Dividing Your Time

A long time ago, in a writing and publishing galaxy far, far away, authors could write all the time and the publisher would do all the marketing. Not any more. These days, authors must do their own marketing.

But who has time for that?

Dividing timeWell, you’d better make time for it. Somehow. Sure, you want to spend your precious time writing and you don’t like marketing. That’s why you became a writer. Still, it turns out that your preferences don’t really enter into this—you must do most of your own marketing (or pay someone to do it for you).

Let’s assume you’re done grumbling about that fact and have reached acceptance. You know you must spend some time marketing, and now it’s just a question of how much.

After all, marketing does consume time. Book marketing activities include blogging, blog tours, author interviews, arranging for reviews, book signings, podcasts, social media, and making promotional videos.

How are you going to balance all that with your writing? Let’s take two extreme examples, those of authors Ty Prighter and Mark Etter.

  • Ty Prighter wrote all the time. He disdained marketing and refused to devote any time to it. After all, he said, that’s the publisher’s business. Ty believed the more he wrote the better author he’d become; if he became skilled enough, readers would find his books and want more. His books would market themselves.
  • Mark Etter wrote one book. He got so busy marketing it, he had no time to write another. He enjoyed the social interaction of marketing. Mark discovered which marketing methods worked best for him, and ceased the ineffective ones and focused on those that increased sales.

Which of these authors was more successful? Actually, neither writer practiced a good time management strategy.

It was a long time before readers noticed Ty’s books. He did improve his writing, thanks to the time he spent doing it, but improvement was slow due to the lack of reader feedback. He missed out on a lot of sales he could have had if he’d reached out to readers early.

As for Mark, his book did sell, but some of his readers wanted more. He had no more. Popularity of his one book didn’t rise as high as it might have, had there been a sequel, or at least other books written by that author.

Ty and Mark are fictitious examples, of course. For you, in the real world, it’s going to take a balance. More than that, you’ll have to experiment to find the optimal split of time for you between writing and marketing. You may have to force yourself to do the marketing activities, or you may learn to enjoy them.

I wish I could offer you a numerical percentage of time that has worked for me. However, I’m much closer to the Ty Prighter end of the scale. I don’t spend much time marketing, other than blogging. I do enjoy that, but the effect of blogging on sales of my books has been lackluster. I’m working toward a better balance of marketing and writing time, but it’s difficult.

May the force be with you as you figure out your proper time balance. Once you do, consider sharing your wisdom, and leave a comment for—

Poseidon’s Scribe

December 27, 2015Permalink

Genre Switching for Profit

It’s just not working. Try as you might, you’ve been writing like mad but not seeing any success. You’re seeing either lackluster sales or none at all. This isn’t how you imagined writing would be. What do you do?

There may be many reasons you’re not attracting readers, some due to the genre you’ve chosen. That genre may be unpopular or out of style. It may be saturated which makes it tough for new authors to break in. It could be that your stories are too similar to those of other, more famous, authors in that genre. Perhaps you’re trying too hard, focusing on staying within genre limits rather than telling a good story.

If the problem is due to one of these reasons, have you considered switching genres? Maybe you could try that just for a while, to establish a faithful readership, and then switch back to your favorite genre.

switching genresYou might have rejected the idea of switching genres already. I can hear your reasons now:

  • “I’m no quitter. What happened to the virtue of persistence?”
  • “I hate all the other genres. My favorite is the only one I’d ever want to write in.”
  • “Right now, I might be on the brink of success. What if my next story is destined to be a bestseller?”
  • “There’s no guarantee I’ll succeed in any other genre, either.”

There’s some merit in all those reasons, but on the other hand, no one awards prizes for banging your head against a wall. Sisyphus was forced to roll that stone up a mountain, but you have a choice; you can leave the stone alone and walk away.

Here are some advantages you might experience if you try switching genres:

  • It could give you a fresh perspective. You’ve been looking at the craft through the lens of your favorite genre. With your view broadened, your writing may improve.
  • You will learn new things. As you research your new genre, you’ll benefit from the increased knowledge.
  • Whether due to the new perspective, or what you’ve learned, the experience of writing in the new genre might enable you to write better and more saleable stories in your favorite genre.
  • You might become a huge success. Sometimes, in life, you find you’re quite good at things you hate doing. Of course, phenomenal sales might make you re-evaluate whether you really hate that new genre as much as you thought.
  • You may discover that this experimental method of discarding things that don’t work and trying alternatives, is applicable in other areas of writing besides genre. It applies to writing techniques, book marketing methods, story lengths, etc.

The writing biz is full of examples of writers who achieved success by switching genres:

Author Name Initial, failed, genre(s) Success genre
Agatha Christie Spiritualism, paranormal Mystery
Horatio Alger, Jr. Essays, satirical poetry Rags-to-riches boys stories
R. L. Stine Children’s humor Children’s horror
Dean Koontz Science fiction Suspense thrillers
Louis L’Amour Adventure and Crime Westerns
Mickey Spillane Comic books Detective fiction
Mary Higgins Clark Historical fiction Thriller
Jules Verne Historical adventure Science Fiction

Regular readers of my blog know I’ve dabbled in various genres myself. Although my favorite is alternate history (especially steampunk and clockpunk), I’ve written fantasy, horror, science fiction, and even some romance. The most successful in terms of sales has been my horror story. I’m not attracted to that genre, and it’s likely that the great sales are due to other stories in the anthology besides mine. Therefore, it’s questionable whether I’d really attract more readers if I switched to writing horror.

