Whirlwind Weekend in Des Moines

This past weekend, I had a wonderful time at DemiCon, the science fiction convention in Des Moines, Iowa. My first time at that con, and I met interesting people and engaged in fun discussions.

After driving for eleven hours to get there, I made it in time for my first panel on Friday evening. The topic was ‘Artificial Intelligence Meets Science Fiction.’ Jan Gephardt, David Pedersen, and I discussed the future of AI as it affects writing. What will happen when AI writes better fiction than humans? Asked and answered.

I, Jan Gephardt, and David Pedersen discuss ‘AI Meets SF’

Saturday began with a panel titled ‘Iowa in SF.’ The uninformed might dismiss that as a contradiction in terms. However, Lettie Prell, Adam Whitlatch, and I disproved that and entertained a packed room with examples of SF set in Iowa, SF writers with Iowa connections, and reasons for setting a SF story in the Hawkeye state. Note: in a little over 200 years, James T. Kirk (future Star Fleet captain) will be born in Riverside, Iowa.

I, Lettie Prell, and Adam Whitlach discuss ‘Iowa in SF’

Following that, Adam Whitlatch and I answered the question: ‘Can Writers Benefit from Being Editors?’ Adam has edited much more than I, and together we emphasized that even if a writer never edits another’s work, she should strive to think of an editor as partner, not enemy.

Adam and I discuss ‘Can Writers Benefit from Being Editors?’

I didn’t expect anyone to show up for my author reading session, but to my surprise, four people did. (I bribed ‘em with doughnuts.) That lucky quartet heard excerpts from 80 Hours and from my story “Reconnaissance Mission” which appears in the anthology Not Far From Roswell. I even sold and signed some books.

Me at my reading – brought doughnuts

Right after that, I spoke at a panel titled ‘Pandemics Through History, Their Effects on Literature.’ That topic may sound depressing, but Jan Gephardt and I focused on diseases sparking some marvelous fiction including the The Decameron, The Masque of the Red Death, The Plague, The Stand, and many others. We emphasized that pandemic literature explores feelings of fear, pain, hopelessness, and isolation, but also shows the courage, nobility, innovation, and resilience of the human spirit. COVID-19 will likely spur some interesting SF in the coming years.

Jan and I talk about pandemics in literature (still some doughnuts left)

How many people would likely show up late on a Saturday night to hear me speak on the topic ‘Character Changes from Unlikeable to Likeable?’ As it happened, that number was fourteen. After presenting literary examples like Ebenezer Scrooge, the Grinch, Godzilla, and Darth Vader, I discussed techniques writers use to present a character as unlikeable, but then do a ‘face turn’ to show that character displaying redeeming characteristics.

On Sunday, Jan Gephardt and I teamed up again, this time to discuss ‘Gadgets in SF’ with an audience of eleven or so. We warned budding writers not to fall in love with their gadgets. Fall in love with characters and plot instead. If readers wanted long gadget descriptions, they’d buy a textbook.

DemiCon treated me well. That might not be the last they see of—

Poseidon’s Scribe

Iowa Boy Returns – DemiCon 2023

This coming weekend, May 5-7, I plan to speak at DemiCon, the science fiction convention in Des Moines, Iowa. I grew up in Iowa, so it will serve as a homecoming of sorts.

Here’s my schedule for that weekend:

Friday

6 pm               AI Meets SF (with David Pedersen and Jan Gephardt)

Saturday

10 am             Iowa in SF (with Adam Whitlatch and Lettie Prell)

12 pm             Can Writers Benefit from Being Editors? (with Adam Whitlatch)

2 pm               Steve Southard Reading

3 pm               Pandemics Through History, Their Effects on Literature (with Jan Gephardt)

9 pm               Character Changes: From Unlikable to Likable

Sunday

12 pm             Gadgets in SF (with Jan Gephardt)

I’ve never been to DemiCon and it looks like there’s a lot to enjoy, even many events that don’t include me. The full schedule is here and you can register for the con here.

You’re thinking—with so many other things to do in Iowa, why go to a scifi convention? That question answers itself.

C’mon to DemiCon. If nothing else, it’s a good chance for you to meet the literary phenomenon everyone calls—

Poseidon’s Scribe

Great Time at PenguiCon 2023

Attendees at the science fiction convention PenguiCon enjoyed a great treat yesterday. They got to go to an informative and fun panel about Jules Verne.

Scifi fan and bookseller Jeff Beeler led the discussion and asked questions designed to give the audience a good feel for the famous French author. Unlike most readers, the first Verne novel Jeff read was the obscure 1888 novel Two Years’ Vacation.

The con’s Guest of Honor, Eric Choi (pictured with me) explained how he came to write his story “Raise the Nautilus,” which appears in Extraordinary Visions: Stories Inspired by Jules Verne, 20,000 Leagues Remembered, and Eric’s short story collection, Just Like Being There.

