Clean Fiction? What, Did it Wash its Hands?

You’ve been hearing the term ‘Clean Fiction’ and wondering what it means. That questioning mind of yours shall soon be satisfied. Or, perhaps, left even more confused.

Apparently, ‘Clean Fiction’ doesn’t require you to physically wash a book in soapy water. My bad.

The clearest definition of the term is: fiction both young adults and mature adults can enjoy.  

In these pandemic times, with parents spending more time at home with children, sometimes home-schooling them, there’s a hunger for such stories. For that reason, the Story Quest Academy has been championing the cause of clean fiction.

From a writer’s point of view, how do you write a clean story? How does such a story differ from an unclean one?

I recall reading where Robert Heinlein said writing for young adults (called ‘juveniles’ in his day) was the same as writing for adults, you just take out the sex and swearing. The dozen ‘juvenile’ novels he wrote, though dated, remain readable and exciting today.

He warned writers against talking down to teenagers. If you think they aren’t ready for deep themes, long words, mild violence, or literary symbolism, you’re underestimating them.

These days, you could even leave in some mild swear words. Today’s YA audience has heard them.

Author Allison Tebo makes some interesting points about clean fiction in this post. Writing clean fiction, she says, forces you to be a better writer. You can’t fall back on sex or swearing to hold the reader’s interest. The action, dialogue, and word choices in your story must step up to do that.

Moreover, Tebo states that clean fiction is more likely to become classic fiction than typical adult-only fiction is. By appealing to nearly all age groups, a clean story become more universal and welcoming. If it is good enough, it may well become a classic, enjoyed for generations, even centuries.

Like Tebo, I grew up reading and loving clean fiction. Nearly all the science fiction I read was clean. In fact, teenagers were perhaps the main intended audience for that genre.

My own fiction tends toward the clean side. Exceptions include my horror story, published as “Blood in the River” and later, with alterations, as “Moonset.” Ripper’s Ring contains violence teens might find upsetting, though it’s not graphic.

If you go looking for my stories, many appear in anthologies along with tales written by other authors. In general, those stories, too, are clean, with the exception of those in the horror anthology Dead Bait.

I guess you could say I’ve been writing clean fiction before it was a thing. Creating stories so clean you could wash your hands with them, I’m—

Poseidon’s Scribe

12 Cures for Stir-Craziness

Stay in your homes, the experts tell us. Keep away from others. Don’t gather in bars, restaurants, or theaters. There aren’t any sports. All your club meetings are cancelled. The boss called off that business trip and made you telework. You’re bored, being at home all the time. You’ve gone stir-crazy. What to do?

Here’s my answer—write something.

That’s right. Sit at your keyboard, or grab pen and paper, and write something.

“But,” you’re saying, “I’m not a writer!”

My answer—how do you know?

Here’s my list of stir-craziness cures, staring with the easiest ideas:

  1. Why not make a list of supplies you’re going to need soon? Wow! You’re writing!
  2. Remember that personal organizer book you bought back in 2015, and never used? Dig it out. You could come up with some life goals, and plans to achieve them. Maybe even a personal mission statement. Or a bucket list. You never found time for that before, but you’ve got time now.
  3. Start a journal (or diary, or logbook—call it what you want). Write down whatever occurs to you. Write about social distancing, and how much you hate it. Write about feeling like you’re under house arrest, the isolation and loneliness. Get the emotions out. Write as if nobody will ever read it.
  4. Write emails to relatives and friends you haven’t connected to in a while. Write tweets and Facebook posts. Write old-fashioned letters, on stationery; the Post Office still delivers.
  5. Write an article, essay, or vignette. The topic should be something you know about. At first, write as if you’re not going to send it anywhere. Later, as you look back over it and fix it up, it might not seem half bad. Perhaps it’s publishable.
  6. Start a blog. You can do it. It probably won’t change the world, but it might help you, and that’s a beginning.
  7. If you’re up for fiction, start with something short. There’s the six-word story, the 280-character story (twitterature), the dribble (50 words), the drabble (100 words), sudden fiction (750 words), or flash fiction (1000 words). Editors are looking for good stories of these lengths, and readers like them too.
  8. How about poetry? Can you make words sing, or fly, or lift a heart?
  9. Create a short story, with a few characters, or even just one. Focus on a single effect or mood. Editors and readers love well-written short stories. In fact, I know two editors searching for 3000-5000-word short stories inspired by Jules Verne’s Twenty Thousand Leagues Under the Sea. Read the rules here, write your story, and send it in!
  10. Write a non-fiction book. You’re an expert in something. Perhaps you can expand that essay you wrote (see #5 above) to book length. Cookbooks, history books, coffee-table books, memoirs—they get bought all the time. Ooh, how about a travel book? Few people are traveling now, but everyone longs to.
  11. Write a children’s book, or YA (young adult). You’ll need a good imagination and the experience of having been young.
  12. Write the Great American Novel. As they say, writing a novel is a one-day event (as in ‘One day, I’ll write a novel’). You’ve got time now; excuses are gone. No need to wait for November; you can have a personal Nanowrimo now.

