Keyboards Now Untouched – American Scifi Authors Lost in 2025

As we start 2026, let’s begin by remembering the many authors we lost in 2025. To reduce the list to a readable blogpost, I’ll just honor the prominent American science fiction authors who died last year. I used the Encyclopedia of Science Fiction as a source.

Al Sarrantonio (1952-2025)

A horror writer, editor, publisher, he authored more than fifty books and ninety short stories, and edited several anthologies. He authored the Five Worlds science fiction trilogy and the Master of Mars scifi trilogy.

Thomas Hoobler (1942-2025)

Along with his surviving wife, Dorothy, he co-authored more than 100 books. In science fiction, they wrote The Hunters, Treasure Hunters, and Dr. Chill’s Project.

Barry B. Longyear (1942-2025)

He wrote numerous scifi novels, including the Hugo and Nebula winning novella Enemy Mine, later made into a movie. He was the first writer to win the Hugo, Nebula, and Campbell awards in the same year.

Peter David (1956-2025)

Though primarily a comic-book writer, he also wrote the novel several popular Star Trek novels, Babylon 5 novels, and novel adaptations of films, among others.

Susan Beth Pfeffer (1948-2025)

She wrote over seventy science fiction and young adult novels, including the popular Moon Crash series.

Paulette Jiles (1943-2025)

Though mainly a poet and memoirist, Jiles also wrote science fiction, notably The Late Great Human Road Show (set in a future dystopic Toronto), and Lighthouse Island (set in an overpopulated future with a worldwide city).

Martin Cruz Smith (1942-2025)

He wrote scifi and mystery. The Indians Won was alternate history. His Gypsy series featured a detective with ESP. He also wrote scifi thrillers The Inca Death Squad, Code Name: Werewolf, and The Devil’s Dozen.

Greg Iles (1960-2025)

Though he wrote novels in many genres, The Footprints of God features the blending of a human mind with a computer to run the government.

Chelsea Quinn Yarbro (1942-2025)

More known for occult and mystery novels, she also wrote Cautionary Tales and the dystopian future novels Time of the Fourth Horseman, False Dawn, and Hyacinth.

Robert R. Chase (1948-2025)

His scifi short stories appeared in Analog, and Asimov’s Science Fiction magazine. He also published three scifi novels.

John Varley (1947-2025)

A Hugo and Nebula award winner, he wrote fourteen novels and numerous short stories. Notable series include the Eight Worlds series and the Thunder and Lightning series. In style, he compared to Robert A. Heinlein.

Requiescant in pace

May these authors rest in peace. In a way, they live forever, since their writings endure. They’re remembered today by—

Poseidon’s Scribe

Nostradamus Helped Me See the Future of Scifi

Want to know what science fiction will get published in 2026? You’ve come to the right place, at the right time.

Nostradamus Image generated using Perchance.org

I’ve made scifi publication predictions before, with little success. However, the methods I used—crystal balls, tea leaves, tarot cards, astrology, palmistry, ChatGPT, and a Ouija Board—didn’t produce accurate prophesies.

This year, I sought the most reliable and proven prognostication technique of all—the method of Nostradamus himself.

Imitating that 16th Century French seer, I secreted myself in the attic, meditated, prayed, consulted astrological charts, and made sketches and notes of the visions that came to me. To my surprise, a set of four-line poems—quatrains—emerged from this process. Contrasting with those of Nostradamus, my quatrains came to me in English.

I’ll provide the quatrains, and my interpretation of their cryptic phrasing, below.

Translated SF

    In ’26 the science fiction bands
    Will stretch to languages of distant lungs
    The tales from writers writ in other lands
    Will translate fiction from their foreign tongues

I believe this means we’ll see a surge of translated science fiction in 2026.

Space Opera

    The coming year will see space opera bloom
    Vast empires ’cross the galaxies galore
    Equipped with FTL, the starships zoom
   Through epic dramas, aliens, and war

This suggests a revival of space opera in 2026. FTL = faster than light.

Characters Beyond Gender

    Some authors will play more with gender norms
    Not always stuck with females and with males
    Their characters will switch or take new forms
    Within new trans and gender-fluid tales

I interpret this to mean we should expect to leave female and male characters behind, in favor of new genders, changeable genders, non-genders, and who knows what else.

Serial Fiction

    We’ll see rebirth of serials again
    With shorter bites to match attention spans
    Subscriptions, author newsletters, and then
    Some dedicated apps with bundled plans

If I’m construing the meaning of this in the right way, we should find authors writing short chunks with cliffhanger endings to entice readers to subscribe to read the complete stories in serial form.

Hybrid Genres

    Next, hybrid genres will remain a trend
    Scifi can mix with others all the time
    To form a very complement’ry blend
    With horror, and romance, and even crime

This quatrain hints at the continuing trend of mixing scifi with other genres.