JD DeLuzio added his own perspective on Verne. He’d read the author’s major works and commented on the societal and cultural change Verne wrought.

The president of the North American Jules Verne Society, Dennis Kytasaari, knew more about Verne than the rest of us combined, and discussed not only the history of the society, but also mentioned that the publisher BearManor Media is offering 25% off on its Verne titles (including Extraordinary Visions) through the end of this month. Use the code ‘Verne25’ at checkout.

Even if you missed that panel at PenguiCon, you can still get that 25%-off deal. These are modern translations, not like the poor early English translations of Verne’s major works. Go snap up those books at this website now. You can always come back later to read posts by—

Poseidon’s Scribe

Upcoming Events for Poseidon’s Scribe

Hectic times for Poseidon’s Scribe. Last week I mentioned I’ll be speaking at PenguiCon. Today I’ve got two more events to tell you about.

First, here’s an update on PenguiCon, the scifi convention at the Westin Hotel in Southfield, Michigan. For the panel “Extraordinary Visions: the enduring legacy of Jules Verne” (11:00 am on Saturday, April 22), there’s been a person added to the panel. In addition to Eric Choi (the con’s Guest of Honor), Jeff Beeler, JD DeLuzio, and me, the panel will also include Dennis Kytasaari, president of the North American Jules Verne Society.

Also, for the next panel after that, Eric Choi graciously invited me to read some of my fiction as well.

Two weeks later, I’ll be speaking at DemiCon, the scifi convention in Des Moines, Iowa, running from 5-7 May at the Holiday Inn & Suites Des Moines-Northwest.

I’m scheduled for the following events:

  • AI Meets SF, Friday 6-7PM
  • Iowa in SF, Saturday 10-11AM
  • Can Writers Benefit from Being Editors? Saturday noon-1PM
  • Steven Southard Reading, Saturday 2-3PM
  • Pandemics Through History, Their Effects on Literature, Saturday 3-4PM
  • Character Changes from Unlikable to Likable, Saturday 9-10PM
  • Gadgets in SF, Sunday noon-1PM

I’ll give you more updated information on that as the dates approach.

Then, on April 30, a new anthology launches and it will include one of my stories. You might not associate tarot cards with scifi, but both have something to do with predicting the future, so it works. TDotSpec is publishing The Science Fiction Tarot, edited by Brandon Butler.

The book contains my story, “Turned Off,” a tale of two movie prop robots whose circuits activate during an electrical storm. They each recall being turned off after being replaced in their movies by costumed human actors. Now they consider what to do about the humans who created them but can turn them on or off at will.

You can pre-order The Science Fiction Tarot here.

You just can’t miss a week of this blog. For some reason, all of a sudden, there’s a lot happening in the world of—

Poseidon’s Scribe

Waddling to Penguicon ‘23

If you find yourself in the Detroit area later this month, consider going to Penguicon. I’ll be there.

A science fiction convention, Penguicon takes place in Southfield, Michigan at the Westin hotel. This year, they’ve chosen author Eric Choi as their Guest of Honor. His short story “Raise the Nautilus” appears in two recent anthologies—Extraordinary Visions: Stories Inspired by Jules Verne and 20,000 Leagues Remembered.

Penguicon features a panel called “Extraordinary Visions: the enduring legacy of Jules Verne” at 11:00 am on Saturday, April 22. Bookseller and scifi fan Jeff Beeler will moderate the panel, and panelists include Eric Choi, author JD DeLuzio, and me.

Following that panel, at 12:00, Eric Choi will launch his new book, Just Like Being There, and I plan on, well, being there, for that.

Face it—when it comes to pure enjoyment, nothing else you had planned for that day even comes close to attending Penguicon.

Two weeks after that, I’ll be speaking at another convention. Plus, another one of my stories will appear in an upcoming anthology. Stay tuned for news about both of these exciting events. You don’t want to miss a single post by—

Poseidon’s Scribe

Join the Laser Pistol Gang

I plead guilty…to violating many laws of science in my writing. But I’m not alone. I’m in good company with many other science fiction writers. Call us the Laser Pistol Gang.

Authors of so-called ‘hard SF’ should adhere to known scientific principles and knowledge, but aren’t above bending or breaking the laws of physics for the sake of a good story.

Mary Shelley really stretched biological science in Frankenstein when her fictional scientist animated a human from dead tissue. Jules Verne knew human astronauts wouldn’t survive the acceleration of a manned projectile launched from a canon in From the Earth to the Moon. H.G. Wells disobeyed temporal causality in The Time Machine. When he wrote Fantastic Voyage, Isaac Asimov understood the impossibility of miniaturizing people. From his medical training, Michael Crichton must have realized not enough intact DNA fragments remain to create the living dinosaurs of Jurassic Park.

