Who Really is Poseidon’s Scribe?

You’ve read my blogposts, but how well do you really know me? Though I’m not the boasting type and prefer to keep my personal life private, I’ll give you a brief summary.

According to my mom, I was born with the stub of a Number 2 pencil in my mouth, and enjoyed scribbling on the rails of my crib. She said I wrote before I could talk. At my request, my baffled parents got me a typewriter for my first birthday.

When schoolteachers asked for a sentence, I gave them 500-word stories, and wrote my first novel at age six. For my best chums, I wrote adventure tales starring them as the heroes. When bullies tormented me, they became (in my stories) ugly villains who met well-deserved deaths. Girls adored my love poems, framed them, and hung them on their bedroom walls.

In the mid-70s, I built a computer and created word-processing software. Sure wish I’d patented them. As a teen, I decided I needed to experience more of life so I could capture it better in my stories. Call it literary research.

So I left home and stowed away aboard a submarine.

Turns out, that’s a crime. I got caught and was sent to an underwater prison, from which I escaped.

No more stowing away. I built my own submarine from junkyard parts (it’s harder than it sounds) and sailed to Greece, then China, and from there to the Brazilian Amazon where I killed a deadly, shape-shifting vampirefish.

Back in 2012, I prevented the end-of-the-world cataclysms predicted by the Mayan calendar. You’re welcome.

I discovered the location of Atlantis, but see no need to reveal it, yet. I built a steam-powered elephant and rumbled through Africa, and constructed a clockwork lion which I rode in France. Fun times, mostly.

While sailing a trireme I made, I visited the sites of all seven wonders of the ancient world. The Great Pyramid was still there, but the others weren’t, so I rebuilt them.

Due to a tragic accident in Wyoming, I lost both legs and one arm. I made very real-looking prosthetic limbs powered by steam, but use my super-strength and hyper-speed only for good.

If you construct a metal coil spring large enough, you can launch yourself to the Moon. I did that once, barely made it back, and won’t go again.

You may not have heard about the comet that nearly caused an extinction level event a few years back. They kept it out of the news. I deflected the comet, with the help of a pack of chewing gum. You’re welcome, again.

After coming across the Ring of Gyges—the invisibility ring mentioned by Plato—I lost the darned thing. If you find it, please give it back. There’s a reward.

I’ve piloted a Martian war tripod through Germany, battled mutant cats in a space station, and flown on self-made wings from the roof of an English abbey. After encountering aliens in New Mexico, I conjured ancestral spirits in Arizona, using a flute. Don’t try any of those yourself.

I’ve raced around the world, been trapped in a haunted submarine, and faced a murderous robot.

After those adventures and a hundred more, I figured I’d gathered enough experience and done enough literary research.

It seemed a good time to settle down and write fiction. And that’s the life story of—

Poseidon’s Scribe

Has it Been 10,000 Hours Yet?

After Malcolm Gladwell’s book Outliers, the Story of Success showed 10,000 hours of practice equaled genius, I felt good. After all, I’d been writing almost that long, so genius and success should lie just over the next rise. A few more hours to go. 

Then along came Dr. Scott Barry Kaufman, author of this article in Scientific American, saying the 10,000-hour rule doesn’t apply to creative fields like fiction writing.

Now you tell me, Doc.

His rationale makes sense, dang it. To become a genius at an activity requiring repetitive motions—oboe playing, bricklaying, pizza-making, etc.—the 10,000 hours seems logical. Some of that is creative play, but much is building muscle memory and learning more advanced techniques.

But purely creative endeavors—music composition, art, and writing—aren’t like that. Muscle memory won’t help. Spend 10,000 hours typing and retyping Sense and Sensibility, and you’ll end up a fast typist. But your skills as a novelist won’t have changed.

The article counts 10,000 hours of practice (also called the 10-Year Rule) as one factor in creativity, but gives that number a wide error band.