You may be cooped up, but your imagination isn’t, your words aren’t. Set them free! There’s no charge for this prescription for stir-craziness written by—

Poseidon’s Scribe

Author Interview — Jeffrey Cook

A group of fascinating authors contributed to the upcoming anthology Avast, Ye Airships! Today I bring you another intriguing interview, this time with Jeffrey CookJeffrey Cook.

Jeff lives in Maple Valley, Washington, with his wife and three large dogs. He was born in Boulder, Colorado, but has lived all over the United States. He began writing professionally in 2014. In addition to his novels and anthology projects, he has contributed material to publications by Deep7 Games out of Seattle, WA. When not reading, researching or writing, Jeffrey enjoys role-playing games and watching football.

Here’s the interview:

Poseidon’s Scribe: When and why did you begin writing fiction?

Jeffrey Cook: I got the storytelling bug when I was about six, on long car rides with my dad. My mother insists that’s when I started proclaiming I wanted to be an author when I grew up. I began my first series of books, a set of emergent Steampunk epistolary novels, after getting laid off from an energy-draining desk job, thus freeing up a lot of time and creativity.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

J.C.: Output is easier for me than for a lot of people. Once I get some momentum going – in a decent atmosphere without any large dogs trying to get on my lap – I’m fairly prolific, writing in big chunks.

The most difficult aspects are the editing and the marketing.

P.S.: You have written in the steampunk, science fiction, and urban fantasy genres. Which is your favorite genre and why?

J.C.: Steampunk has been and continues to be a really fun experiment, and the best way of telling the story of the characters I wanted to tell there, but I grew up on fantasy. It pretty much has to be my favorite.

P.S.: Your website mentions you enjoy role-playing games. Aside from the enjoyment you derive from that, do you find that RPGs influence or even improve your writing?

J.C.: I love telling stories as a team. I like the combination of planning and improvisation, the characterization, worldbuilding, and different perspectives. Kate, my editor and sometime co-writer, feels the need to point out how action-oriented a lot of my writing is sometimes, which certainly gets a lot of practice narrating RPG scenes.

Additionally, I met Kate in an online role-playing group, so that’s certainly been useful, too.

P.S.: You mentioned having a co-writer. What is it like to write collaboratively with another author?

J.C.: As with RPGs, I love collective storytelling. In addition to bouncing ideas off of each other, we can capitalize on each other’s strengths and compensate for weaknesses. Kate, for instance, is very slow at writing, but incredibly efficient at rewrites.

P.S.: You have a story, “Maiden Voyage,” in the anthology AvastYeAirshipsAvast Ye Airships! Without spoiling, can you tell us a little about the story, and what inspired you to write it?

J.C.: From time to time, Kate and I write stories about a one-eyed cross-dressing lesbian cavalry officer and her clockwork-and-steam-enhanced dancer girlfriend. When we first saw the web site for the Avast anthology, we decided to put the girls on an airship. This is actually the second published Luca and Emily story. We’re hoping to eventually combine our various anthology submissions with them into a book of short stories.

P.S.: You’ve written some stories aimed at the Young Adult market. In what ways is that different from writing for a more general audience?

