Captain Nemo and I

Many people have commented on how much I have in common with Captain Nemo. Not just in appearance:

I’m the one on the right. Want more proof? Just look at this table of inexplicable parallels:

AttributeCaptain NemoPoseidon’s Scribe
Known by 2-word pseudonymYesYes
TrainingEngineeringEngineering (Naval Architecture)
Submarine constructionBuilt his own submarineHelped overhaul a submarine
Submarine operationCaptain of his own submarineOfficer aboard a submarine
Polar experienceTraveled by submarine to South PoleTraveled by submarine near North Pole
MusicPlayed pipe organPlayed cello and piano
BirthplaceBundelkhand – middle of a country (India)Wisconsin – middle of a country (USA)
AgeBetween 35 and 50Used to be between 35 and 50
Pacific island experienceMarooned on Lincoln IslandVisited Hawaii
WeaponryElectric RifleElectric Pistol (not fully operational)
Lost civilization experienceDiscovered AtlantisWrote a story about Atlantis
LanguagesFluent in French, English, German, Latin, and BundeliAdept in using Google to translate 107 languages
Electrical experienceUsed electric rails to shock Papuan nativesElectrically shocked self during home repairs
WealthImmensely rich from salvaging treasureOften imagined being rich
RoyaltyBorn a princeListened to music by Prince

I know, it’s eerie, right? It’s not like I set out to pattern my life after Captain Nemo. I doubt very much that I’m somehow related to him, or that I’m a reincarnation of him. However, I wouldn’t dismiss those possibilities out of hand, either.

At this point, I’d like to ease the fears of any mariners reading this post. Despite my many similarities to Captain Nemo, I have no immediate plans to voyage around the world’s oceans, ramming ships along the way. Sailors of all vessels at sea are safe from any attack by me.  

I promise to use my Nemo-like powers only for good, like co-editing 20,000 Leagues Remembered, an anthology recently launched by Pole to Pole Publishing.

For the record, I am—

Captain Nemo

…er, I mean

Poseidon’s Scribe

Mobili or Mobile?

Mobilis in Mobili—the motto of Jules Verne’s Captain Nemo. Or should that be Mobilis in Mobile? Let’s consider it.

Why even ask the question? Well, Verne’s publishers went back and forth, using mobili in some versions and mobile in others. It seems even they were confused.

The two are Latin words. I’m no expert in that language, but as I understand it, mobili is pronounced mob´il-ee and mobile is pronounced mob´il-ay.

Here’s the text from Twenty Thousand Leagues Under the Sea, as it appears in the 1993 translation by Walter James Miller and Frederick Paul Walker:

“Each utensil, spoon, fork, knife, plate, bore a letter encircled by a motto, of which this is an exact facsimile:

Motto from Wikipedia

‘Mobile within the mobile element!’ That Latin motto was certainly appropriate for this submarine craft, so long as the preposition ‘in’ was translated as ‘within’ and not ‘upon.’ The letter N was no doubt the initial of the enigmatic person in command at the bottom of the ocean.”

Miller and Walker use their own motto image, with mobile. They state that mobili is plural and mobile is singular. Since Verne’s explanation in French (“l’element mobile”) is singular, they reason that the Latin word should be singular as well, hence mobile.

What does the motto mean? My old copy of Cassell’s New Latin Dictionary gives several meanings for mobilis including movable, easy to move, active, rapid, pliable, flexible, changeable, inconstant, with quick motion, easily, and quickly.

So we have ‘moving in a moving thing’ or ‘living free in a free world’ or ‘changing with change.’ Those first two meanings presume a singular object (moving thing or free world), so the singular mobile seems more appropriate for them.

At this point, many of you are thinking of the Monty Python Latin lesson scene in the movie Life of Brian. Now imagine John Cleese as Professor Aronnax staring at the Nautilus’ tableware and correcting Captain Nemo’s Latin!

Now that your head is spinning from that language discussion, permit me to urge you to buy and read the new anthology from Pole to Pole Publishing—20,000 Leagues Remembered. It’s available in ebook form now, and soon in paperback.

To finish up, I’ll confess to an unscholarly preference for mobili. It looks more like a Latin word than mobile, which is identical to the English word mobile.