The author cites several other factors of importance to creativity. Unfortunately, a writer lacks control over some of these factors, such as talent, personality, genes, and socio-economic environment.

Lucky for us, the article provides some aspects of creativity lying within our control. For example, Dr. Kaufman states that creative people often use messy processes. If you’re the neat and organized type, you’ll have to work on correcting that.

The author says creative people take interest in a broad array of things. If you write fiction, consider writing stories outside your normal genre.

Too much specialized expertise, says Dr. Kaufman, detracts from creativity. Often, he says, people outside a field contribute the fresh insights and creative solutions. As writers, we can take care not to become overly specialized, and each of us can claim outsider status in something.

I give the doctor credit for identifying personal attributes that influence creativity, but I don’t believe you’re stuck with whatever creativity you were born with. (Nor did he imply that in his article.)

You can increase your creativity. I believe you, and all of us, were born overflowing with creativity. However, society’s pressures to conform squeezed much of that creativity out.

You can get it back through regular exercise. Here’s the exercise to try. Think of a problem. If it’s a fiction-writing problem, maybe you’re stuck for an idea, or fell into a plot hole, or need a character motivation, or seek a setting description. The problem could be anything.

Now start writing solutions as they occur to you. Include stupid ideas, impractical ideas, zany and magic ideas. It doesn’t matter—no one will see your list. Often very good ideas only emerge after thinking of dozens of bad ones first.

Yes, you may call it brainstorming. Unlike normal brainstorming, though, you’re doing this alone. Also, unlike normal brainstorming, you’re seeking more than just a good answer to your problem. You’re trying to stretch your creativity muscles. You’re retraining your mind to free it from a cage built long ago to hold it.

Maybe you’ll run dry after ten listed solutions, but I encourage you to push on. It might help to consider this–back when you were five years old, you could rattle off fifty ideas without slowing down. That’s the childlike creativity you’re looking to recapture.

If you aim to be a writer, forget about the 10,000 hours, the 10-Year Rule. That’s for others. You need creativity, and no clock or calendar can give you that. Let your inner kid loose again, this time to skip around in the infinite playground of your mind where milliseconds equal millennia and a pace is as good as a parsec.

And, there he goes, the five-year-old version of—

Poseidon’s Scribe

Will Your Footprints Get Washed Away?

My father died a few months ago. He lived a long and eventful life. A well-documented life.

During his retirement, he took time to write a series of vignettes about his past, his present, and general thoughts. By ‘a series,’ I mean he typed about 800 vignettes totaling more than 600,000 words.

Credit to phoenixsierra0 on pixabay.com

Why did he do this? Probably best that I let his words explain that. He used the metaphor of leaving footprints in the sand. But his rationale has nothing to do with the Christian allegorical poem “Footprints” of disputed origin. On June 12, 2014, my father wrote:

Here’s my basic view of the whole business. As we walk (run, or slouch) through life we leave footprints in the sand. Most of us leave our footprints … just above the low tide watermark and when we die, the sea comes in and obliterates them. No footprints, no markers, nothing to mark our having passed that way. All is gone except for some fading memories … and maybe a piece of lore or legend that lasts for a generation or so. This has been the bane of existence of the human race for thousands of generations. It probably will continue in that lively vein for another thousand generations. One could hope so in any event.

“What if we could encourage everyone to share a few of their stories before they pass behind the black curtain? If a few would walk, and leave their footprints in the sand, but above the high tide level. They could write what a long life of seeing and experiencing change and how THEY managed. What joys and loves they experienced, also the hardships and sadness’s they overcame. What insights would they share? It seems selfish to die and take all the good stories with you.”

I might not have used the word ‘selfish,’ but it is a shame so many people die without leaving a lasting record of their thoughts, recollections, and beliefs.

How much do you really know of your parents’ lives? Those of your grandparents? Further back? When they’re gone, you’ll have innumerable questions to ask them, but you’ll get no answer. In a sad irony of human experience, you’ll only get curious about them after it’s too late. If only they’d taken some time, while living, to write about their lives.