Has this blog post caused you to consider switching genres? If you do switch, please comment and share your results, whether successful or otherwise, with—

Poseidon’s Scribe

December 13, 2015Permalink

Author Interview—Robert E. Waters

Another fellow author from the Hides the Dark Tower anthology has consented to an interview. It’s interesting how that anthology gathered so many incredible writers together. Today, please welcome Robert E. Waters.

Robert E WatersRobert E. Waters is a science fiction and fantasy writer. Since 1994, he has worked in the computer and board gaming industry as technical writer, editor, designer, and producer. His first professional fiction publication came in 2003 with the story “The Assassin’s Retirement Party,” Weird Tales, Issue #332. Since then he has sold stories to Nth Degree, Nth Zine, Black Library Publishing (Games Workshop), Dark Quest Books, Padwolf Publishing, Mundania Press, and Rogue Blades Entertainment. Between the years of 1998 – 2006, he also served as an assistant editor to Weird Tales, and is still a frequent contributor to Tangent Online, a short fiction review site. Robert currently lives in Baltimore, Maryland, with his wife Beth, their son Jason, and their cat Buzz.

And now, the interview:

Poseidon’s Scribe: How did you get started writing? What prompted you?

Robert E. Waters: At a very early age, I was interested in story. My grandfather used to tell me stories he made up on the fly. One of my favorites were his “Quirrel the Squirrel” stories, and I’ve considered putting them down on paper and getting an artist to draw them. Perhaps someday I will. I was also into horror movies when I was a kid, and even though I’d have terrible nightmares after seeing the movies, I kept coming back to them. So I’ve always had this thing about story, about strange, fantastic stories in particular. And that early interest eventually led to me to writing my own stories by the time I was twelve.

P.S.: Who are some of your influences? What are a few of your favorite books?

R.E.W.: My early influences were Robert Sheckley, Clifford Simak, and Robert Silverberg, just to name a few. Specifically, science fiction authors (or those authors more commonly associated with SF) have had the biggest influence on my writing, although I must say that the first time I read JRR Tolkien, I was paralyzed with awe. The years, unfortunately, have not been as kind to me when it comes to Tolkien’s staying power. Don’t get me wrong: He’s a terrific author, but his writing style, his manner of dialog, his pacing, etc. have not had the long-term effect on my own work that other writers have had. And some of my favorite books are not SF/Fantasy at all. My favorite novel ever is TC Boyle’s Water Music. It’s in my opinion, a tour de force of stylistic prose genius. It literally took me six months to read anything else afterwards because everything I read thereafter just could not compare. Other novels in the SF/Fantasy genre that I have always considered my favorites include Orson Scott Cards Ender’s Game, Sheckley’s Dimensions of Miracles, Walter John Williams’ Metropolitan, and of course George RR Martin’s Song of Ice and Fire series. Oh, and let’s throw in Glen Cook’s Black Company series for good measure. His and Martin’s fantasy are the kind I like the most; grittier and more realistic.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

R.E.W.: The easiest part for me is getting into the emotions and personal interactions of the characters. Once I have a good idea of who a character is, how he/she needs to react, their background, their personal relationships with other characters, etc. I can put them into pretty compelling situations. The hardest for me is keeping my prose tight. I have a tendency to meander into backstory. I seize on a nugget of a character’s backstory that I particularly like and want to share it with the audience, even though it has no relevance whatsoever with the story at hand. So I have to be mindful of how much superfluous flummery I am putting into a story.

P.S.: How would you describe the genre or style of the stories you write? Any common themes?

R.E.W.: Well, my genre is almost always science fiction and/or fantasy. It’s funny, but I find that I can write fantasy better than SF, even though I prefer SF when it comes to reading. And no, I really don’t have many common themes, although I do love the character who prevails in the face of insurmountable odds. I like a flawed character, not one who has the right answer for every situation, says the right things every time. I like characters that have to fight to achieve their glory, and I don’t mind a character stumbling into victory, so long as it’s an honest stumble.

P.S.: What sets your stories apart from those of other authors who write in your genre(s)?

R.E.W.: This is a tough question and one that I’ve never given much thought to. But I like to think that my stories bring some real humanity to my characters. I try to create believable characters for my stories, people that the reader can relate to in some way or another. A lot of authors do this, certainly, but oftentimes characters in SF are defined more by the gadgets they carry and not the content of their hearts. George RR Martin is often fond of quoting William Faulkner’s Nobel Prize speech: The only thing worth writing about is the human heart in conflict with itself. There’s a lot of truth to that in writing fiction.

P.S.: You spent several years as an assistant editor of the renowned magazine Weird Tales. How did that editorial experience affect your writing?

R.E.W.: My experience at Weird Tales was a huge factor in my writing. One of my jobs there was reading the slush pile. Stacks of stories would be put in front of me and I’d have to read them all and decide if they were good enough to be pushed up the editorial line, or should they be rejected. Doing this over and over helps in a couple important ways: First, you see errors in the stories that you are doing in your own writing, and second, it humbly reminds you that you are one in hundreds of people trying to get published. I came out of that experience ten times a better writer then when I went in, and I highly recommend to anyone who gets the opportunity to read slush to do it, even if you don’t get paid.

P.S.: You wrote “The People’s Avenger” for Pageflex Persona [document: PRS0000039_00001]Hides the Dark Tower. Can you tell us the backstory for this tale?

R.E.W.: The main character in “The People’s Avenger” is Nalo Thoran, a hired assassin who works the streets of Korsham City. A thief by the name of Falco Creed has come to Korsham to find and steal back an ancient artifact that holds cultural significance to his people. The artifact had become a spoil of war taken by the Korsham army in battle against the Brenian’s of the south. The story revolves around their cat-and-mouse chase through the dark, dank streets of Korsham, as Nalo tries to kill the thief, and Falco tries to stay alive.

