list of five things may well be characteristics of successful writers, but it doesn’t necessarily follow that if you do those five things, you will be successful.

I don’t mean for my quibbles to detract from the value of the analysis, though. I’m certain if you write more, offer free promotions, and write in a popular genre, you’ll stand a greater chance of getting more book sales than if you don’t do those things.

As for paying book cover designers and editors, I’m a little less certain.

Regarding the intangibles, the unquantifiables not included in the analysis, I’d suggest you strive to write well. Write good stories readers would like to read. Write with your own, consistent, distinct style. Write from the heart.

How do you measure and graph those things? No idea. Don’t ask—

Poseidon’s Scribe

September 26, 2021Permalink

Writing and the 1st Amendment

Today is Constitution Day in the U.S., the 234th anniversary of the signing of the Constitution. Since that document includes a 1st Amendment, and since that amendment is important to writers, I thought I’d mark this anniversary.

The text is straightforward: “Congress shall make no law…abridging the freedom of speech…” Sounds simple, but over the centuries, lawyers and scholars have debated every word of that amendment, including ‘the.’

In theory, the 1st Amendment frees fiction writers to write about anything they want. That’s a good thing. Writers need not fear the government jailing or fining them for what they write.

In practice, the Supreme Court has imposed limits applicable to fiction writers:

  1. You may engage in political writing, unless it poses a “clear and present danger” of bringing about an evil that the Congress has a right to prevent. Over the years, the prohibitions have narrowed in favor of more freedom for the writer.
  2. If you’re a student in school, you’re subject to some limitations on what you can write about in a school-sponsored publication.
  3. You’re limited in the types of obscenity and pornography you can write about, but again, the prohibitions have narrowed in favor of the writer.
  4. You can’t defame, slander, or libel someone. The definitions of those have narrowed as well.
  5. You may not copy someone else’s writing and claim it as your own.

Some of the founders, including James Madison, at first objected to the inclusion of the 1st Amendment and the rest of the Bill of Rights, arguing that the Constitution already implied and contained these individual rights, that they required no separate enumeration.

In retrospect, it’s probably a good thing they ratified the Bill of Rights. Governments, by their very nature, grow and seek to restrict the freedom of individuals. Without a written and obvious restriction on governmental growth, the Supreme Court might have had a harder time digging ‘freedom of speech’ out of the basic Constitution’s text. 

For now, you’re free to write just about anything, and that’s something to celebrate. Happy Anniversary, 1st Amendment! Though you’re old, a bit tattered, and under constant assault, you’re looking pretty good to—

Poseidon’s Scribe

September 17, 2021Permalink

Negentropy and Writing

Do you recall one of your physics teachers mentioning the concept of entropy? Today I’d like to discuss its opposite, negentropy, and how that applies to writing.

Entropy depresses me. I dislike the idea that energy changes into less and less useful forms, that order becomes chaos, and that the universe eventually runs down and stops.

Negentropy seems more fun. While we all wait for the universe to wind down, we can take tiny chunks of it and turn chaos into order within those chunks.

I ran across this article by Dr. Alison Carr-Chellman where she explores the concept of negentropy as it applies to everyday things like cleaning your room or making your workplace run smoother. I wondered if her concepts could apply to writing fiction.

Writing, itself, epitomizes negentropy. The inputs—life experiences, a brain, and writing implements—get converted to a single output, fiction. Chaos becomes order.

But is your fiction-producing process smooth and efficient? Are you losing energy along the way? Think about achieving maximum output (published fictional stories) for minimum input (personal time and energy).

Dr. Carr-Chellman provides five steps for improving that efficiency (she calls it ‘minimizing energy loss’). I’ll discuss each as they apply to writing fiction.

1: Find the entropy. Think of the steps involved in getting to a published story. Which of those steps (examples: researching, editing) take the most time for you? Which do you put off or rush through (ex: scene setting, choosing a title) because you hate doing them? Which steps do you agonize over (ex: submitting, marketing) because you don’t understand them well?

2: Prioritize the losses. Identify the biggest entropy problems, so you tackle them first. Not only will this provide the best gains in efficiency, but your success will embolden you to solve the others in a similar manner.

3: Come up with a plan. For the steps taking too much time, consider self-imposed time limits. For the steps you hate, give yourself small rewards for completing them. For the steps you don’t understand well, learn about them from TED talks, YouTube videos, books, or internet searches.

4: Try it out and pay attention. As you implement your improvement plans, track how they’re working. Did you put more energy and time into the plan itself than the improvement warranted?

5: Go beyond fixing and maintenance. As you plug all these energy leaks and achieve a smoother process, consider the bigger picture. Perhaps you’ve now developed a very efficient method for selling low-grade stories. That may not have been your desire. It’s not worth optimizing a process that doesn’t result in the output you want.

If you start implementing negentropy into your writing now, you stand a great chance of optimizing it before maximum entropy brings about the heat death of the universe. That event may happen as soon as ten to the hundredth power years from now. That’s a googol years. Best not to schedule anything in your personal organizer for any date after that event.

Negentropy, turning chaos into order. That’s the main job of—

Poseidon’s Scribe

September 12, 2021Permalink

National Read a Book Day

Tomorrow, September 6th, is National Read a Book Day. Sort of snuck up on you, didn’t it? It coincides with Labor Day this year. Don’t worry, I’ll let you know how to celebrate it.

If you’re curious about the origins of National Read a Book Day, join the club. Nobody seems to know who created it, or when. If you know those details, don’t tell me. I prefer they remain a mystery.

In honor of this fine holiday, I’ve put together an official history of books. Well, let’s call it an abridged, official history of books. In the interest of space, I could only include the most important milestones. Here it is:

What’s the best way to celebrate National Read a Book Day? After thinking about it for a while, I’ve got a suggestion—read a book. In fact, you might glean some ideas about which books to read from my History of Books above.

I believe you’ll enjoy National Read a Book Day. Why do I believe that? Because the Number One fan of that holiday is—

Poseidon’s Scribe

September 5, 2021Permalink