Year of the Horse

    In Chinese myth, this next year marks the horse
    And scifi books will emulate the steed
    With high adventure, optimistic force
    Heroic, active, with pulse-pounding speed

It’s hard to extract much meaning from this. Perhaps it’s suggesting scifi in 2026 will take on equine attributes of power, independence, perseverance, and confidence.

Conclusion

Look for the results of these predictions next December. Being curious, I couldn’t resist applying Nostradamus’ methods to discover what the new year will mean for me. Here’s what resulted:

    This lies beyond the sight of any seer
    Will he soon join “best-selling author” tribe?
    He’ll work hard but the outcome is unclear
    It’s unknown what awaits—

Poseidon’s Scribe

How Well Did I Predict Science Fiction this Year?

It’s the most embarrassing time of the year…when I judge how well I did at foretelling what types of science fiction books would be published this year.

In past years, I’ve tried and failed with crystal balls, tea leaves, tarot cards, astrology, palmistry, and ChatGPT, but last year at this time I used a sure-fire method—the Ouija Board. Let’s see how well I did:

Prediction: Climate Change and Solarpunk

Authors will give us post-apocalyptic, post-climate-disaster recovery stories with emerging solarpunk civilizations.

Assessment:

The Ouija Board did well here, and I found several examples, including:

  • All the Water in the World by Eiren Caffall. Future glaciers have melted, flooding the earth and forcing people to live in the topmost floors of skyscrapers.  
  • Private Rites by Julia Armfield. An environmental crisis brings continuous, worldwide rain.  
  • Monk and Robot by Becky Chambers. This book combines two previous stories, A Psalm for the Wild-Built and A Prayer for the Crown-Shy, which take place in a far-future solarpunk utopia.

Prediction: Driverless Cars

Writers will show us the pros and cons of more advanced driverless cars than we have now.

Assessment:

The Ouija board called this category as well. These books drive on the dark/horror side of the road:

  • The Driverless: Phantom Wheels by Leonard Boblea Adrian. This horror story features an evil, driverless car.
  • An ICE-Y Ride: A Dystopian Tech Horror Short Story by TH Sterling. An autonomous car accuses its passenger of sedition and becomes her prison.

Prediction: Futurism Beyond Africa

While Afrofuturism will continue, we’ll see books exploring the future of other cultures and regions.

Assessment:

This didn’t seem as widespread as the Ouija board made it sound. I only found one example:

  • You Must Take Part in Revolution: A Graphic Novel by Badiucao and Melissa Chan. This is set in Hong Kong and Taiwan during a future war between the U.S. and China.

Prediction: Fact-ion

Scifi authors will combine their fiction with fact. That is, they’ll base a fictional tale on a true event.

Assessment:

Proving that Ouija boards aren’t all-knowing, I found no examples of this in 2025.

Prediction: Future Romance

Setting a romance novel in the future is fine, but in the coming year, authors will further explore how human relationships might change in the future. What bizarre, new kinds of relationships might emerge?

Assessment:

The board played it safe with this one. Anyone could’ve made this prediction for almost any year. I stopped looking for examples after finding these:

  • Useless: Male Superhero in a Reverse World by Strawman Context. A man finds himself in an alternate world where women far outnumber men and hold all the power.
  • A Future Undone: A Gay Sci-Fi Romance Thriller About Time Travel and Artificial Intelligence by Kurt Harding. The subtitle says it all.
  • The House That Learned Her Name by Wanda Miller. A grieving widow develops a relationship with her smart home.
  • Mated to the Possessive Cyborg: An Impreg Cyborg Sci-Fi Romance by Laura Cauldwell. Like Beauty and the Beast, only this beast is a troubled, military cyborg.

Prediction: Interacting With Readers

Remember choose-your-own-adventure books? In 2025, authors will find new ways to allow the reader to influence the story-reading experience.

Assessment:

Ouija boards are interactive by nature, and I got the impression my board enjoyed making this prediction. Here are some examples I found:

  • Unseen Archives Magazine: An Interactive Graphic Novel Experience by Anthony L Abraham. The more I read about this magazine, the less I understood, but it seems interactive.
  • Access The Bridge: A SciFi Choose-Your-Own-Path Adventure GameBook by Henry Butler. This goes beyond standard choose-your-own adventure books, since the wrong paths provide knowledge needed for other paths.
  • Lumen Calls: A Pathfinder Adventure by Gene Anders. A strange anomaly beckons near a small town. You, the reader, make choices, but each choice changes how the anomaly sees you.

Prediction: Linked Minds

Extrapolating the possibilities of Elon Musk’s Neuralink, writers will craft stories featuring human characters interfacing with computers via brain implants.