P.S.: That’s not your only story featuring the character Nalo Thoran. You’ve written several others. Please describe him. Do you intend to combine those stories in a series?

R.E.W.: Nalo Thoran was once a simple urban boy living in the streets of Korsham City. During one of Korsham’s wars against the southern kingdom of Brenia, he was pressed into the army and forced to serve as an assistant to a quartermaster. On a quiet, foggy morning in the midst of this war, he was lured to a waterfall by a beautiful singing voice. There he met Tish, the Mistress of Kalloshin, The Seething Dark Eternalness, the Paton Saint of Assassins, who bathed with him and stole his soul. Nalo was immediately transported to the assassin’s guild in Korsham, where he has served and killed for Kalloshin for decades. But he’s not a happy warrior in this secret war. He serves his master’s purposes, but he hates every minute of it, dreaming of a time when he can be free to live his own life, or to die. Either end game is acceptable to him.

To date, I have published five Nalo Thoran stories. I have a couple more scheduled for publication in the next year, and someday I hope to combine them all in a series, or as a collection.

Wayward EightP.S.: You’ve just had your first novel published, The Wayward Eight: A Contract to Die For. Can you tell us about it briefly? Do you think you’ll write more novels, or go back to short stories?

R.E.W.: The Wayward Eight is a weird wild west novel set in the miniatures game universe Wild West Exodus. The story revolves around a mercenary unit known as the Wayward Eight, led by ex-Confederate officer Captain Markus Wayward. He and his gang of killers have been hired by the Union to find and assassinate the known mad scientist Doctor Carpathian, who has come to America from Europe to create and lead an undead army to crush the Union and all others that may stand in his way. But there are other mercenaries on the hunt for Carpathian as well, and Markus Wayward and his crew find the way fraught with difficulty.

And yes, I do plan to write other novels. There are plans for at least one more novel set in the Wild West Exodus universe, and two other novels which I cannot provide many details about as of yet. But I also plan to work on short stories as well as the opportunities arise. I get invites to anthologies from time to time and I am a frequent contributor to Eric Flint’s online magazine, The Grantville Gazette, which publishes stories set in his 1632/Ring of Fire alternate history series. I’m keeping busy.

P.S.: What is your current work in progress? Would you mind telling us a little about it?

R.E.W.: I recently finished a short story set in my Devil Dancers military SF series. The Devil Dancers are Apache fighter pilots engaged in an alien war with the Gulo, a wolverine-like race that threatens to conquer all of human space. I have published three stories so far in the series, with three more pending publication. In these stories I explore Native American culture and spiritualism, and try to address issues of both peace and war, and what is the price to preserve and wage both. My latest story is “The First Peace,” which is a title inspired by a bit of philosophy from Black Elk: “The first peace, which is the most important, is that which comes within the souls of people when they realize their relationship, their oneness with the universe and all its powers, and when they realize at the center of the universe dwells the Great Spirit, and that its center is really everywhere, it is within each of us.”

Poseidon’s Scribe: What advice can you offer aspiring writers?

Robert E. Waters: Robert A Heinlein’s advice is still relevant today. To be a professional writer you must: Write, you must finish what you write, and you must put on the market your finished stories. Good advice then, good advice today. Another thing I’d recommend is to study history and science. It’s amazing how many ideas you can come up with by reading accounts of historical events. I recently wrote a story called “Mungo Snead’s Last Stand” which is another weird wild west story that will be in the Weird Wild West Anthology from e-Spec Books later this year, and the events in that story were inspired by my reading of the Rorke’s Drift battle of the Zulu Wars. The inspiration behind my Devil Dancers stories is my love of Native American culture and years of study in that field. I find it incredibly hard to just sit down and write. I need an idea solidly in my head before I type the first sentence. So, read history, read science, read about other cultures, and then imagine twists to apply to those events that will give you story ideas.

 

Thanks, Robert! My readers can find out even more about author Robert E. Waters at his website.

Poseidon’s Scribe

December 5, 2015Permalink

Body Dialogue

Some say our bodies speak more clearly and honestly than our mouths do. I don’t know about that, but I think it will help your fiction if you show your characters using appropriate body language from time to time.

Body DialogueWhy? For one thing, body language helps break up long strings of dialogue quotes to keep the text more readable and interesting. Body language allows you to show internal conflict within a non-Point-of-View character by contrasting that character’s words with some clashing body language. Also, body language can emphasize the emotions of a character by going beyond mere spoken words.

Body language, or kinesics, includes such things as facial expressions, body posture, gestures, and tone of voice. Subdivisions of kinesics include Oculesics (body language of the eyes), Haptics (body language through touching), and Proxemics (body language using distance).

Author Amanda Patterson, founder of Writers Write, has provided a convenient online table that provides the typical body language expressions for many emotions.

There are a few ways you could use this resource:

  • As-is. Just find your character’s current emotion, and have the character display some or all of the body language manifestations. This may contrast a bit with what the character is saying, and that shows either internal conflict or deception.
  • Characteristic body language. For one of your main characters, establish a pattern where that character displays a particular body language much of the time, thus establishing a character trait and linking it to a predominate personality trait. Jules Verne’s Captain Nemo often crossed his arms, denoting aloofness, distance, and defensiveness.
  • Given that the table provides typical body language, consider showing one or more of your main characters exhibiting slight variations on those common traits. Those variations may say something about your characters’ personalities.

It’s not clear if body language is common across all countries, all cultures, or all time periods, so be careful and do some research before assuming a character would exhibit the body language you do.

Lastly, don’t overdo it. Just like long strings of dialogue get boring, so does too-frequent use of body language.

