Monthly Archives: November 2021

Chessiecon 2021 in Review

Had a frantic, but fun-filled weekend at Chessiecon 2021. Chessiecon, named for the sea monster lurking in the Chesapeake Bay, is a science fiction and fantasy convention held each year during the Thanksgiving weekend. For the second year, they made it a virtual conference. And free!

I find it energizing to be in the company of other authors. Their different perspectives on the activity we love always inspires new story ideas. I’ll summarize the seven panels for you.

How to be a panelist / moderator / presenter at SF/F cons

Author DH Aire did a fine job moderating this panel, consisting of Yakira Heistand and me. We shared our experiences, good and bad, and some valuable tips for serving as a panelist, moderator, or presenter at Chessiecon or other cons.

Underwater Cities. Is there merit to this idea?

I moderated this panel, with help from Linda Adams and John Monahan as panelists. Together we held a wide-ranging, informative discussion of the implications and likelihoods of underwater cities of the future. I’m ready to move to one now!

Why Read the Classics?

A rather heavy topic for a Saturday morning, but we did our best to keep it light and fun. Though I moderated the topic, Melissa Scott and Thomas Atkinson needed little help or direction from me as they spoke about classic literature they enjoyed, its impact on their lives and writing, and the lasting importance of the classics.

Why Aren’t They Writing Like They Used To?

Yakira Heistand moderated this panel, with Linda Adams and me as panelists. Science Fiction has certainly changed over the decades, and we explored the differences between stories then and now, and the reasons for them.

Pandemics Throughout History, and Their Effects on Literature

If we’d done this panel two years ago, nobody would have showed up. Suddenly everyone’s interested in pandemics. I served as a moderator for this panel, with Melissa Scott and John Monahan as expert panelists. If you take the list of pandemics in history, and the list of stories about pandemics, you can match them up pretty well. Moreover, there’s an evolution of the types of stories, from straight reporting of actual plagues as facts of life, to stories of made-up diseases, to tales focusing on the race for cures and vaccines, to viruses from space, to man-caused pandemics, and, most recently, to diseases with bizarre symptoms.

Worldbuilding in Your Story

Basically, we taught attendees how to play God for fun and profit. Once again, I moderated, with Cathy Hird (who posts a weekly column in the Owen Sound Hub), Melissa Scott, and John Monahan as my esteemed panelists. They did a great job conveying the fun of building your own fictional world, with instructions and warnings about the pitfalls.

What Did I Do to Survive the Great Pandemic?

Held late on Saturday night, this panel surprised me. I thought nobody would show up. Worse, Chessiecon hadn’t designated a moderator. There I was, along with Yakira Heistand and John Monahan, scheduled to talk about surviving a pandemic. Not only did people show up, but we invited them into the discussion and they contributed fascinating stories of how the pandemic changed their lives.

All in all, a wonderful time. It’s not every weekend that I can enjoy the company of authors, fans, and a sea monster, without once leaving the home of—

Poseidon’s Scribe

November 28, 2021Permalink

My Chessiecon 2021 Schedule

You’re invited to join me at a virtual science fiction and fantasy convention this weekend. Give me a second while I find out what they’re charging for admission to this thing…wait…ah, here. No, that can’t be right. It’s free?

I guess so. You can listen all weekend to my inciteful and inspiring ideas for nuttin’. Nada. Zero dollars and zero zero cents. (Well, you’re invited to make a donation.) Here’s the Chessiecon website where you can register to attend.

Anyway, I’ve listed my schedule below, which is subject to change. All times are Eastern time zone.

Date/TimeTitleDescription
Fri 4:30 PMHow to be a panelist / moderator / presenter at SF/F consNew to trying to herd cats? Not only does a moderator need to encourage panelists, stop one panelist from taking over the whole shebang, but also a moderator needs to be able to read the audience.
Fri 9:00 PMUnderwater Cities. Is there merit to this idea?What are the Engineering, Social, and Environmental limitations to expanding the areas of earth’s surface that people can inhabit?
Sat 10:00 AMWhy Read the Classics?Do they still have something to teach us, or are they just not something of interest to a 21st-Century audience?
Sat 2:30 PMWhy Aren’t They Writing Like They Used To?We all know the trope that s/ff has always has at least overtones of politics; but what other things have changed or not changed in the field?
Sat 4:00 PMPandemics Throughout History, and Their Effects on Literature2019-2021 is not the first regional, continental or even global pandemic in history.  How have these events affected literature, be it fantasy, speculative or science-fiction literature?
Sat 8:30 PMWorldbuilding in Your StoryPhysical characteristics, societies, geography, languages, and what else might fit. And how this affects your stories
Sat 10:30 PMWhat Did I Do to Survive the Great Pandemic? How our panelists muddled through, and yet, still somehow are not zombies. Note: may be slightly delayed if the chorus runs over slightly.