Perhaps it’s too late for your ancestors, but it’s not too late for you. Options include ready-made books such as Reflections From A Mother’s Heart or A Father’s Legacy or . Other similar versions abound. Such books contain prepared questions, and you write your answers.

Or you can do it the way my dad did. Simply write. Choose your own format and your own way to organize your thoughts. Or don’t organize. Just write what occurs to you, especially regarding aspects of your life you think others might become curious about. You’re trying to convey a sense of what your life has been like. It could be in the form of a journal or diary, such as you may buy in many stores, or regular emails that you retain on thumb drive or CD.

Even humdrum aspects of your life today might fascinate readers several generations from now. Your ancestors considered home ice delivery, churning butter, or dashes to the outhouse just part of life’s background. Most of them wouldn’t have imagined the lives we lead or the interest we’d have in their daily, banal routine.

Maybe you believe you’re not a writer. Perhaps your grammar and spelling both stink and you feel embarrassed about that, afraid to expose these flaws. I suggest you get over that. Those who read your words crave content, not flair. (Note: you could record your words in audio or video form.)

My dad’s vignettes contain numerous spelling and grammatical mistakes. Though college-educated, he only did enough writing to get by. I doubt he even self-edited his vignettes—just tapped on his keyboard, printed them up, and mailed them. Do I think any less of him for his typos and mistakes? No.

Imagine a different world, one where all your ancestors wrote accounts of their lives, going back to the dawn of human language. What a treasure trove! How many mistakes might humanity have avoided, so as not to repeat historical tragedies? How much more advanced might our species be?

We don’t live in that world. We have history books, yes, but they speak to us in generalities, not specifics. You know humanity’s history better than your family’s history.

You can start to create such a world for your own descendants. If you’re childless, write about your life anyway. Give those writings to friends or family members.

Bequeath something tangible and informative to those behind you. Leave more permanent footprints in the sand. Walk the beach of life, above the high tide level, along with—

Poseidon’s Scribe

Procrastinate to be Prolific?

Been meaning to blog about this, but kept putting it off. This article by Loizos Heracleous and David Robson cites studies claiming procrastination can benefit creativity.

The authors quote Agatha Christie as saying she often thought of story ideas while bathing. I suspect many writers have experienced a similar phenomenon. You’re writing and get stuck. You take a break and turn to some dull activity, such as mowing the lawn, cleaning the house, showering, etc., and Bang! The solution comes to mind. Often you don’t even realize you were thinking about it.

The article discusses several studies that bear this out. Researchers found that taking a break from a creative task and performing a different, humdrum task allowed participants to return to the creative task and perform better. Oddly, those that rested instead of working on a humdrum task did not do as well.

Odd that the human mind works this way. I’ve blogged before about how weird that is. You could spend time puzzling about it or analyzing this brain quirk, but perhaps your time’s better spent accepting it and using it to your advantage. When the words won’t spill out, back away and pursue some mundane chore for a while.

However, I urge you not to draw the wrong conclusion from this discussion. You’re thinking, “Well, if procrastination works that well, I’ll spend years putting off writing and end up a best-selling author.”

Sorry. It doesn’t work that way. In fact, I wish the article hadn’t use the term ‘procrastinate’ at all. The word means to postpone, to delay, like when you have homework due and you watch YouTube videos instead.

We’re talking about something different here. When you get stuck while writing and choose to do gardening instead, you’re not really postponing anything. You’re still writing in the sense that your brain is thinking of creative solutions.

To paraphrase the math genius, Yogi Berra—writing is 90% mental; the other half is physical. Your body may have walked away from the keyboard, but your brain still writes.

Put another way, if you aim to be a prolific writer, you must write a lot. But not all writing time involves stringing words together. An observer might think you’re washing dishes, but you’re really stringing ideas together. Just tell that observer you’re not procrastinating, you’re writing in your mind, just like—

Poseidon’s Scribe