Jumping up and down while pumping my fists in the air, I’m—

Poseidon’s Scribe

November 29, 2015Permalink

Author Interview—N.O.A. Rawle

The fun continues today as I interview another author with a story appearing in the anthology Hides the Dark Tower. To obtain this interview, I had to travel all the way to Greece…well, virtually.

NaomiRawleN.A.O. Rawle is a British writer, teacher and translator living and working in mythical Thessalian Plain in Greece. She graduated from Manchester Metropolitan University with a degree in Creative Writing and Philosophy. After many years of procrastinating, she took the plunge and has started publishing short sci-fi/horror/fantasy stories. She’s had over a dozen short stories and poems published. She’s been published in the anthology Once Bitten, and The Girl at the End of the World, Book II  and the anthology Denizens of Steam.

Here’s the interview:

Poseidon’s Scribe: How did you get started writing? What prompted you?

N.A.O. Rawle: First, thank you for having me on your blog, it’s great to talk to you. I grew up with books as my dad was a librarian. He had a study stuffed floor to ceiling with books, mostly about fly fishing and theology, but that’s where I got the bug. The actual writing started with fan fiction when I was in Secondary school and progressed into photocopied comic books in my late teens. Published work came a lot later.

P.S.: What other authors influenced your writing? What are a few of your favorite books?

N.R.: Harder to answer than I imagined. I can’t say who has influenced my writing style as I don’t think I’ve really found my own. (At the moment I’m going through a phase of stories in rhyming prose and that comes straight from Dr Seuss and ‘The Night Before Christmas’!) Once I had finished James Herbert’s The Magic Cottage, I remember thinking “I should like to do that.” I love Clive Barker, Anne Rice, Iain M. Banks, George Orwell, John Steinbeck, Bret Easton Ellis, Harlan Ellison and Bruce Sterling…

P.S.: In your blog, you’ve mentioned having thirty writing projects going at once, in various stages. Have you accepted that as a normal state of affairs for you, or would you prefer to be more focused?

N.R.: That’s normal. I live by flitting from one thing to the other and half finished projects everywhere, and I don’t mean just writing. I can focus and do occasionally, to the point of obsessive! That’s when work gets done fast.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

N.R.: Being asked to do edits is the hardest. Not because I’m too proud and don’t want to change what I’ve written but because I find incorporating another’s perspective bewildering. Will it look right to the reader? Have I clarified and tidied up the waffle? The easiest is writing. I can sit and type for hours and hours.

P.S.: Your bio mentions your British nationality, your current work location in Greece, your teaching and translation work, and your education in creative writing and philosophy. In ‘Core Craving’ and ‘Those Who Can, Do,’ you touch on two of those aspects. In what other ways do your varied background and education inspire your stories?

N.R.: I’ve done (counts on fingers and gives up) many jobs since the age of fifteen so there’s always a bit of those experiences in my writing but it’s not necessarily what I know about them. In ‘Those Who Can, Do’ I was more interested in the fact that so many teachers appear to have forgotten the purpose of their jobs and get into some sort of power place ‘us’ and ‘them’. I also had some hideous teachers at school who really didn’t understand that the colour of my shirt was not a factor in the learning process. Greece crops up in my work frequently, I’ve spent almost half my life here now and it would be weird for it not to feature. A character might come from someone I’ve met or the atmosphere of a place might inspire a scene, I’m always trying to paint a picture so that my reader can see what I do.

P.S.: It appears you’re participating in NaNoWriMo (the National Novel Writing Month) for the first time this year. How is that going?

N.R.: It’s going…I did it in the hope that I could complete one of those projects I’ve been composting for about a decade as there is outside interest in it after a short story grew from some of the remnants that I had cut from the original work. (‘Synchronysi’ due to be published in the New Year). If I can get the plot down then I know I’ll get it sorted.

P.S.: Lately, you’ve been writing some steampunk stories. Why does that genre appeal to you?

N.R.: It’s what Goths do when they discover brown, or so a friend of mine tells me. No, I like that I can mix up fancy frocks with feminism and mechanical monsters! Oh and rhyming prose, ‘A Walk in the Park’ is the first story I’ve self-published that is Steampunk in Denizens of Steam, an anthology that I helped ‘curate’ to promote the Scribbler’s Den writing forum on the Steampunk Empire.

P.S.: You’ve guest-blogged for Rie Sheridan Rose about your story ‘Core Craving’ in Pageflex Persona [document: PRS0000039_00001]Hides the Dark Tower and mentioned the research you did on the castle. Had that story idea been kicking around in your mind before the anthology’s call for submissions, or did it all click together afterward?

N.R.: The story was fully formed but had not found a home. Vonnie and Kelly [editors Vonnie Winslow Crist and Kelly A. Harmon] made it welcome in Hides the Dark Tower, an anthology, which is a real treat to read and an honour to be included in! ‘Core Craving’ is such a small story but one that took a long time to build and the first one published which is set in my home town (I have several others) so I’m pleased it’s found its niche amongst so many respected authors.

P.S.: Among your many current Works in Progress (or, as you have quipped, Works in Procrastination), would you mind telling us a little about one of them?

N.R.: I have a story called ‘Touched’ which has been simmering for a long time (read years). It’s a fantasy/horror mishmash involving fae folk who live in the beautiful Greek mountain forests. (I am told, in all seriousness, that fairies do reside there.) I have so much written but on an ancient word processor whose disks I have been unable to print up anywhere since the WP died on me. I’ve been trying to remember the story but there are big gaps in the plot and I am so sad. I’m patching it up but it’s beginning to resemble Frankenstein’s monster not the glorious creation I envisaged. In my heart I know I can make it good but I need determination.