Assessment:

The Ouija board didn’t exactly go out on a limb in predicting more books with this long-time staple of science fiction, and authors obliged in 2025:

  • Virtuality by Derek Cressman. In the near future, everyone has brain implants providing infotainment, but there are side effects.
  • Veritas Dawn by Tal Azar. A pill upgrades people’s minds, and connects them. An algorithm emerges, but has its own agenda.

Prediction: Merged Worlds

Pairs of authors will collaborate on novels that combine characters and worlds developed separately and previously by each writer.

Assessment:

These are a type of what are called Crossovers, and the Ouija board failed with this one. I found no examples.

Prediction: Quality AI Fiction

In the coming year, an AI will write a good science fiction book.

Assessment:

I thought for sure the board nailed this, and I did find examples of books written with AI assistance, but no verified AI solo performances this year.

Conclusion

I find the Ouija board a little creepy, and of dubious value in predicting the near future of scifi. I’ve picked a much better prognostication tool, and next week I’ll reveal my spot-on predictions for science fiction in 2026. First, I foresee you’ll check back for next week’s post by—

Poseidon’s Scribe

Time for the Dreaded Annual Performance Review

My boss gets on my nerves. In fact, he shares my nerves. He’s me.

The Scoreboard

How did I perform as a writer in 2025? To find out, I used The Writer’s Performance Review scorecard by book coach Jennie Nash.

To use this scorecard, you rank each attribute from one to five. One = below expectations. Two = partially meets expectations. Three = meets expectations. Four = exceeds expectations. Five = far exceeds expectations.

You’re comparing actual performance during the year to expected performance. If you performed as expected, you’d give yourself a three. If you scored three in all twenty attributes, you’d get 60.

My 2025 Performance and Plan for Improving in 2026

I did a little better this year than last, earning 70 out of 100. However, I earned a 1 in one category and a 2 in two others.

That dismal 1 rating applied to “goal orientation” (just like last year)—a tough area for me. I don’t like counting words written or hours spent, so instead I’ll set goals for chapters written and chapters edited.

I earned ratings of 2 in “organization and planning” and “strategic thinking.” I’d gotten 2s in these areas last year as well. For organization and planning, I’ll measure my progress toward meeting the chapter goals I’ve set. For strategic thinking, I’ll see if I can connect with readers with a newsletter I plan to start in 2026.

Writing Accomplishments in 2025

This year, I:

  • got my first short story collection, The Seastead Chronicles, published;
  • got my short story, “Its Tender Metal Hand” published in the anthology Spring into Scifi 2025;
  • got Extraordinary Visions: Stories Inspired by Jules Verne published in audiobook format;
  • wrote and published 53 blogposts (so far);
  • got interviewed on a podcast;
  • held four appearances and signings at bookstores;
  • did a signing at a scifi convention;
  • got my short story, “Infinity in Your Hand” accepted for publication in Tamarind Literary Magazine;
  • got my short story, “The Ballad of Joan Henry” accepted for publication in Fiction on the Web, where it’s slated to appear on February 2, 2026;
  • wrote seven poems for personal enjoyment;
  • made good progress on a final draft of novel number one (working title: The Hydronaut);
  • completed a second draft of novel number two (working title: Pressurized); and
  • completed a second draft of a humor travel book (working title: 48-State Odyssey).

Most employers and employees keep annual performance reviews private. My employer insists I display mine to the world as a service to other writers. May all of us who create written universes have a prolific and successful 2026. That’s the New Year’s wish of—

Poseidon’s Scribe

Read What Happened When I Interviewed the Hero’s Sidekick

During my years of blogging, I’ve interviewed plenty of writers and a few editors. However, I’ve never interviewed a sidekick. Today, I did just that.

Image created at Perchance.org

Interview

Poseidon’s Scribe: Welcome to my blog.

Sidekick: Thanks, but you’ve got the wrong person. I’m not a sidekick.

P.S.: Really? I thought you were. What are you?

S: I’m the main character, the protagonist, the hero.

P.S.: Ah, so you’re the one driving the plot forward.

S: I guess, sort of.

P.S.: You’re standing in someone’s shadow. Who’s that?

S: That’s my sidekick.

P.S.: I see. But you’re the one who seems to be assisting that person a lot.

S: Yeah. My sidekick really needs help.

P.S.: I’ve heard, of the two of you, you’ve got the better sense of humor. Is that true?

S: Yes. Authors always give the hero the best lines.

P.S.: Ah. From what I’ve seen, that person confides in you, trusts you. You act like the person’s conscience.

S: Yup. My sidekick bounces ideas off of me, usually bad ones, and I have to be the one coming up with the right plan. My sidekick probably couldn’t survive without me.