Still, despite my preference, I guess I must be flexible and willing to change, and must therefore bow to the experts. Mobilis in Mobile it is. As you can see, there are few people more mobilis than—

Poseidon’s Scribe

That Bookshelf Behind You

On TV these days, we’re seeing the insides of a lot of people’s homes. Particularly bookshelves. If you’re an expert being interviewed by the media, it’s important to have an impressive bookshelf as backdrop behind you.

Ah, but what is an ‘impressive’ bookshelf? Let’s explore that today, so you can prepare for your next Skype call from a TV network.  

A portion of Poseidon’s Scribe’s bookshelf

I’m not that impressed by bookshelves arranged for show. If it looks like the books sit there for years without being read, that indicates a shelf intended to dazzle others, not to serve the owner.

A useful home bookshelf should have a sense of chaos, of disorder, with some books leaning, and perhaps others left horizontal. That indicates a reverence for books as things to be read, not as props to be displayed.

In Twenty Thousand Leagues Under the Sea, Jules Verne gives Captain Nemo a library aboard the Nautilus intended both to impress Professor Aronnax (and thus, the reader) and to convey a sense of frequent use by an eclectic mind.

Captain Nemo’s bookshelves

“Tall pieces of furniture, made of black rosewood inlaid with copper, contained in their deep shelves a vast number of books uniformly bound…works of science, ethics, literature, in many languages, were in abundance…And, strange to say, these books were not grouped according to the languages they were written in, and the resultant mixture suggested that the captain could read fluently whatever books came to hand, regardless of language.”

(Well, I do have one quibble, Captain Nemo. If the Nautilus takes an angle or encounters rough seas on the surface, most of your books will fall to the floor. Bookshelves aboard the submarines I’ve seen always include moveable restraining bars to keep books in place.)

Cover image for 20,000 Leagues Remembered

This seems a good moment to mention that both I and Kelly A. Harmon of Pole to Pole Publishing are co-editing an upcoming anthology titled 20,000 Leagues Remembered, a collection of short stories intended as a sesquicentennial tribute to Jules Verne’s novel. Submit your own story here.

Returning to the topic of bookshelves, remember—they’re meant to be used, not just seen. If a TV network calls you for a video interview, you’d like to be known as a person who reads, not just owns, books.

If you work for a news station and want to interview an expert on the use of bookshelves as background, or just desire to interview an interesting author, call me and ask for—

Poseidon’s Scribe

Character Analysis — Captain Nemo

Now we’ve come to the last major character in Jules Verne’s Twenty Thousand Leagues Under the Sea. Let’s study Captain Nemo.

Before we do, I’ll remind you to submit a short story to 20,000 Leagues Remembered, a tribute anthology scheduled for publication on the 150th anniversary of Verne’s marvelous novel. Along with unparalleled word-master, Kelly A. Harmon, I’m co-editing this anthology for Pole to Pole Publishing. The official closing date is April 30, but you should submit early. We’re accepting stories as we go, and this publisher has filled each of its anthologies before the closing date. For more details, and to submit your story, click here.

Regarding Captain Nemo, I’ll restrict this analysis to what we know from the 20,000 Leagues novel and disregard information provided later in The Mysterious Island as well as later adaptations.

When readers first encounter Nemo, they learn he appears self-confident, energetic, and courageous. He is tall, of indeterminate age, and has wide-set eyes. He says, “To you, I’m simply Captain Nemo,” adding a rank to the name “no one” by which Odysseus (another sea captain) fooled the Cyclops.

In subsequent chapters, Pierre Aronnax learns Nemo is a highly intelligent scientist and engineer, has divorced entirely from the land and all nations, and is immensely wealthy. Later, Aronnax discovers Nemo cares deeply for a dying crewman and buries him on the seafloor. He assists a stricken pearl diver off the coast of India, saying he “lives in the land of the oppressed, and I am to this day, and will be until my last breath, a native of that same land!”

