Can You Skip the Suffering Part?

Many great writers suffered early in life and during their writing careers. Of these, a good number wrote from a place of suffering, capturing that pain and creating timeless novels.

Did their suffering lead to classic writing? If so, would these authors have written so well if not for their suffering? In other words, is personal suffering necessary to produce great art?

Brian Feinblum explored this topic in a blogpost, and that’s what inspired my post today.

What about those of us who have led relatively happy and disease-free lives? Do we lack the necessary ingredients to produce great fiction?

The list of writers who suffered from health ailments alone (never mind other sorts of problems) is long. Here’s a partial list: 

  • John Milton—likely a detached retina leading to blindness
  • Jonathan Swift—Ménière’s Disease leading to vertigo and tinnitus, obsessive-compulsive disorder
  • The Brontë Sisters—tuberculosis and depression; one may have had Asperger’s Syndrome.
  • Herman Melville—pains in joints, back, and eyes due to Ankylosing Spondylitis which brought on depression
  • Fyodor Dostoevsky—epilepsy, gambling addiction, severe depression
  • Jules Verne—stomach cramps from colitis, painful facial paralysis from Bell’s Palsy
  • Edith Wharton—typhoid fever, asthma
  • Jack London—bipolar disorder, scurvy, alcoholism, leg ulcers
  • Virginia Woolf—depression, mood swings, hallucinations
  • James Joyce—eye problems after gonorrhea treatments
  • F. Scott Fitzgerald—heavy drinking, heart disease
  • Ernest Hemingway—depression, alcoholism, electroshock treatments
  • George Orwell—damaged bronchial tubes after childhood bacterial infection, tuberculosis
  • Tennessee Williams—depression, drug and alcohol addiction
  • Sylvia Plath—depression; shock therapy; several suicide attempts

Perhaps your life doesn’t include any ailments nearly as severe as any on that list. Does that eliminate you from contention on some future list of great authors?

Fiction revolves around conflict, and therefore fictional characters must suffer. That’s necessary so readers can believe in them, identify with them, and root for them during their struggles.

Writers with health problems may have an edge here. They can write out of their own painful experiences. They’ve gazed into the abyss themselves, and garner instant credibility.

However, not all people who’ve suffered end up as successful novelists. Further, not all great writers suffered from anything more severe than the typical pains of a normal life.

I think what matters more is your ability to identify deeply with a suffering character you’ve created, and to convey that suffering to readers with your words. That strong empathy will come through, and distinguish your writing.

You needn’t have endured intense personal suffering to create great fiction. Make your protagonist suffer, though, and convince your readers to care about that character.

Hellen Keller knew something about the subject, and wrote, “Although the world is full of suffering, it is also full of the overcoming of it.”

You may not have suffered as she did, but you can write. On the journey toward great fiction writing, whether you’ve suffered or not, you’re free to join—

Poseidon’s Scribe

Suffering for Your Writing

You’ve heard the phrase “suffering for your art,” and you know the stereotype of the writer who’s deeply disturbed and probably insane. Let’s reason this out together.

First, I’d like to define some terms. Suffering means simply to experience something undesirable, some hardship. Given that definition of suffering, it’s something no human escapes. We all have undesirable experiences. Suffering is universal and inevitable.

An insane person is one who does not exhibit normal perception, behavior, or social interaction. Imagine lining up all people in order from the most sane to the most insane. Even psychologists would have a difficult time marking the boundary separating the sane from the insane, though most would agree about those at the extreme ends of the line.

For my purposes here, let’s consider insanity a rare condition. Let’s use the term as a psychologist might, and not like the hyperbole we use when seeing someone do something remarkable: “He’s insane!”

In this post, Wency Leung cites a study showing that creative people are more likely to receive treatment for mental illnesses, and likely also are related to people with mental disorders. The study specifically found authors to have high likelihoods of anxiety, depression, schizophrenia, and substance abuse, and to be more prone to suicide than the general population.

Michelle Roberts cites the same study, but her post details a similarity between the brain scans of creative people and those of schizophrenics. Both seem to have fewer mental filters, thus allowing a greater capacity for seeing connections between unlike things. Those two groups make associations and links not made by the general population.

Exploring the study’s implications for writers, Kimberley Turner warns against glamorizing mental illness, saying it can bring on depressions that are far from desirable. Given the higher incidence of mental illness with writers, she asks if writing causes the illness and its associated unhappiness, or if the mentally ill are more likely to take up writing. She concludes that depression is not a necessary condition to be a great writer, but that a writer must have endured some suffering to portray believable characters contending with conflict.

This post from Kevin T. Johns focuses on the suffering writer, without delving into whether that suffering results from, or causes, insanity. He contends writers must suffer for their art. However, they need not seek out suffering; life supplies enough suffering by itself. Writers differ from most people in that they use suffering. They don’t shy away from the hurt and pain—they write down every detail. They force characters to suffer, thus producing engaging literature.

Considering that question of whether suffering sparks people to write, or writing itself causes suffering, Mark McGuinness distinguishes between two kinds of suffering. Suffering from life, he contends, is different from suffering from your art. We all suffer the pain of living, so you must face and overcome it. Writers use it by learning from it and writing it down. However, he spares no sympathy for writers who suffer from their writing. He finds that self-pitying and unhelpful.

As for me, I agree life provides enough suffering for any writer to use. However, I recommend you not allow your writing to cause you undue suffering, let alone to drive you insane. Your readers await your next quality story, and you can’t deliver if you’re sliding into depression and madness.

Life throws bad stuff at all of us, but we get to choose how to respond. I’m in favor of remaining as optimistic as you can. That’s the best advice available from your fellow suffering writer—

Poseidon’s Scribe