Poseidon’s Scribe: What advice can you offer aspiring writers?

N.O.A. Rawle: Jim Morrison wrote “Words dissemble, words be quick, words resemble walking sticks, plant them and they will grow…”

Sow the seeds of stories and see what becomes of them. Some will become roses and others prickly thistles that you’ll need to weed out. Like plants, some tales are therapeutic and others poisonous. Some will charm you with their beauty and there will be down-right ugly ones; they will all teach you something about writing but only if you keep tending them.

 

Thanks, Naomi! I know readers of my blog will want to find out more about you, and, luckily, I have that information handy. You have a blog and you’re on Facebook, Twitter, and Goodreads. You also appear on Google+, Pinterest, and Amazon as N.O.A. Rawle, and on Steampunk Empire as Lady Naomi.

Poseidon’s Scribe

November 15, 2015Permalink

Author Interview—Jeremy M. Gottwig

When you’re on a roll, go with it. I’ve been landing the most fascinating interviews with the authors of the wonderful stories in the Hides the Dark Tower anthology, and today I present another one.

Jeremy GottwigI interviewed Jeremy M. Gottwig. According to his website, he lives in Baltimore City, and is a trained librarian and programmer. Writing is his hobby, but his favorite job is being a parent.

Here’s the interview:

Poseidon’s Scribe: How long have you been writing?

Jeremy M. Gottwig: I read Watership Down in junior high and caught the bug. Most of my early stories involve talking animals. I am now in my mid-30s. A few weeks ago, my parents sold the house. My mom told me that she found boxes and boxes of notebooks filled with my stories and partial novels. I’m tempted to go through them and see if I discover any gems, but I’m also a little nervous about what I might find. I was a strange teenager.

P.S.: On your Twitter page, you state that you write space opera. How do you define that term, and why do you write in that genre?

J.M.G.: For me, space opera is about exploration, discovery, and relationships. I expect space opera to be epic. Perhaps it takes place over vast distances or over the course of many years. I hope to see substantial character growth throughout the course of the story.

It is my preferred genre, because it was my dad’s preferred genre. I grew up on Star Trek and classic Battlestar Galactica. I am a librarian and programmer, and my first job after graduate school was at NASA. My interest in languages, technology, and information stemmed in part from my early exposure to space opera. I hope to pass a love of science and space onto my son, and I hope that my stories can be part of this effort.

P.S.: I’m sure your son will appreciate it. In what way is your fiction different from that of other authors of space opera?

J.M.G.: I love reading about space battles, galactic conflicts, and seismic shifts, but I tend to avoid these themes in my own work. My space opera tends to be smaller, personal, and somewhat light-hearted. I like to drop ordinary people into extraordinary circumstances and observe their growth across space and time. My stories are more likely to contain marital disagreements than military engagements.

P.S.: Your website includes much of the latest news from NASA. Do current NASA developments give you ideas for stories?

J.M.G.: I use scientific discoveries to help with adding details to stories. I often mine Kepler’s exoplanet data to describe planets. Only on rare occasions do scientific discoveries inspire the stories themselves.

P.S.: Your website states that many of your stories take place in the same “universe.” Do you have a name for this story world, and what are your plans for it (short stories, novels, collections)?

J.M.G.: All of my current stories take place in and around Xevilious, which is an alliance of worlds bound together by an engineered virus. Earth became a member of this alliance in 1988 following a First Contact event. I’ve rewritten much of Earth’s history after that point. (For example, Dukakis won the presidential election rather than H.W. Bush.) I use this world to give me consistent rules when writing. For the most part, I write flash and short stories, but I do have a number of longer pieces. My largest project in this universe is Employee of the Year: a series of novellas (six and counting), which takes place in the years following First Contact. I have two additional collections planned, one in the distant past and another in the distant future. All of these stories feed into one of several overarching threads, and I use short stories and flash to highlight tertiary issues and minor characters.

P.S.: How do you keep track of all the facts about your story universe, to keep from having the stories conflict?

J.M.G.: I keep long and detailed Google Docs that contain planets, races, star systems, and so on. I plan to transition some of this data over to my website and make it publicly available. I also keep all of my stories in Google Docs, and I use the search feature if I ever need to verify a detail.

P.S.: How do you describe your writing style?

J.M.G.: I sacrifice poetry for simplicity.

Pageflex Persona [document: PRS0000039_00001]P.S.: Well said. You wrote “Who Abandon Themselves,” which appears in Hides the Dark Tower. Please tell us about the story.

J.M.G.: Shy Aubolis struggles with the day-to-day operations of running a monastery, while maintaining a sinful correspondence with a former lover. This story takes within a black hole’s planetary system. I have written more about the characters (and their historical inspiration) on Vonnie Winslow Crist’s blog.

P.S.: You have a book coming out called Employee of the Year. Please tell us about it.

J.M.G.: The story is about teenager and fast food employee, Chet Eubanks. After First Contact, Chet obsesses over strategies to get into space. He is selected for an illegal corporate project to determine how much traction the company’s fast food products might get with alien lifeforms. Chet welcomes the opportunity, but he should have thought things through a bit more carefully.

And there you have the first three chapters in a nutshell. What follows is a multi-year epic that carries Chet from south town South Dakota and into the depths of space.

P.S.: What is your current work in progress? Would you mind telling us a little about it?

J.M.G.: Employee of the Year is a series of novellas and novelettes rather than an individual novel. It is broken up into “seasons.” I have completed the first season and am hard at work on the second. Whenever I need a break, I write a short story or a piece of flash.

I am releasing the first Employee of the Year novelette in December. I plan to release the other episodes throughout the first half of 2016.

Poseidon’s Scribe: What advice can you offer aspiring writers?