Nemo provides a huge sum of gold to a Grecian diver, apparently to aid in the uprising of Crete against Ottoman rule. Aronnax sees a set of paintings in Nemo’s cabin, all portraits of historical revolutionaries. Using the Nautilus’ ram, Nemo slaughters a pod of sperm whales to save some baleen whales. He then attacks and sinks a ship whose nationality is unknown to Aronnax. Following this act of destruction, Aronnax spies Nemo kneeling and weeping before a portrait of a woman and two children.

The Captain combines several opposing characteristics and sentiments:

  • He claims to support the downtrodden, yet he designed the Nautilus with a distinct two-class system, and treats Aronnax as an upper-class gentleman, in contrast to the way he treats Conseil, Land, and his own crew.
  • He financially supports freedom-seeking revolutionaries, and his Mobilis in Mobili motto implies a love of freedom, yet all who enter his Nautilus are confined aboard forever.
  • At the outset, Nemo declares, “I’m not what you term a civilized man! I’ve severed all ties with society, for reasons that I alone have the right to appreciate. Therefore I obey none of its regulations…” yet he plants a flag at the South Pole just as any imperialistic conqueror from a land nation might.

It’s well-known that Verne initially gave Nemo a detailed back-story with a former nationality and a traumatic past to explain his motivations, but his publisher urged him to delete all that. We’re left with an unexplained mystery, a Byronic Leonardo da Vinci, a marauding scientist, a sea hermit, a gentleman savage.

Like Captain Ahab, Nemo suffers from a troubled past that leads him on an obsessive oceanic quest, resulting in madness. Unlike Ahab, the cause is not as evident as a bitten-off leg, but resides only in his mind. His motives remain as invisibly submerged as his submarine.  

I hope you’ve enjoyed reading these recent blogposts about the four main figures in 20,000 Leagues Under the Sea. This one completes the quartet of character analyses by—

Poseidon’s Scribe

January 26, 2020Permalink

A Few Leagues Short of 20,000

My favorite novel is Jules Verne’s 20,000 Leagues Under the Sea. Still, the book is not free of literary flaws. Let’s examine them.

Before diving into those, allow me to remind you I’ll be co-editing an anthology paying tribute to Verne’s novel. Along with award-winning author and editor Kelly A. Harmon, I’ll be launching Twenty Thousand Leagues Remembered on June 20, 2020, the sesquicentennial of the classic submarine tale. Click here for details on when and how you can contribute a short story to this anthology.

Regarding the weaknesses of 20,000 Leagues, I know it’s unfair to judge a Nineteenth Century French novel by the standards of Twenty First Century America. Still, it is a classic, and therefore it must explore universal and enduring facets of the human condition. It does so, as I discussed here, but some aspects of the work have not stood up well by modern standards.

Submarine

Verne devotes two whole chapters to a tour of the Nautilus and a discussion of its features and capabilities. No modern writer would risk boring readers that way. In truth, some of us like these chapters, and I credit them with inspiring me to major in Naval Architecture at college, but for most readers these tedious details are unnecessary.

Women

No significant female characters appear in the work, a glaring defect by modern standards. The only mentions of women are a brief reference to Ned Land’s former fiancée, Kate Tender (Really? Kate Tender?) and a moment when Pierre Aronnax spies Captain Nemo kneeling and crying before a portrait of a woman—presumably Nemo’s former wife—and two children. Few of Verne’s novels feature female characters, and he might have found it difficult to write one into this story, had he been so inclined. Film versions of the novel often include women, though.

Protagonist

Any well-written novel has a clear protagonist. Who is the protagonist in 20,000 Leagues? Before you answer, recall a protagonist is at the center of a story, propels the plot forward, makes key decisions, faces the obstacles, and endures the consequences.

You could make a case that Captain Nemo is the protagonist, making all the novel’s key decisions and driving the plot along. The consequence of his mounting hatred against oppressive nations is that he goes mad at the end.

However, most reviewers consider Pierre Aronnax the protagonist. He’s the narrator through whose eyes we see all the action. He faces a significant conflict—whether to stay aboard with Nemo the Ultimate Marine Biologist, or escape from Nemo the Insane Pirate. Still, Aronnax is a weak protagonist, more of an observer of events, a scientist studying Nemo’s decisions.

