7 Things I Wish I’d Known When I Started Writing

When you see books for sale online or in stores, do you ever fantasize about seeing your name on the cover as the author? Decades ago, before I began writing fiction, I pictured that and wondered, “how hard can it be?”

Beginner Me, Current Me

At that time, I had a great story idea and estimated I’d achieve bestseller status in a year or two. Many facts about writing remained unknown to me then, things I wish someone had told me. Today, I’ll tell you.

  • Make Characters Appealing. To Beginner Me, stories consisted of plot. The author just dropped characters in to have things happen to them. Not true. Readers yearn for engaging characters. Give them a protagonist they can love, or hate—just feel strongly about. Many authors come up with characters first, then figure out what happens. An exciting plot might provide a literary sugar rush, but all truly great books showcase memorable characters.
  • Start Short. These days, novels predominate over short stories. Readers tend to take novelists more seriously. For that reason, beginning writers often tackle a novel first. Beginner Me did that. His unpublished novel sits on my shelf. It served the purpose of getting Beginner Me accustomed to daily writing, and of learning things about the craft. I wish someone had suggested I start with short stories. Some time after I switched to them, I started getting published. You can crank short stories out faster. The submit-reject-submit cycle runs more rapidly. You can establish a readership and move on to novels later.
  • Accept Long Odds. A few—a very few—inexperienced writers get their first novel or short story accepted early on. Most—a vast majority—pile up many rejections before their first acceptance. You might be one of the few, but odds are, you won’t be.
  • Understand the Tiers. Those books you see on bestseller lists, on lists of what to read next season, on the top of Amazon’s ‘Featured’ lists, and on the prominent bookstore shelves, have one thing in common. They’re published by one of the ‘Big Five’ publishers based in New York. If your novel gets accepted by one of them, an army of workers will design your book’s cover, arrange for book reviews, publicize your book, put out press releases, and line up interviews for you. If your story or novel gets accepted anywhere else, that army dwindles to one person…you.
  • Market and Network. Beginner Me thought writers typed up prose while others took care of marketing details. For those few who land contracts with the Big Five, that’s true. The rest of us do our own marketing. You may not see yourself as the glad-handing, back-slapping used car salesman type, but you’re going to have to abandon your introvert comfort zone and learn those skills. It helps to network with other writers to watch and learn from them.
  • Be Realistic. Beginner Me had heard of writers getting paid advances of thousands of dollars. I’d jot down some words, submit the manuscript, sign a contract, and soon I’d be sailing my yacht to my private island, where I’d have a mansion. Yes, a few authors receive large advance payments, but most writers work a day job. Their writing hobby pays for lunch, once a week.
  • Get Help. At least Beginner Me knew this one and didn’t have to be told. Others have trod the writing path before you and are willing to share their knowledge. You may read How-to-Write books, take college writing courses, and go to writing conferences. Beginner Me did all of those. You may also attend writing workshops. I got the most help from critique groups. Find whichever type of help works best for you.

I meant this list to inspire you, not discourage you. You may see some items as depressing, but that’s not my intent. If the writing dream burns within you, if your story demands to be written, nothing I say will dissuade you. You’ll take the journey. Best to take it in an informed way, and not learn everything along the way, as did—

Poseidon’s Scribe

September 17, 2023Permalink

Should AI Write Your Book Title?

Some writers struggle to come up with titles for their stories and books. Capturing all that text into a few pithy and alluring words seems to confound them.

Yes, I’ve blogged about this problem before, but it’s time for an update based on new technology.

Before I get to that, I recommend reading this post by book marketing expert Dave Chesson. It’s helpful if you experience difficulty with titles.

In his post, Chesson mentioned a new resource to help if you’re stuck thinking of a title—ChatGPT. It’s the conversant AI that’s available to everyone for free, here.

Credit to mozarttt and Pixabay

As you know, I’ve blogged before about writers using AI and my opinion remains unchanged, for now. ChatGPT is the equivalent of assigning the same homework assignment to a million junior high school students and getting the best answers back instantly. Yes, it’s instant, but it’s junior high school level. That last part may change in the coming months and years as AI improves.

You can seek help from ChatGPT to come up with a title. You can give it a long description of your story or book (or even input the entire text) and ask for any number of suggested titles. Note: there is some question about who owns content provided by that AI, so check the terms and conditions first.

To test how well ChatGPT can generate titles, I decided to have it come up with alternative titles to a work in the public domain with which the AI is familiar. I chose the Jules Verne novel Le tour du monde en quatre-vingts jours. The literal translation from the French would be ‘A Tour of the World in Eighty Days,’ but in a bolt of titling genius, an early translator rendered it as Around the World in Eighty Days.