P.S.: You two seem to complement each other, with many opposite personality traits.

S: Well, they say opposites attract.

P.S.: True. Tell me, at the end of the story, which of you will get the most credit for resolving the major conflict—you, or the person in whose shadow you’re standing?

S: Um…well…I guess…Is it possible that I’m not the hero? That I’m really just a sidekick?

P.S.: Never say just a sidekick. You’re vital to the story. As you said, the hero would be lost without you. I’d say that hero is lucky to have a pal, a sounding board, a loyal ally like you.

S: Yeah. Lucky to have me. That’s right.

Poseidon’s Scribe: Thank you for stopping by today. I know you have to get back to supporting and looking after the hero.

Sidekick: Believe me, it’s a full-time job. That is one flawed character.

Further Reading

For more on sidekick characters and how to create them, see this post by Author’s Pathway, this one by Victoria Grossack, this one by WriTribe, and this one by Lorenz Carst at Springhole.net.

Nobody Thinks They’re the Sidekick

In the 2005 movie Sahara, Al Giordino is Dirk Pitt’s sidekick. When another character asks Al how long he and Dirk have been together, he says, “Kindergarten, college, Navy, NUMA. Poor guy’s always been in my shadow…Always the Al’s maid, never the Al.”

All along I thought I was the hero of my life’s story, but now I wonder if someone else’s sidekick is—

Poseidon’s Scribe

Want to be a Good Writer?

Want to write, but you’re unsure how to become a writer, especially a good writer? You’ve surfed to the right blogpost.

It’s not like this at all. Image generated at www.perchance.org

Your Writing License

I understand the confusion. We speak of “poetic license” as if an official committee confers a certification or other formal document declaring you to be a writer. If you’re waiting for that, or searching the internet for where to apply, let me reassure you.

There’s no license.

No badge. No medal. By the power invested in me by nobody, I hereby pronounce you…a writer.

A Good Writer?

With that permission out of the way, your next thought might be, “I want more. I want to be a good writer. How do I do that?”

Again, no specific license exists. Moreover, no matter how hard you work at improving your writing, you have limited control over whether you become a good writer. The reading public has a say in it. They determine whether you’re a good writer or not.

The question then turns to, “How can I write in a way that appeals to readers?” The answer to that includes factors like (1) writing as well as you can, (2) writing what readers want to read, (3) having great timing, and (4) being lucky. You have some control over the first two, but none over the last two.

Lowered Expectations

Did you anticipate instant success as a writer? Time for resetting those expectations. Author Jessi Waugh wrote a great blogpost on that topic. In it, she included an example that stuck with me. Imagine a nursing home where the staff conducts training classes for the elderly residents. They learn activities such as painting, singing, pottery, yoga, etc. Do any of the aged participants believe they’ll excel at these newly-learned skills? No. They expect only to gain new knowledge, and have a little fun.

What if you approached writing the same way? What if you only did it because you enjoyed it? With this framing, any financial gain becomes an unexpected, surprising benefit.

Paperback Writer

Don’t adopt the attitude of the narrator of the Beatles song, “Paperback Writer.” In his fictitious pitch to an editor, he gets everything wrong and demonstrates unrealistic expectations. In particular, the line “If you really like it, you can have the rights/It could make a million for you overnight” shows someone possessing severe overconfidence.

Even the less outrageous line “And I need a job, so I want to be a paperback writer” demonstrates ignorance of why most beginning writers keep their day jobs.

Because it Feels Good

To sum up, I’ve given you license to write and helped you set reasonable expectations about becoming a good writer. Maybe you should write because it feels good. The rest is up to you and the reading public, not to—

Poseidon’s Scribe

Author Interview—Tricia Andersen

At the ICON 49.5 conference in Iowa City last month, I met and sat with author Tricia Andersen at a book signing. Luckily, I stayed on her good side—she knows kickboxing and Jiu Jitsu. If you’re wondering how a skill in martial arts helps with writing fiction, particularly romance fiction, read on to see how Tricia explains it.

Bio

Tricia Andersen lives in Iowa with her husband and her three children. She graduated from the University of Iowa with a Bachelor of Arts in English and from Kirkwood Community College with an Associate of Arts degree in Communications Media/Public Relations. She writes romance for all genres, from paranormal to historical to contemporary. She also has a couple of non-fiction historical titles and a few children’s picture books under the pen name, Lynette Andersen.

Interview

Poseidon’s Scribe: How did you get started writing? What prompted you? 

Tricia Andersen: I have actually been writing since I was young. My mom has a “book” I wrote in preschool when I was five. It’s something I have loved to do since I can remember.

P.S.: Who are some of your influences? What are a few of your favorite books? 