Motivation

In modern literature, no antagonist can be purely evil without a reason. In our post-Freud world, we must know the backstory behind the ‘bad guy.’ As an antagonist (if he is one), Captain Nemo seems driven by forces kept obscure and never revealed. We’re left to wonder why someone would gather a crew, construct a submarine, shun all inhabited land, and sail around the world attacking ships from certain nations. In this novel, readers see a few vague hints about Nemo’s motives and background. Only in Verne’s later novel, The Mysterious Island, do we come to understand what made Nemo tick.

Fish

Among the major turn-offs for modern readers are the long, tiresome descriptions of fish. To give his work credibility, Verne wrote on and on about the fish seen by his characters. Long paragraphs with lists and details litter the work. While acceptable, and even standard for novels of his time, these extensive descriptive paragraphs would be recommended for deletion by any editor today. As if knowing he might bore some readers, Verne structured these descriptions such that a reader could skip to the next paragraph without missing anything.

Please forgive me for taking these unfair swipes against a literary classic. If I point out the tiny blemishes making this novel less than perfect for modern readers, I do so out of love, and with full recognition of the glorious masterpiece it is. Writing a novel half as good as 20,000 Leagues remains a dream cherished by—

Poseidon’s Scribe

November 24, 2019Permalink

Twenty Thousand Leagues of Film

What’s the best film adaptation of Jules Verne’s 20,000 Leagues Under the Sea? Let’s discuss them all.

By now you’ve heard I’m co-editing an upcoming anthology called 20,000 Leagues Remembered, a collection of short stories intended to honor the original novel on its sesquicentennial. I’m really looking forward to reading the submissions. (Click here for more information.)

In the meantime, I figured I’d offer a brief discussion of the film versions. In doing this, I’m only considering live-action (not animated) versions, and only those sharing the title of Verne’s novel. Therefore, I’m not including Captain Nemo and the Underwater City (1969), the TV miniseries Kapitan Nemo (1975),  The Amazing Captain Nemo (1978), or 30,000 Leagues Under the Sea (2007).

1907 – Star Film Company

First on our list is a silent black and white movie from 1907. It was really a loose parody of the novel, featuring a fisherman who dreamed of traveling by submarine and encountered a Fairy of the Ocean and her dancing coterie of naiads. He’s attacked by large fish, a crab, and an octopus. For the audiences of the early 1900s, it must have been very exciting. Directed by the amazing George Méliès, the film is just eighteen minutes long and you can watch it here.

1916 – Universal Film Manufacturing Company

Nine years later, The Universal Film Manufacturing Company (now Universal Pictures) put out another silent black and white version, but this was much closer to the novel. Directed by Stuart Paton, the movie starred Allen Holubar as Captain Nemo, Curtis Benton as Ned Land, Dan Hanlon as Professor Aronnax, and Edna Pendleton as Aronnax’s Daughter. This was the first motion picture filmed underwater, though they used a vertical tube with mirrors lowered from a boat rather than using underwater cameras. The film includes some very long sequences showing nothing but fish and coral. To make the movie, they built a full-size mock-up of the surfaced Nautilus, which could be driven and steered. The movie’s plotline deviated considerably from the novel and incorporated elements of Verne’s The Mysterious Island. At 105 minutes in length, you can watch it here without paying the 25¢ fare they charged in 1916.

1954 – Walt Disney Productions

This is the most famous version. Produced by Walt Disney Productions and directed by Richard Fleischer, the film starred Kirk Douglas as Ned Land, James Mason as Captain Nemo, Paul Lukas as Professor Arronax, and Peter Lorre as Conseil. Of all the film versions, this one adhered most closely to the novel, but the character Ned Land was more prominent than in the book. Still, it was James Mason’s performance as an internally tortured Nemo that truly shined. The fanciful, steampunk Nautilus used in the movie has become iconic, and the attack of the giant animatronic squid was the film’s highlight. The movie is 127 minutes in length, and you can watch the trailer here.