J.C.: It was a huge transition. The stories in the Dawn of Steamdawn-of-steam-first-light-w-award-badge series are, intentionally, very dense reads. They’re written in Regency voice (early 1800’s, like Jules Verne or Jane Austen) and in epistolary (letters and journal entries) format. They required a lot of historical research. Writing for YA involved as much world building, but since both my current, and upcoming YA books are set in Seattle, I know some of the area better. They’re also much more dialogue heavy and faster-reading.

P.S.: What is your current work in progress? Would you mind telling us a little about it?

J.C.: With my epistolary Steampunk series wrapping up this March, I’m focusing a lot on a four-book YA urban fantasy series about, among other things, fairies in Seattle. It’s another collaboration with Kate, who’s really quite interested in getting the folklore research about different legends – mostly Irish/British but also Hawaiian and others – alongside medically accurate descriptions of ADHD.

While it’s also almost done, I’m also heading up a charity anthology consisting of Shakespeare stories reinterpreted through the lens of different punk genres: steampunk, cyberpunk, etc. The proceeds from that will benefit a local animal shelter. I’m contributing the “More bear”-steampunked version of The Winter’s Tale for that.

Poseidon’s Scribe: What advice can you offer aspiring writers?

Jeffrey Cook: Try to write or do something related to your writing every day in order to cultivate good habits.

Get someone reasonably impartial to read your work at some point, and learn to take constructive criticism, because once you publish, criticism is going to come eventually. Having done both self-publishing and with a small press, I I’d like to point out that in self-publishing, two very important things to have are good editing and good cover art.

 

Thank you very much, Jeff! Readers of Poseidon’s Scribe will be eager to find out more about you, and here’s how they can. You’re on Twitter as @JeffreyCook74, and on Facebook, Goodreads, and Amazon. Explore Jeffrey Cook’s website here.

Poseidon’s Scribe

January 17, 2015Permalink

Author Interview — C. A. Szarek

Chrissy-140 I’m pleased to welcome author C.A. Szarek.  She writes in the fantasy, paranormal, romantic suspense, and Young Adult genres.

C.A. is originally from Ohio, but got to Texas as soon as she could.  She is married and has a bachelor’s degree in Criminal Justice.  She works with kids when she’s not writing.  She’s always wanted to be a writer and is overjoyed to share her stories with the world.

 

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Sword’s Call (King’s Riders Book One) is available now from Gypsy Shadow Publishing.

Collision Force (Crossing Forces Book One) just released on June 28, 2013 from Total-E-Bound Publishing.  Bad boy FBI agent and feisty widowed police detective collide pursuing a human trafficker in small town Texas on their way to true love.

Poseidon’s Scribe:  When and why did you begin writing fiction?

C.A. Szarek:  Oh gosh, I have been writing since I was very young. Poetry when I was seven or eight, and then stories that slowly wended themselves into novels when I was about fourteen.

P.S.:  What are the easiest, and the most difficult, aspects of writing for you?

C.A.:  Hmmm, a hard one. The most difficult part for me is telling my inner critic to be quiet so I can just write. Sometimes I question too much: The story, myself, where the scene is going. I think the best part is making up stuff. Hehehe. Bringing life to characters, making them real people. Making them have feelings and emotions and making them real.

P.S.:  What inspired you to write Collision Force?

C.A.:  I’m not sure it was any one thing specifically.  I have a law enforcement background, and I have always been interested in this type of story. I watch tons of cop shows on TV, so I thought I could write one! I “met” Andi and Cole a long time ago, when I was about seventeen. So, they’ve been with me for years. But it was good I waited to write their story. I didn’t have the expertise to write it back then.

P.S.:  What is the audience you’re trying to reach with that book?

C.A.:  Well, it is a romantic suspense novel, a mix of a good cop story and a love story, so I would assume women would be into it.  But I know a few guys who have checked it out and have liked it, so who knows?

P.S.:  You’re an author of fantasy, paranormal, romantic suspense, and YA.  Why do you prefer those genres?

C.A.:  I never set out to write multi-genres. But when a good story occurs to me, I write it. But I have always been a fantasy girl. It’s fun to make up your own world, but it’s difficult, as well. But I like my romantic suspense world of Crossing Forces (that’s my series title) as much as I love the world of the King’s Riders (my fantasy series)

P.S.:  Every Tuesday, your blog features interviews or guest posts from other authors, and it usually gets many comments; why do you think that regular feature has become so popular?