T.A.: I love books written by Karen Marie Moning. She made me realize that my voice and the way I write are a legitimate method. Before that, I felt that no one would want to read what I wrote because it wasn’t similar to what most authors sounded like. I also enjoy reading what my friends write. I think it’s important to support other authors.

P.S.: Thistle Tattoo features a man struggling with PTSD, on the edge of suicide, who receives help from a woman working in a tattoo parlor. Do you find it difficult to address the touchy issues of PTSD and suicide?

T.A.: I do. I was honored to help with Operation First Response, an organization that assists wounded soldiers. That experience opened my eyes to the issues that veterans face. While the original premise (and first couple of chapters) of Thistle Tattoo was a short story for an anthology, it was a challenge to continue to flesh out Rhett while being aware of the real issue of PTSD and veteran suicide.

P.S.: Tell us about your experience with kickboxing and Brazilian Jiu Jitsu. Do you engage in these sports for research, enjoyment, or what?

T.A.: It has been both research and enjoyment. I didn’t originally plan to get involved in martial arts. When I got my first publishing contract (Black Irish is the first book I published with a small publisher), I wanted to write a book as a sort of thank you for my dreams coming true. I wanted to write a book with a character that had the same disorder my daughter has, Cyclic Vomiting Syndrome. I needed a male main character who had a sports-type job that others would look down on. I settled on Mixed Martial Arts (MMA). I reached out to the owner of a local MMA gym to see if he would answer questions for me. He agreed. While I was waiting for a reply, I noticed they had kickboxing classes. I always wanted to try so I talked my husband into one month. That was in 2013. I paused my training at the start of the pandemic in 2020 but I hope to get back to it soon. I love every bit of it. I love the people I worked out with. I love the path it has put me on. I do have a bronze medal in jiu jitsu from a competition in Chicago that I took part in. It has also given me a great deal of knowledge that I put into my books.

P.S.: Congratulations on earning your bronze medal. In Welterweight, the first in your Hallow Brothers series, you give readers an MMA fighter who’s also a werewolf, and the story involves mysteriously appearing tattoos. Tell us about Meg Riley, the female main character, and also what ties the Hallow Brothers series together?

T.A.: At the beginning of Welterweight, Meg is the new ex-girlfriend of Caleb’s opponent, the fighter who is currently holding the welterweight belt. She is tough, sassy and can hold her own against a werewolf with a bad attitude. Their tension melts throughout the book as they fall in love with each other and learn the few little secrets that they didn’t know about their mate.

Each of first seven books of the series profile a brother meeting his mate, forming the mating bond and confronting whatever trouble is brewing against them. There is an underlying plot that involves the reincarnation of an ancient evil Egyptian magician and the artifacts he conjured to help him take over the world. These items, along with the current version of him, can give anyone who possesses them whatever they want. Oh, one last thing. The current reincarnation is a mate of a Hallow Brother.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

T.A.: The easiest part of writing for me is coming up with an idea. I can listen to a song or watch a show and come up with a plot. The hardest is to find time to get the words down and to keep myself to one story.

P.S.: Your novel Nature of the Beast, third in your Gods of DC series, explores love across an age difference—older woman and younger man. It also delves into Greek mythology, a common thread of this series. Without revealing any spoilers, tell us about Freddy and why he falls in love with Demeter.

T.A.: Freddy is one of my favorite characters. He is a leprechaun as well as the high priest for Ares, the Greek god of war. He works as the manager of Ares’ fight club, which is also the god’s temple in the modern world. He falls in love with Demeter at first sight despite her age. His feelings continue to grow as he gets to know her.

P.S.: How did you come to write four book series (The Hallow Brothers, Gods of DC, Black Irish, and Hard Drive)? Did you finish one series and move on to the next, or do you add a new book to a series when the mood strikes? Also, may each of your series be read in any order, or should readers start with the first book in each case? Are you expanding Fighting the Odds into a series as well?

T.A.: The Black Irish series was the first. I started the Hard Drive series while I was working on it as a huge thank you for my dreams coming true. I came up with the Hallow Brothers at the request of my second publisher. They wanted me to write a book about werewolves and required that there be a mating mark and they mate for life. I wrote what I thought was the most ludicrous thing I could come up with. They took it without hesitation. The Gods of DC came from a speed writing session on Facebook. The readers who were reading it as I wrote encouraged me to make it into a book. If I have a book about one Greek god, I have to keep on with the Parthenon.

Which book I write depends on my mood and what is going on in my head. The feedback from my readers also heavily influences what I write. If I write a cliffhanger, I don’t want them hanging on too long. Most of my books can be read in any order except the last three books of the Hallow Brothers series. Things might get confusing at that point without knowing what happened at the beginning.

I am hoping to get to the Fighting the Odds series soon.