I’ll be moderating the Underwater Cities panel, the Classics panel, and the Worldbuilding panel. I’ll be a panelist for the rest.

Here’s that website one more time: www.chessiecon.org.

How many opportunities do you get to listen to me for free? Heck, I don’t even get that deal. I charge myself admission, and I pay up, ‘cause I’m worth it.

But you don’t have to pay a cent to listen to seven sensational sessions this Friday and Saturday when you’ll hear the portentous pontifications of—

Poseidon’s Scribe

November 25, 2021Permalink

When Critique Groups Go Bad

In previous posts, I’ve promoted joining a critique group as a way to improve your writing. I still stand by that, but critique groups—being made up of humans—aren’t perfect. Sometimes you might have to drop out and join a new one.  

Critique groups consist of writers who review and comment on each other’s work. Always voluntary, and usually free or low cost, they meet either in person or online. Through these interactions, you can learn how to improve your writing, and how to give effective critiques that help your fellow writers. Useful ideas often come from these meetings, and you’ll find yourself hearing the voices of your fellow writers as you work on your manuscripts.

Still, they can go bad. As discussed by Anne R. Allen in this informative post, there are several types of critique group members to watch out for. I’ll summarize her list and put it in my own words, but the ideas are hers.

  1. Perpetually Offended.  These are writers who can’t look beyond their personal belief systems, whether religious, political, racial, sexual, etc. It’s one thing for them to point out a stereotyped character in your story. That’s fair, and valuable. But to tell you that your writing offended them is not helpful. You won’t receive good critiques from such people.
  2. Enforcers of the Old Rules. Some group members might say you can’t end a sentence with a preposition, or hit you with some other outdated rule they learned from a high school English teacher. Or they might be just plain wrong. Either way, ignore these criticisms.
  3. Ignorers of Group Norms. Critique groups need rules, whether written or not, and members should abide by them. How does the group get new members, or kick out a disruptive one? How long can submissions be? How are critiques offered and received? Members that violate the rules detract from the critique experience.
  4. Bad or Missing Group Moderator. Groups can sometimes work better with a leader, but a bad leader can ruin the experience. Anne R. Allen listed this item, but I don’t entirely agree. I’ve been a member of a leaderless critique group for twenty years. It’s small (four people), and we did once discuss having a leader, but we never chose one and haven’t suffered for it.
  5. Grammarians in a Gaggle. You’ll benefit from having at least one grammar expert in the group. But if that becomes the group focus, rather than plot or character or description, then you’re missing most of what critiques should be about.
  6. Control Freaks. Some group members might get grumpy or angry if you don’t take their advice. These folks forget whose name will go on the published story—the author’s, not the critique group members. You are free to take or reject any advice from any group member, and their inability to accept that is their problem.
  7. Pollyannas. One or more members might give you only praise—nothing negative. A good critique should have positive and negative elements. We feel good when others like our work, but if they don’t point out the bad parts, they’re not helping you.
  8. Re-writers. These folks think they have a better idea for your whole story concept, and it sounds like something they’d write. Listen to their advice in case it contains a useful nugget, but otherwise ignore them.
  9. Self-Proclaimed Experts. Some people sound authoritative and spew false assertions with utter confidence. You’ll probably believe them the first time, but after a fact-check proves them wrong, you should doubt their advice after that.
  10.  Initiation Shamans. On occasion a group includes someone who makes things tough on newcomers. Their scorching critiques are enough to make a newbie quit the first day.

Got enough of these types in your critique group? Quit and find (or form) a better one. No need to remain part of a group that’s not helping you.

Also, (need I say it?) you should avoid exhibiting the above behaviors yourself. I’ve probably hit about half of them at some point, so don’t join any group that includes—

Poseidon’s Scribe

November 21, 2021Permalink