C.A.:  I’m not sure. I love authors and books and reading as much as I love writing, so I love to share all the authors I know with the rest of the world. I try to promote, promote, promote. I hope everyone will check out my friends’ books as much as I want them to check out my own. I think if we all work together to get the word out, we can all succeed.

P.S.:  Without giving too much away, what is your current writing project?

C.A.:  I am working on Chance Collision, which is the 2nd book in my Crossing Forces Series. It is Pete and Nikki’s story and I am loving it so far.

P.S.:  What advice can you offer to aspiring writers?

C.A.:  Don’t ever give up. Rejection happens. If you want it bad enough, you keep going. Always.

Thanks so much, C.A.!  I wish you every success. My readers can find out more about C.A. Szarek at her website, her blog, on Facebook, and on Twitter.  Her site at Gypsy Shadow Publishing is here.

                                              Poseidon’s Scribe

Novels-in-Verse

If writing prose is getting boring,

If each new tale keeps getting worse,

To send your reader’s thoughts a’soaring,

Just try a novel writ in verse.

Verse novel it is called quite often.

Your muse’s heart you’ll have to soften,

For writing thus will take more time,

To work in meters, feet, and rhyme.

Free verse or Onegin-type stanza,

(Much like the blog you’re reading now.)

Done right, your readers will say “Wow!”

Your novel’s sales, a big bonanza.

Do other authors do it? Yes!

Like Margaret Wild and Karen Hesse.

 

When is Verse Novel form most useful?

When characters are more than few,

And besides—to be quite truthful—

When tale’s got many points of view.

When characters stir up commotion,

And in their heads is much emotion,

When using prose would seem far worst,

Each scene a momentary burst.

It’s quite in style for younger readers;

Verse Novels now are catching on;

For poetry, another dawn?

So, you might join this movement’s leaders,

Craft verse among that happy tribe!

Rhythmically Yours—

                                                 Poseidon’s Scribe

 

 

September 2, 2012Permalink

Tom Swift and His Psycho-Subliminal Writer Inspiratron

When I was a young lad growing up in Cedar Rapids, Iowa in the mid-1960s, my Aunt Betty gave me a precious gift, a copy of Tom Swift and His Flying Lab by Victor Appleton II, ©1954.  It was the first book in “the New Tom Swift Jr. Adventures” series which eventually included 33 novels.

The series involves the adventures and inventions of an 18 year old engineer and scientist.  Each book features a new invention and typical titles are Tom Swift and His Ultrasonic Cycloplane, or … and His Electronic Retroscope, or … and His Subocean Geotron.  The series is a continuation of the previous Tom Swift (Senior) series that ran from 1910 to 1941.

Aside from the blond main character with the crew cut, there was Tom’s sidekick Bud Barclay, Tom’s sister (and Bud’s girlfriend) Sandy, Tom’s girlfriend Phyllis Newton, Tom’s father Tom Sr., his mother Mary Nestor Swift, and the executive chef for Swift Enterprises, Charles “Chow” Winkler.  I remember these characters as if I knew them as real people.

Story lines typically involved some trouble somewhere, like a kidnapping, a stolen invention, or some other evil being done in some exotic locale.  Often one of the dastardly countries of Brungaria or Kranjovia was behind it all.  Tom, fresh from some previous adventure, has just invented (or proceeds to invent) some gadget used to save the day.

We are not discussing superb literature here, admittedly.  The characters were stereotypical and lacked depth.  None of them changed or learned anything as a result of the conflicts they dealt with, either within any book or across the series.  Tom himself had no character flaws whatsoever, other than paying insufficient attention to his very tolerant girlfriend.  The writing style was amateurish.  In an earlier post I already mentioned the occurrence of “Tom Swifties.”  Any notion of realism was abandoned in these novels, from the basic premise of an 18 year old being the sole inventor of all the gadgets, to the implausibility of the inventions themselves, to the fact that one young man could be the hero in so many dangerous escapades.