P.S.: Apparently writing numerous novels, practicing Jiu Jitsu, and raising three children leaves you plenty of excess hours to make and sell embroidered tote bags. How do you squeeze that into your schedule?

T.A.: I squeeze them in by necessity. When someone wants one or I want to have bags on hand, I set aside other things I am working on to get them done. It helps that I have a very understanding family and that the machine that stitches them out works automatically without me. I only need to load the design, change the thread and make sure it doesn’t stitch on the wrong side of the bag. It’s a great time to work on writing while it hums along.

P.S.: What is your current work in progress? Would you mind telling us a little about it?

T.A.: As usual, I am working on two books at a time. My first is a sci-fi/horror with a little romance. It’s my first sci-fi and one of my first that is not heavily romantic. It is about a librarian who moves to Boston for her first job at the Boston Public Library. She meets a rather odd guy who spends all his time in the library reading archaeology books. She soon finds out that he is the vessel for an evil alien who sucks the blood out of humans to survive. She searches for answers – can she trust the real him? How can she help him? Does he want help?

The other one…I’m kind of keeping that one under wraps for a little bit longer. All I can say is there will be a lot of happy people when it comes out.

Poseidon’s Scribe: I guess we’ll have to wait for more news about that second one. What advice can you offer aspiring authors?

Tricia Andersen: Don’t give up. The publishing world, especially if you are an indie author, can be overwhelming. Approach each step one at a time. You can do it. Just don’t give up.

Poseidon’s Scribe: Thank you, Tricia. I love that advice.

Web Presence

Readers can find out more about Tricia from many online sources, including her website, on Facebook, Amazon, Bookbub, Bluesky, Twitter, Instagram, TikTok, and Goodreads.

Signing Event at Park Books

For those who attended my book signing at Park Books in Severna Park, Maryland last Saturday, I offer a profound thank you. Also, I express unbounded gratitude for the assistance of the bookstore staff in scheduling, setting up, and checking on me during the event.

As a beginning author, most of my previous book signing events consisted of watching people, trying to lure them over to my table, getting disappointed while they turned and walked away, and then waiting and watching again.

Not this one. I signed and talked with people the whole two hours. At some points, a short line formed. Yes, people lined up to have me sign books!

Some circumstances worked in my favor. My college had a reunion that weekend and I invited classmates to the signing. I also know other friends, as well as neighbors and relatives in the area, and I invited them. Thanks to all of you for supporting me.

My featured book, The Seastead Chronicles, sold well, but I offered several other titles too.

Again, thanks to Park Books and to the many people who visited that day to get books signed by—

Poseidon’s Scribe

Author Interview—Rachel Aukes

Could you write a million words a year? That’s the equivalent of a novel a month. Meet today’s interview guest, Rachel Aukes, who aspires to write a million words a year and has already published over forty novels. I met Rachel at ICON (an eastern Iowa scifi conference) in 2023 and saw her there again in 2025. Buckle up for a fast-paced interview, one that barely registers in her million-word count.

Bio

Rachel Recker, writing as Rachel Aukes, is a bestselling author known for gritty science fiction and chilling horror that explore humanity at the edge. She’s written over forty novels, including 100 Days in Deadland—a zombie apocalypse retelling of Dante’s Inferno that was named a “Best of the Year” pick by Suspense Magazine—and The Lazarus Key, a high-octane sci-fi thriller featured by The Big Thrill magazine. One of Wattpad’s first Stars, her stories have reached over eight million readers around the world.

Rachel is a licensed pilot, former tech executive, and lifelong comic book collector. When not plotting the end of humanity, she hikes state and national parks with her dog.

Interview

Poseidon’s Scribe: How did you get started writing? What prompted you? 

Rachel Aukes: Like many writers, storytelling is in my blood. I was fascinated with stories as a child, and I wrote quite a bit. However, life led me on a meandering journey that eventually brought me back to my original passion. While I’m thankful for my life’s experiences, I’m so glad to be writing full time.

P.S.: Tell us about your comic book collection. Do you prefer certain comics, or a variety? Does your interest in that medium (high adventure, vivid graphics, brief speech balloons) influence your fiction in some way?

R.A.: Like most kids growing up in the 80s, I began with Marvel and DC. My childhood collection grew to over 3000 comics, though now I tend to read comics digitally to save physical space and invest in high-quality graded comics.

Comics have absolutely impacted my punchy, action-driven writing style. I can pack a lot of storyline in a scant ten pages.

P.S.: With over 500 ratings on Amazon, your novel Expendable, first in the Redline Corps series, has readers enthralled. Tell us about the main character, Liv Reyes, and the book’s premise.