Jeremy M. Gottwig: Set a realistic writing schedule. You are busy, and writing is hard work. I tend to caution against setting word goals and prefer to focus on keeping the schedule. If you have writer’s block, edit something you have already written.

Thanks, Jeremy! I invite readers of my blog to find out more about Jeremy M. Gottwig at his website, on Twitter, on Facebook, and on Pinterest.

Poseidon’s Scribe

November 7, 2015Permalink

Author Interview—Anatoly Belilovsky

You’ll enjoy reading my interview of Anatoly Belilovsky, another author whose story appears in the anthology Hides the Dark Tower.

Anatoly BelilovskyAnatoly Belilovsky is a Russian-American author and translator of speculative fiction. His work has appeared in the Unidentified Funny Objects anthology, Ideomancer, Nature Futures, Stupefying Stories, Immersion Book of Steampunk, Daily SF, Kasma, Kazka, and has been podcast by Cast of Wonders, Tales of Old, and Toasted Cake. He blogs about writing here, pediatrics here, and his medical practice web site is here. He was born in what is now Ukraine, learned English from Star Trek reruns, worked his way through a US college by teaching Russian while majoring in chemistry, and has, for the past 25 years, been a paediatrician in New York, in a practice where English is the fourth most commonly spoken language.

Here’s the interview:

Poseidon’s Scribe: When and why did you begin writing fiction?

Anatoly Belilovsky: I vaguely remember writing fanfic as a child, at least in my mind: a prequel to 20,000 Leagues Under the Sea, a sequel to the original Lost World of Arthur Conan Doyle, apocrypha of Strugatsky’s Inhabited Island. Nothing I’d ever want to show anyone.

I did publish a couple of stories in my college’s annual magazine, one of them acquired by Gordon van Gelder [editor of The Magazine of Fantasy and Science Fiction] back when he himself was an undergraduate. Nothing I’d want to show anyone these days, either.

P.S.:    What genres have you written in?

A.B.: Alternate history is probably my favorite. When I write SF and fantasy, they tend to skirt very close to mainstream/literary. In humor, I prefer character-driven comedy to situational comedy — a mathematician who can only think of mathematics in terms of Russian swear words seems to have had the greatest impact so far, though an epidemic of otaku based on Russian cartoon characters, and Wagner leading a musical invasion of France in 1870, both got a few chuckles here and there.

P.S.:    In what way is your fiction different from that of other authors in your genre?

A.B.: I doubt I am the only one who acknowledges a debt to Gogol, Chekhov, Nabokov, and Poe as their major influences. It isn’t as common as Delany and Le Guin, but certainly not unique. There are several excellent bilingual writers, several physician writers I am proud to call twice-colleagues, several of anything I can ever be labeled as. I guess this is a question best asked of my fans. Shouldn’t take too long to interview both of them.

P.S.:    What are the easiest, and the most difficult, aspects of writing for you?

A.B.: Characterization is easiest: I seem to have a good handle on subtext which is what characterization is all about.

Plotting is the hardest. If I do my characterization right, the characters will pick proper fights with each other, the Universe, and the absurdity of existence. If not, they go through the motions, listlessly.

P.S.:    You’ve had many short stories published. Have you written any novels or do you intend to?

A.B.: I have not so far been chosen by a novel to be the instrument of its creation. Also, plotting: novels seem to depend on it more than short stories do.

P.S.:    In describing yourself, you cite your Russian childhood, Star Trek, chemistry, and pediatrics. How do you weave each of those threads of your life into your stories?

A.B.: Well, I learned English from Star Trek, so that’s huge. The chemical principles of self-assembly and tertiary structure — if you think about it, that’s how the best stories work, the characters and their worlds interacting organically, friendships and conflicts never feeling forced or synthetic. Pediatrics — after 30 years, subtext is second nature, you get to read whatever is left unsaid, tease out the meaning behind the exact phraseology used. And growing up speaking a highly inflected language I think gave me a heightened understanding of structure and mechanics of English.

Also, seriously, when everything you say can be used by Big Brother against you, subtext becomes a way of life. I was beta reading a story once that had this exchange:

A: “We hunt dragons.”

B: “There are no dragons.”

A: “That’s because we killed them all!”

My suggestion was to change it to:

A: “We hunt dragons.”

B: “Dragons are extinct.”

A: “You are welcome!”

Same idea, but I think communicating it through subtext made the speaker more matter-of-fact and therefore more believable.

P.S.:    Your stories often contain literary references, some perhaps unfamiliar to American readers. Are your tales intended to be enjoyed on several levels by the casual reader, the well-read bibliophile, and the researching puzzle-solver?

A.B.: Yes. In fact, this is exactly what several reviewers and a number of beta readers said. “Because of your story I googled [X] and wow [X] is now my new favorite thing and likely the name of my firstborn and my next band” — this is what writers live for!

Examples: I wrote a story about Night Witches, a women’s night bomber unit in the Soviet Army in WWII. Got an email from a reader who happily discovered the unit actually existed! Another reader now peppers conversations with Russian swear words. Mea maxima culpa! And Chrestomathy, the patchwork alternate literature story, got a whole bunch of conversations going about Pushkin and Gogol and the nature of ethics.

P.S.:    Your Twitter stream abounds in puns. What is it about that form of humor that intrigues you?

A.B.: I immigrated to US with my parents in 1976, and by end of high school and start of college in ’78 my English was fully functional, but no more. It was on a winter day in 1979 that I felt an almost audible *click* as English became *my* language, and the first manifestation of that was that I started making puns. I scribbled in the margins of my notebooks, Q and A jokes, knock knock jokes, shaggy dog stories ending in a terrible pun —

Also, I always liked math. And math teaches us that the shortest distance between two puns is a straight line.