1997 – Hallmark Entertainment

A curious thing happened in 1997. Two made-for-TV versions came out within months of each other. The first to air was produced by Hallmark and aired on CBS on March 23rd. Directed by Michael Anderson, it starred Richard Crenna as Professor Aronnax, Ben Cross as Captain Nemo, Paul Gross as Ned Land, and Julie Cox as Sophie Aronnax, the Professor’s daughter. This movie, as well as the 1916 version, featured submarines whose exterior shape most closely matched the novel’s descriptions. Deviations from the novel included the substitution of Sophie for the Conseil character; the presence of women among Nemo’s crew; the addition of a love triangle between Nemo, Ned, and Sophie; and the substitution of a strange sea monster for the giant squid. The movie was 95 minutes long and you can watch the trailer here.

1997 – Village Roadshow Pictures

The second of the two 1997 versions was produced by Village Roadshow and aired on ABC on May 11th and 12th. Directed by Rod Hardy, this one starred Michael Caine as Captain Nemo, Patrick Dempsey as Pierre Arronax, Mia Sara as Mara (Nemo’s daughter), Bryan Brown as Ned Land, and Adewale Akinnuoye-Agbaje as Cabe Attucks (a crewman on the USS Abraham Lincoln). The Nautilus in this film was menacing, wide, and shaped like a spiky crab. The movie contained numerous deviations from the novel, including a mechanical hand for Captain Nemo, a motivation for Nemo that involved preventing earthquakes long-term by triggering some in the short-term, an Oedipus complex for a young Professor Arronax, and a menacing version of Ned Land. At 158 minutes, it was the longest film adaptation of the novel.

Which version is best? Each one had strengths and weaknesses. Each one deviated from the novel to cater to contemporary audiences and to distinguish it from earlier versions. But overall, the 1954 Disney version best satisfied—

Poseidon’s Scribe

September 29, 2019Permalink

22 Ways to Celebrate Science Fiction Day

Today is National Science Fiction Day. Wait…National SF Day? Since no nation officially recognizes it, I suggest we rename it Galactic Science Fiction Day. After all, the Milky Way Galaxy has officially recognized it. Don’t believe me? Prove me wrong.

Dr. Isaac Asimov

January 2 is an apt date for SF Day. It’s Isaac Asimov’s birthday. Maybe. I seem to recall reading that Isaac wasn’t 100% sure of his birthdate. That ambiguity makes the date even more fitting.

Also, January 2 is so close to the beginning of the year that it seems to retain a connection to the recent past while also causing us to think about the promise of the year ahead. Rather a nice metaphor for SF.

If you’re wondering just how to celebrate SF Day, well, fellow Earthling, you’ve beamed to the right blog post. Here’s a list of 22 ways to celebrate. I hoped to list all 42 ways, but Heinlein’s Star Beast ate 20 of them.

  1. Read a SF short story or novel. If you need a suggestion for which to read, may I (ahem) recommend any of my stories? Click the Stories tab. Or you could read Frankenstein by Mary Shelley, a classic that’s 200 years old this year.
  2. Watch a SF movie or TV show. Luckily, there are plenty of quality choices these days.

That takes care of the two obvious ways to celebrate. Now on to the more unconventional ways:

  1. Prepare and serve some SF-themed food and drink. You can get some great ideas for this in posts by Mike Brotherton, Meg Shields, Meredith Woerner and at a site called aliencuisine.com. There are, by the way, at least two mixed drink recipes called the Captain Nemo—this one, and this one.
  2. Listen to some SF-inspired music. You have plenty from which to choose, including movie and TV show sound tracks and various SF-inspired rock songs.
  3. Dress as your favorite SF character.
  4. Play a SF-themed video game.
  5. Write a fan email or letter to your favorite (living) SF author. (The Poseidon’s Scribe blog accepts comments. Just saying.)
  6. Write a review of a favorite SF story or novel.
  7. Build a model of your favorite SF vehicle.
  8. Grab a partner and play a game of 3-dimensional chess.