I loved that series, and still do.  I begged my parents for the next book I hadn’t read until I could afford to buy them myself.  I thought about how cool it would be to have such machines and vehicles myself, or to be able to invent them.  I compiled a personal library of about 2/3 of the series.  Decades later, I found my mother had disposed of them, thinking I no longer wanted the set.  That saddened me, but my brother scoured garage sales and helped me rebuild the collection.  Thanks to him, I now have 18 volumes from that series, and 20 novels from the earlier Tom Swift series.

It appears I’m not Tom Swift’s only admirer.  There’s at least one website dedicated to the series, and an active discussion group.

None of Tom’s inventions mentioned were actually built.  Indeed, most are impossible.  But one of his gadgets, a mechanism never actually named or referred to, worked really well.  That’s Tom’s Psycho-Subliminal Writer Inspiratron.  The Tom Swift Jr. series, so loathed by librarians and English teachers, motivated my interest in engineering and in storytelling.   It prompted me to read other things, better books, including the works of Jules Verne.  Tom kindled an interest in adventure and traveling to distant places, and is a big part of why I joined the submarine service.

Please comment and let me know if Tom Swift also inspired you, or let me know what other books of your youth did.  For now I’d like to say thanks for everything, Tom, especially your amazing Inspiratron.  Sincerely,

                                                   Poseidon’s Scribe

 

Writing for Young Adults

Want to write stories for Young Adults?  Hard to blame you.  It’s a large market, and some authors have become successful in aiming for it.  If you, like J. K. Rowling, happen to write a YA story that also appeals to adults, then your story’s market is that much bigger.

Perhaps your purpose in writing YA stories is more complex than a direct desire for money or fame.  One web commenter has suggested writer Robert Heinlein wrote YA (then called ‘juvenile’) novels to shape a young audience, to prepare readers for later buying his brand of adult novels.  If true…wow!  That’s thinking ahead!

Whatever your reason for wanting to write for it, the YA market is an interesting one.  It took until about 1900, several hundred years after the first printed books, for the following confluence of events to make a YA market possible:  (1) the price of books dropped to be within a teen’s budget, (2) teen buying power rose so they could afford books, and (3) teens weren’t working so long and had available time to read.  Once the market emerged, authors began aiming for it.

What are YA stories like, and how do they differ from other genres?  Young adults, as an audience, are leaving the comfortable world of childhood and ready to experience adulthood.  They’re curious about it, anxious to try things.  Fiction gives them a safe opportunity to “try” things in a vicarious way.  They’ve grown beyond simple, moralistic tales.  They crave stories with identifiable, strong but vulnerable characters–complex characters who aren’t all good or all bad.  A good, solid plot-line is more important to them now than it was in the children’s books they no longer read.

In short, YA stories are very similar to those written for adults.  I thought I’d read once where Robert Heinlein had said writing for juveniles (the old term for YA) was just like writing for adults except you take out all the sex and swearing.  I can’t find that quote now, but it would need amending anyway.  Notice Heinlein had no problem with violence in YA stories, and that remains true.  As for sex, it’s probably best to leave out graphic descriptions, but don’t pretend the act doesn’t exist.  As for swearing, it’s my guess that mild swearing is acceptable in YA literature these days.

How do you write for the YA market?  I think it’s important to think back to your own teen years and pull what you recall from those experiences.  Remember when the world was new to you, when all your emotions were intense ones, when you longed to be accepted and wondered if there were others like you, wondered if you’d find even one special person for you?  Pick a protagonist who is aged a few years older than your target audience, either in the late teens or early twenties.  Don’t talk down to your readers; they’re old enough to look up words they don’t understand.  Don’t set out to write a moralistic story of instruction; teens are quick to spot a lecture and, frankly, they get enough of those from their parents.  They’re not about to shell out good money and spend their time reading a sermon from you.

My own reading as an early teenager focused on the Tom Swift, Jr. series published between 1954 and 1971.  After that I primarily read Jules Verne and other science fiction authors, mostly those writing hard science fiction.  Now as a writer, I think all my stories should be acceptable for the YA audience, though I haven’t consciously aimed for it.  My tales have very little swearing.  There is a sex scene (of sorts) in my horror story, “Blood in the River,” but nothing too graphic.  However, none of my published stories feature a teen protagonist.

Good luck with the YA story you’re writing.  If this blog post has helped in any way, or if you take issue with what I’ve stated, please leave a comment for–

                                                    Poseidon’s Scribe