R.A.: The idea of Liv came about from seeing a survey of Gen As who overwhelmingly aspire to be social media influencers (yikes, but that’s a debate for another day). So, I decided to create an influencer as a main character who gets drafted as a war correspondent with the task to put a positive spin on the war.

P.S.: Having published over forty novels, you’re one of the most prolific authors I’ve ever interviewed. Your website states your personal goal of writing a million words this year. That’s over 2700 words per day, well beyond the average for the (now closed) high-speed Nanowrimo challenge. Will you achieve your goal? How do you write so fast?

R.A.: Writing is my career, and I treat it like a job, setting regular hours and deadlines. I think some writers get into this mindset that writing should only take place while inspired, but that’s hogwash. Sure, story ideas and characters come from inspiration, but a story comes from hard work, craft, and dedication.

I unfortunately won’t hit the goal this year due to a lot of personal changes in my life right now, but I definitely plan to hit it next year!

P.S.: Congratulations on earning your pilot’s license. Do you fly often? Has that knowledge and skill helped you in your writing?

R.A.: Thanks! I don’t fly often right now, but I use the ideas and concepts of flying through most of my books. Taking the “write what you know” literally, nearly every book has an aviator character.

P.S.: Your short story, “Three-Headed Problem” appears in Weird Tales #368 – The Occult Detective Issue. Tell us about this story and what prompted it.

R.A.: I was catching up with Jonathan Maberry (who’s a great guy and an amazing writer) as a recent conference, and he mentioned about my writing a story for Weird Tales, which is a magazine I adore. The next issue with an opening was the Occult Detective issue. I came up with the idea of Roy Stinson, the best damned detective in hell, who’s the most tenacious PI in the underworld. His day job takes a twist when someone steals Cerberus’s favorite bone. And without his treat, the hound refuses to stand guard at the infernal gates. So, all hell will break loose if Roy doesn’t solve the crime and fast. 

P.S.: Is there a common attribute that ties your fiction together (genre, character types, settings, themes) or are you a more eclectic author?

R.A.: I only write speculative fiction, covering primarily the science fiction, fantasy, and horror genres. Other than that, I’ve written everything from current day apocalypse to far-future galactic wars. An underlying theme in most of my stories, though, is humanity on the brink of disappearing.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

R.A.: The easiest are the ideas. I have SO many story ideas that I desperately want to write, but don’t have the time, which leads to the most difficult part: finding the time and energy to write as many of those ideas as I can (and to write them as good as I can).

P.S.: You own your own publishing company, Waypoint Books. How and why did you come to create a one-woman publishing company?

R.A.: I wanted to have a corporation set up for my self-publishing activities. I also felt it looked more professional to have books listed under a “real” publisher than under my name, especially since I write under a pen name.

P.S.: What is your current work in progress? Would you mind telling us a little about it?

R.A.: I’m co-writing a progression science fiction series with JN Chaney that we’re launching in early 2026. The series, Infinity Upgrade, is about a blue-collar guy getting a highly advanced, experimental AI shoved into his brain without his consent. Needless to say, it brings a lot of problems with it.

Poseidon’s Scribe: What advice can you offer aspiring authors?

Rachel Aukes: Just write. It’s as simple as that. Don’t let anything else cloud your mind. If you want to write, then do it. The more you write, the better you’ll get. Let the complications, like deciding if you want to publish and then how to publish, come later. When you’re new at this game, focus on the fundamentals. And it all boils down to the writing.

Poseidon’s Scribe: Thank you, Rachel. Great advice!

Web Presence

I wish readers and fans the best of luck keeping up with Rachel. She writes faster than we all can read. You can learn more about her at her website, on Facebook, Amazon, and Goodreads.

Author Interview—Darby Harn

As fortune would have it, I shared a book signing table with Darby Harn, one of the guests of honor at ICON 49.5 earlier this month. Beginners like me can learn about selling books from watching a more experienced writer like Darby. In the interview below, you’ll read how his writing career stalled at one point, but he persevered. From that experience, he offers two profound words of advice—two—for aspiring authors.

Bio

Darby Harn is the best-selling, critically acclaimed author of Dead Malls, Stargun Messenger, a Self Published Science Fiction Contest Quarterfinalist, and Ever The Hero, which Publisher’s Weekly called an “entertaining debut that uses superpowers as a metaphor to delve into class politics in an alternate America.” His fiction appears in Strange Horizons, Interzone, Fantasy Magazine, and more. He is a panelist, moderator, and programmer, designing a variety of content modules for conventions, including his One Hour Short Story Workshop, featured at several major cons. He graduated from the University of Iowa and is an alum of the Irish Writing Program at Trinity College in Dublin, Ireland.

Interview

Poseidon’s Scribe: How did you get started writing? What prompted you?

Darby Harn: I don’t remember not writing. I was writing and drawing little comics at the dining room table when I was three. I just always wanted to tell stories and share them.