One of my multilingual idols, Vladimir Nabokov, excelled at puns. Pale Fire has to be one of my favorite books of all time.

P.S.:    Your story in Pageflex Persona [document: PRS0000039_00001]Hides the Dark Tower is “Deep Into That Darkness Peering.” Can you tell us what inspired that homage to Poe (with a nod to Chekhov)?

A.B.: Well, Poe is… Poe! I mean, who else can write such purple prose and get away with it? “Deep Into That Darkness Peering” is actually one of three Poe’s purple prose pastiches I perpetrated, the other two published in Stupefying Stories Showcase. Melodrama, bathos, run-on sentences from hell (in my son’s estimation) — and I’m getting paid for it! MWAHAHA! [clears throat] Umm, where was I?

I also admire Poe for what has to be the biggest Deus Ex ending ever. Remember how “The Pit and the Pendulum” ends? The French enter the city and save the protagonist! Agency? Who needs agency when you have the French army! Now I don’t have to feel guilty for how I ended “Deep Into That Darkness Peering.”

Chekhov, by the way, is the author of the best bit of subtext ever written. In “The Lady with the Dog,” a man approaches the lady and the dog. The dog bristles. Quote follows:

“He does not bite,” she said and blushed.

Think about it.

P.S.:    What is your current work in progress? Would you mind telling us a little about it?

A.B.: An alternate history in which Tsar Nicholas II caught the bullet meant for Prime Minister Stolypin in 1911. No WWI, no Revolution. Murder mystery involving several characters born before the point of departure and famous in our timeline for — blimey, I better go and write this, what?

Poseidon’s Scribe: What advice can you offer aspiring writers?

Anatoly Belilovsky: Don’t only take writing advice from writers who wrote stuff you wish you’d written. Even people whose writing you don’t find appealing can help you develop your own voice. And if then you develop taste for their work — well, growth happens.

 

Readers aching to find out more about Anatoly Belilovsky (you know you’re one of them) can visit his website and follow him on Twitter.

Poseidon’s Scribe

November 4, 2015Permalink

Remembrances of Hallowread 2015

Several authors whose stories appear in Hides the Dark Tower, participated in Hallowread this year.

Here’s yours truly, Hallowread 1Poseidon’s Scribe himself, signing a book for an adoring fan. Either that, or I’m defacing somebody’s copy of the book.

 

 

 

 

Fellow author Hallowread 4M. J. Ritchie spooks the attendees with a section of her story “Soul for Sale.”

 

 

 

 

 

Andrew Hallowread 3Gudgel reads from his story “The Long Road Home,” with Poe’s raven gauging the audience’s reaction.

 

 

 

 

 

Here’s beret-topped JHallowread 5eremy M. Gottwig reading his tale “Who Abandon Themselves.”

 

 

 

 

 

Co-editor VHallowread 2onnie Winslow Crist, behind a row of some of her books, entices the audience with a short blurb about every story in Hides the Dark Tower. I don’t have a pic of co-editor Kelly A. Harmon, since she wielded the camera.

 

 

 

 

In the end, it turned out everyone really came for tHallowread 6his:

 

 

 

 

 

“It’s the tastiest book I ever ate,” proclaimed—

Poseidon’s Scribe

November 1, 2015Permalink

Author Interview— Peter Schranz

Today I’m pleased to interview another author from the anthology Hides the Dark Tower,  namely Peter Schranz.

Peter SchranzPeter maintains a quirky website and has two published short story collections, Astonishing Tales of the Sea and It Spits You Out. Three of his stories were published in Breadcrumbs magazine here, here, and here.  Mirror Dance published his story “Pond Wife,” and Deimos published his story “Elizabeth.”

Here’s the interview:

Poseidon’s Scribe: How did you get started writing? What prompted you?

Peter Schranz: I remember considering the various options and deciding that writing required the fewest resources. If I wanted to paint, I’d have to buy paint, and if I wanted to play the drums I’d have to buy drums, but I already had a computer with a word processor, and I was already literate, so writing felt like the path of least resistance. I was twelve or so when I realized that, but now I think there was probably more going on; my mother is a linguist and she convinced me of language’s significance pretty early on. It would surprise me if that played no part at all in my decision to start writing.

P. Scribe: Who are some of your influences? What are a few of your favorite books?

P. Schranz: I like the German-writers, such as Heinrich von Kleist and his admirer Kafka, though I’ve only read them in translation. Baudelaire, Plath, and Katherine Ciel are my favorite poets. I think Plath’s prose is underappreciated; last year I discovered a copy of her journals and read it twice in a row. I learned from the writing of David Wallace and von Kleist to delight in complicated, subordinate clause-bedecked sentences, though I’ll stop short of commenting one way or the other on those I write myself. I thought that The Broom of the System was great and I seek to copy off of it.

It’s not narrative, but I liked the Compendium on Reality by the Buddhist monk Santaraksita, where I saw higher degrees of abstraction than ever before or since.

Recently I’ve become a fan of Kristine Ong Muslim, who wrote a series of very scary poems called “the Strangers,” which, if you dare, you can easily find online.

P. Scribe: What is your primary genre, and how did you become interested in it?

P. Schranz: I like to write speculative fiction that cleaves as closely to realism as possible. Realism seems like fiction’s default to me, and for every speculative flight of fancy I pile onto a story, I like to pile on a tempering, realistic element, too. My story “Pond-Wife” in Mirror Dance Magazine is about a woman who hunts monsters, and she has to see a psychiatrist because constant violent confrontations with monsters give people brain-problems.