If your celebratory mood takes a creative twist, consider the following:

  1. Compose, or just hum, your very own SF song.
  2. Draw a picture of a musical instrument of the future.
  3. Write a SF-inspired poem.
  4. Imagine how life could be different for someone like you living 100 or 1000 years from now.
  5. Pick a current trend you’ve observed (social, governmental, or any type of trend), and extrapolate it in your mind, imagining the future implications.
  6. Make a list of possible future sports, or ways science may influence current sports.
  7. Draw or write a description of the most bizarre alien you can think of.
  8. Draw or write a description of your own SF vehicle. It can be any type of vehicle, traveling through (or within or athwart, or whateverwhichway) any medium.
  9. Draw or write a description of the house (or other building) of the future.
  10. Imagine what your current job will be like for workers 100 or 1000 years from now.
  11. Imagine your favorite super-power. What is it? What problems might occur if you had it? What scientific advances might have to happen for you to get that super-power?
  12. Write an outline for your own SF story or novel or screenplay. Or write the whole tale.

Happy Natio—er, I mean Galactic Science Fiction Day. Perhaps you can think of ways to celebrate that are beyond the imagination of—

Poseidon’s Scribe

Body Dialogue

Some say our bodies speak more clearly and honestly than our mouths do. I don’t know about that, but I think it will help your fiction if you show your characters using appropriate body language from time to time.

Body DialogueWhy? For one thing, body language helps break up long strings of dialogue quotes to keep the text more readable and interesting. Body language allows you to show internal conflict within a non-Point-of-View character by contrasting that character’s words with some clashing body language. Also, body language can emphasize the emotions of a character by going beyond mere spoken words.

Body language, or kinesics, includes such things as facial expressions, body posture, gestures, and tone of voice. Subdivisions of kinesics include Oculesics (body language of the eyes), Haptics (body language through touching), and Proxemics (body language using distance).

Author Amanda Patterson, founder of Writers Write, has provided a convenient online table that provides the typical body language expressions for many emotions.

There are a few ways you could use this resource:

  • As-is. Just find your character’s current emotion, and have the character display some or all of the body language manifestations. This may contrast a bit with what the character is saying, and that shows either internal conflict or deception.
  • Characteristic body language. For one of your main characters, establish a pattern where that character displays a particular body language much of the time, thus establishing a character trait and linking it to a predominate personality trait. Jules Verne’s Captain Nemo often crossed his arms, denoting aloofness, distance, and defensiveness.
  • Given that the table provides typical body language, consider showing one or more of your main characters exhibiting slight variations on those common traits. Those variations may say something about your characters’ personalities.

It’s not clear if body language is common across all countries, all cultures, or all time periods, so be careful and do some research before assuming a character would exhibit the body language you do.

Lastly, don’t overdo it. Just like long strings of dialogue get boring, so does too-frequent use of body language.

Jumping up and down while pumping my fists in the air, I’m—

Poseidon’s Scribe

November 29, 2015Permalink

Captain Nemo sighted at Darkovercon

Those who attended Darkovercon this year on November 24th and 25th got a chance to see me, dressed as Captain Nemo.

I’m the one on the right, by the way.  Why, yes, that is an electric pistol I’m holding; very observant of you to notice.  Not visible in this photo is the Captain Nemo motto “Mobilis in Mobile” on my chest.  My Nemo costume is based on the original illustrations, unlike the movie versions where Nemo appears either as a Navy Captain or an Indian Prince.  Jules Verne’s Nemo had abandoned connections with the land.  He was no military man, nor did he consider himself Indian any longer.  He was part engineer and part pirate, and his clothing reflected that.

 

Here’s my electric pistol.  Very steampunk!  The golden, jagged sights on top are reminiscent of the Nautilus submarine from the Disney film of 1954.  True, Nemo didn’t go around carrying a pistol.  The electric rifles mentioned in Twenty Thousand Leagues Under the Sea were only for underwater use, and the original illustrations show them to be similar in appearance to standard rifles.  I just took a little creative license.

 

And there’s the motto.  The Latin translates as “moving in a moving thing” or, more metaphorically, “free in a free world.”  Yes, you can find versions of 20,000 Leagues Under the Sea where it’s rendered as “Mobilis in Mobili” where that last word ends in ‘i,’ but I’m told that’s plural, and singular was most likely intended.

Feel free to send me a comment if you (a) think I looked like Captain Nemo should look, or (b) think I looked too silly for words.  While I wait for you to type your comment, I’ll enjoy recalling how a childhood fantasy came real for–

                                                            Poseidon’s Scribe

 

 

December 2, 2012Permalink