P.S.: Who are some of your influences? What are a few of your favorite books? 

D.H.: Star Wars is probably the single biggest influence in terms of what it did to my toddler brain but also how it inspired me to explore myth, anthropology, and the literature that inspired it. I don’t know about favorite books. How do you choose? My favorite writers include Seamus Heaney, Virginia Woolf, Chris Claremont, Michael Cunningham, Kelly Link, and so many more.

P.S.: In your book Stargun Messenger, your protagonist sounds fascinating. Tell us about her.

D.H.: Astra Idari is an android bounty hunter who pursues thieves of starship fuel. When Idari discovers that the fuel comes from the blood of living stars, her entire moral universe is upended.

P.S.: As a frequent book reviewer for FanFiAddict, please tell us about that site and why you review books by others.

D.H.: FanFiAddict is a great resource and community for sci-fi and fantasy reviews from trad to indie. My mom died in September, and I am really slacking in my contributions. I owe some people a lot, especially my thanks.

P.S.: Our sympathies about the death of your mom. Since shopping malls are dying around the country, Dead Malls seems an apropos title. Give us the premise of this novel. Is it really a choose-your-own adventure?

D.H.: CYOA is an element of the book, and it creeps up on you, getting super twisty, and I hope super fun. The book is about Sam, a security guard at a dying mall just trying to get through their shift. One night, they discover an intruder in the mall who claims to be the only survivor of a nuclear war that happened in 1983. Then things get weird.

P.S.: Sounds fascinating! It appears you got your start writing short stories and moved to novels. If true, why the change, and if not, tell us about your experiences with the various forms (lengths) of fiction and how your fiction has evolved.

D.H.: I was always primarily a long-form storyteller, but I came up while short stories were still the primary route into traditional publishing. You sell a few stories, get noticed hopefully, and get a book deal. That’s what happened to me in the early 2000s, though it got very messy after that.

I sold my first novel in 2006, and it was 2011 before I realized it was never going to come out. The entire experience derailed my life and career. I was so stymied I didn’t finish a novel between 2007 and 2015. For a long time, I didn’t think I would.

P.S.: Sorry you had that experience, but glad you wrote your way out of it. Your book, Ever the Hero, begins the Eververse series. Please tell us about this introductory book and premise, and world(s) of Eververse.

D.H.: Ever The Hero is what happens when you don’t pay your superhero bill. In this world, if you can’t afford them, they don’t help. Kit Baldwin is a regular person trying to get through the day. She gets powers, wants to help others, but it’s illegal; they make you pay. This leads to a huge conflict over who owes what to whom.

P.S.: Is there a common attribute that ties your fiction together (genre, character types, settings, themes) or are you a more eclectic author?

D.H.: I think the defining aspect of my writing is its elasticity. I’m a mashup of a lot of different interests and inspirations, ranging from Marvel Comics to Irish poetry. That results in genre fiction, which tends toward the poetic and the literary.

P.S.: We’ll get to your Ireland connection in a moment. First, you’re not serious about writing a short story in an hour, are you? Tell us about your workshop.

D.H.: The most common question I get is ‘Where do I start?’ After that, it’s usually ‘How do I get unstuck?’ My One-Hour Short Story Workshop is a way for aspiring writers to kickstart their stories by focusing on the beginning, middle, and end of a short story, having them write to a prompt, share, and hopefully leave the experience with the foundations of a story. It’s a joy to watch people create in real-time. I’ve conducted the workshop at major cons, including Twin Cities Con, GalaxyCon, and others.

P.S.: You seem to prefer places beginning with “I”—Iowa and Ireland. Did your time in the Emerald Isle inspire your book A Country of Eternal Night?

D.H.: A Country of Eternal Light doesn’t exist without Ireland. While I was a student at Trinity College in Dublin, I visited the Aran Islands. Like so many others, I was transfixed with the place. I always wanted to go back. Cut to twelve years later or so, my dad had died, I’m not writing anything, and I’m miserable in my very well-paying job. So, in 2014, I quit, moved to Ireland, and returned to the islands. The experience unlocked what became Country, and my career today.

P.S.: It sounds like Ireland inspired more than just one book! What is your current work in progress? Would you mind telling us a little about it?

D.H.: I have a few things going on right now, but progress is pretty slow. Next up on deck is the third book in the Stargun Messenger trilogy, followed by Eververse Book 5.

Poseidon’s Scribe: What advice can you offer aspiring authors?

Darby Harn: Never quit.

Poseidon’s Scribe: Thank you, Darby. The most succinct writing advice ever given.

Web Presence

Readers can discover more about Darby Harn on his website, and at Goodreads, Amazon, Facebook, and Instagram.