That’s become the most iconic of Verne’s titles in English, played with and altered to suit hundreds of other applications.

Something about that format and word choice struck gold—“Around the [world or other object] in [time period]” gives that sense of encompassing something on a strict schedule. It’s literary magic.

For computers, the rule is ‘garbage in, garbage out.’ What happens when you put literary magic in? I gave ChatGPT this task: “Come up with 10 alternate titles (in English) to Jules Verne’s “Around the World in Eighty Days.”

Here’s the output:

  • “Globetrotting in Eighty Days”
  • “Across the Planet in 80 Days”
  • “A Journey Around the Earth in 80 Days”
  • “Around the Globe in 80 Days”
  • “Eighty Days of World Exploration”
  • “Circumnavigating the Earth in 80 Days”
  • “Across Continents in Eighty Days”
  • “Around the World Adventure in 80 Days”
  • “Around Planet Earth in 80 Days”
  • “Expedition: 80 Days Around the World”

See what I mean? They all lack the zing, the flair, the magic of the actual title. In twenty minutes of solitary brainstorming, you could do better. That’s my point.

Before you AI enthusiasts sic a terminator on me, I admit I could have pressed ChatGPT harder. I could have gone on to ask it for more interesting and creative titles—titles that don’t just paraphrase the real one. Maybe the AI could have given me more to work with had I prodded it further.

At present, I think it best to partner with AI but not rely on it. Adopt the centaur model I mentioned in my February 26, 2023 blogpost. ChatGPT can recommend titles and they might be inferior or even so-so, but one or more of them might spark the killer title you’re after. You might not have thought of that title had you not consulted the AI.

My answer to the question posed in this post’s title is probably not, but there’s nothing wrong with using AI as a brainstorming tool. So far, all my titles have come from the unassisted mind of—

Poseidon’s Scribe

September 10, 2023Permalink

Love the Books, Not Their Author?

Have you ever enjoyed an author’s books, then found out something disturbing about that author? Did the revelation spoil your appreciation of the books?

I suspect we’ve all been let down by a hero. Perhaps a favorite actor, athlete, politician, or artist did something unsavory, and that detracted from your experience of their work. It stains their reputation, at least for you. You’re no longer able to separate performer from performance.

The works of Jules Verne, my favorite author, come across today as antisemitic, racist, and sexist. His anti-Jewish sentiment is evident in both Hector Servadac (also published as Off on a Comet) and The Carpathian Castle where he depicts Jewish characters in a bad light. He includes characters of color in many novels, but never as the hero and often in stereotyped ways—servants or cooks—subordinate to the white hero. At least he includes them, unlike those of the female gender, who rarely appear at all in his works.

I could excuse these ‘isms’ and rationalize my continued reading of his works, by observing that this 19th Century French author reflected the prevailing biases, prejudices, and privileges of his time. I could say it’s unfair to impose my modern standards on a man no longer around to defend himself.

But I believe that lets both of us—me and Verne—off the hook too easily.

Consider that reading represents a form of communication, and that it involves a sender (the writer) and a receiver (the reader—you). Your appreciation of the written work occurs at that interface where you interact with the text.

Therefore, you bear a share of responsibility here and you can’t shrug it off. Your love for or hatred of the book is an individual reaction you own, an experience you share only with the writer, whether that person is alive or dead.

All written material to which we have access was written by humans. All humans suffer from faults, frailties, and weaknesses of some kind. You lack the option of reading books written by angels. Sorry about that.

Knowing this, you face a choice. You might refuse to discover anything about the author. That spares you from any knowledge of skeletons lurking in their closets. But it sets you up for profound disappointment if you ever find out your favorite author slipped off the mental pedestal you erected and fell short of your moral standards in some way.

On the other hand, you can read with full understanding that you consume text produced by a flawed author—a human. You can research the author and discover some distasteful truths, and read the work anyway.

Here’s where I stand with Verne. I can’t claim ignorance of his backwards attitudes. If I choose to enjoy his novels, I must decide that the good outweighs the bad. Further, I must recognize this as an individual choice. Other readers make their own choices.

I like to read Verne’s novels, most of them. I don’t excuse his faults, don’t condone his biases. I wince at his stereotypes and cringe at the prejudiced opinions. I don’t idolize him. I’ve decided, for me, his strengths outweigh his weaknesses.

You face similar decisions whenever you read anything. Does the good exceed the bad? Do the delights of the book surpass the poor behavior or faulty value system of the writer?

When you read a work, only you can weigh good against bad. Nobody else can do it for you, not reviewers, critics, or even—

Poseidon’s Scribe

September 3, 2023Permalink