P. Scribe: You’ve had a couple of collections of your stories published: It Spits You Out, And Twelve More Stories To Rub Your Chin To and Astonishing Tales Of The Sea. The common feature of the second collection is obvious, but what is the shared attribute (if any) in the stories within It Spits You Out?

P. Schranz: If it’s honesty you’re after, Steve, then I should say that I decided, since Astonishing Tales of the Sea was so obviously thematic, that the stories in It Spits You Out could get away with total themelessness. Afterwards, though, it seemed like all the stories were about either surprisingly alive things or things that are neither alive nor dead. “Eel-Thing” and “Public Napkin” for example are about diseases, which I suppose are alive for all the same reasons that, say, weiner dogs are alive, not that I’m a biologist or anything. Then there’s “The House That Fed On Blood,” a story with a spoiler in its title, and “Eve and Erling,” which is about ghouls. So the theme is loose, retrospectively forced, and accidental, but still present, sort of. Also the stories in It Spits You Out are all kind of silly.

P. Scribe: Please tell us a little about your story within Pageflex Persona [document: PRS0000039_00001]Hides the Dark Tower, “Tower of the Sea Witch.”

P. Schranz: It was in Astonishing Tales of the Sea first, but the version that appears in Hides the Dark Tower has its hair combed a little bit thanks to its thoughtful editors. The story is about a woman who wants closure so badly that she would rather it be guaranteed than satisfying.

P. Scribe: Where do you get the ideas for your stories?

P. Schranz: Overall I just get my ideas from what I read, but often there’s some other less straightforward element involved. “Tower of the Sea Witch” started when I went to the beach and saw an oil rig or something on the horizon. I wondered if anyone was on it and how they got there.

I like to keep something to write on by my bed, and if I wake up after a dream, to tell myself that it will escape from all human consciousness forever unless I turn the light on and write it down that very second. If I hadn’t done so last night, for example, humanity could never answer this very important question that I found in my journal when I awoke: “What if, when they see him in the sixties, they see a bird, or a bird unto glory?” My brain always whispers ‘go to sleep, you oaf; you’ll remember,’ or ‘you’ll be wasting both ink and sack-time if you write that down,’ but my brain is lying to me about at least one of those assertions.

P. Scribe: What are the easiest, and the most difficult, aspects of writing for you?

P. Schranz: The easiest aspect is coming up with the general phantom of a story’s plot. Making the plot intricate and precise is difficult, as is determining whether a part of the story ought to be excised or not; whether a draft is the last draft or the second-to-last; giving the characters distinct voices; making their goals, hopes, and habits realistic and 3D; actually improving the story through subsequent drafts and not just indulging in pencilwork, like changing ‘she mumbled’ to ‘she murmured,’ which covers about ninety eight percent of my revising decisions; and determining whether I need to spell something out and run the risk of making the story too obvious, or trust the subtext and run the risk of making the story a complete bafflement. It’s no walk in the park to pace a story well, either.

P. Scribe: In what way is your fiction different from that of other authors in your genre?

P. Schranz: I’m not sure it is any different, except very vacuously: I don’t write a lot of stories about dragons or robots or dwarves or spaceships (except for my silly game, “A Spaceship You Go On!”), but I do write a lot of stories about alien corpses. My plan is to take every single corpse ever featured in the horror genre, remove it, and replace it with the corpse of an alien.

P. Scribe: What is your current work in progress? Would you mind telling us a little about it?

P. Schranz: I’m revising a story about all these pill-sized coffins full of little tiny alien skeletons, and mulling over a sequel where people think the coffins are the grains of some kind of food.

Poseidon’s Scribe: What advice can you offer aspiring writers?

Peter Schranz: Memorize twenty poems.

 

Thank you, Peter! Readers of my blog can find out more about Peter Schranz at his website, and on Facebook.

Poseidon’s Scribe

October 31, 2015Permalink

Guest Post – Rie Sheridan Rose

I’ll be interspersing my regular posts with interviews of, and guest posts by, other authors whose stories appear in the anthology Hides the Dark Tower.Pageflex Persona [document: PRS0000039_00001] First up is a guest post from SteampunkRie-e1302614168720-113x300Rie Sheridan Rose, who is already familiar to my readers from her interview on January 14, 2015, and as the editor of Avast, Ye Airships! Her story in Hides is “Leaving the Tower,” and here’s her post:

Why I Wrote “Leaving the Tower”

The moment I saw the call for Hides the Dark Tower, my mind went to one of the most famous towers I could think of—Rapunzel’s prison. This is a story I have explored before from the witch’s point-of-view in my poem “Jealousy” in Straying from the Path, but this time, I wanted to tell Rapunzel’s story.

Just think about it. She was placed in this unassailable tower as an infant, according to the story. Given away by her parents like a loaf of bread. She never saw anyone except the witch her entire life before the prince breaches the tower.

I gave the witch the benefit of the doubt that she would have enough humanity to give the girl books and teach her to read, but she was still a prisoner in a cell that makes max security look like a picnic. What would you do in this situation? Would you develop the same view of the world that a normal child would have? It’s an interesting puzzle to contemplate.

Having a pet chameleon to sing to wouldn’t be all that much relief. (Though I do think Tangled was a fabulous take on the story.)

I love to retell fairy tales, so I thought about logical progression. If A happened, what is the logical B? This led me through my story. I don’t want to give spoilers, but suffice to say, I was pleased with the result—and so was Rapunzel.

Rie Sheridan Rose

Thanks again, Rie! My readers can find out more about Rie Sheridan Rose on Facebook , at her website, on Goodreads, and on Amazon. Her story “Leaving the Tower” is  wonderful; you can take it from—

Poseidon’s Scribe

October 28, 2015Permalink