These represent a small sampling from SF literature. Don’t get me started on SF movies, which seem to break more laws of science than they obey.

On what charges could the science police arrest me? Consider my rap sheet:

  • “The Steam Elephant” (from Steampunk Tales, Issue #5 and The Gallery of Curiosities #3). The state of steam and mechanical technology in the 19th Century did not allow for a walking, steam-powered, quadrupedal vehicle.
  • “Within Victorian Mists.” Everything needed to invent lasers existed in the 1800s except the conceptual framework, so if it had happened, it would have required dumb luck.
  • “Bringing the Future to You” (from Cheer Up, Universe!). That story contains too many science violations to list, but I meant the tale to be funny.
  • “Leonardo’s Lion.” Some accounts state Leonardo da Vinci built a walking, clockwork lion. Even if true, it’s doubtful the creation would have supported a child’s weight or traveled over rough terrain, as it does in my story.
  • “The Six Hundred Dollar Man.” Yes, steam engines existed in the late 19th Century, but no one then could have made one small enough to fit on a man’s back and power the man’s replacement limbs.
  • “A Tale More True.” Try as you might, you can’t build a metal spring strong enough to launch yourself into space as my protagonist does.
  • “The Cometeers.” In this story, I violate the same laws Verne did in launching humans to space using a canon. In fact, I used his same canon.
  • “Time’s Deformèd Hand.” Nobody in 1600 AD built walking, talking automatons powered by springs. However, I did mention the wood came from magical trees.
  • “A Clouded Affair” (from Avast, Ye Airships!). You couldn’t build a steam-powered ornithopter in the 1800s, and you’d find it difficult even today.
  • “Ripper’s Ring” Human invisibility remains impossible today, let alone in 1888. Even if it were possible, it would render the subject blind.
  • “The Cats of Nerio-3” (from In a Cat’s Eye). Evolution allows organisms to adapt to new environments, but neither cats nor rats would likely evolve in such a rapid and drastic manner as my story suggests.
  • “Instability” (from Dark Luminous Wings). According to legend, a Benedictine monk constructed a set of wings and tested them sometime around 1000 AD. The wings work no better in my story than they would have in reality.
  • “The Unparalleled Attempt to Rescue One Hans Pfaall” (from Quoth the Raven). Just because Edgar Allan Poe wrote about a balloon trip to the moon didn’t mean I had to repeat his error.

With so much law-breaking going on, how can we hope for an orderly reading society? Must we be forever besieged by the criminal authors of the Laser Pistol Gang?

That answer, I’m happy to report, is yes. Authors write to entertain readers. That’s a writer’s ‘prime directive,’ to steal a phrase. If the writer must bend or break a rule of science to tell a good story, the writer is going to do it.

One key phrase there is ‘good story.’ The better the story, the easier it is for a reader to forgive a scientific flaw. Of course, if you can tell a good story while keeping the science accurate, by all means, do that.

If you aim to join the Laser Pistol Gang, be aware we have a tough initiation ritual. You have to write a story where a law of science gets broken. Not a very exclusive gang, I admit. But it’s a proud, longstanding group. Take it from one of its most notorious members, known by his gang name—

Poseidon’s Scribe

The SF Obsolescence Problem

No matter how much a science fiction writer keeps up with science, the writer’s stories will go obsolete.

As science advances, our understanding of the universe changes. A spherical earth replaced a flat one. A sun-centered solar system replaced an earth-centered one. Birds replaced reptiles as closer descendants of dinosaurs. Continental drift replaced an unchanging map.

SF stories based on outdated science seem backward, passe, naïve. Yet we still read them. Why?

When Mary Shelley wrote Frankenstein; or, The Modern Prometheus, she may have thought the technology to animate dead human tissue lay in the near future since Luigi Galvani had caused frog legs to twitch with jolts of electricity. Two centuries later, we still can’t animate dead humans. How silly it seems to have ever thought it possible at the dawn of the 19th Century. Yet we still enjoy Shelley’s novel today.

Jules Verne’s Around the World in Eighty Days astounded his reading audience at such a short duration for a globe-circling trip. Today, astronauts orbit the planet in just over eighty minutes. How quaint to think of an eighty-day circumnavigation as short. Yet we still enjoy Verne’s novel today.

H.G. Wells’ story The War of the Worlds gave us invaders from Mars. Today we can’t imagine fearing an attack from inhabitants of that planet. How pathetic to think people once swallowed that premise. Yet we still enjoy Wells’ novel today.

Why do we readers find these outdated, naïve, obsolete books—and others like them—still readable? Because science fiction isn’t only about science.

SF, like all fiction, is about one thing—the human condition.

True, readers of SF prefer stories in which authors adhere to the science at the time of writing. But as decades pass, readers know the progress of science may render a work of fiction obsolete. They forgive all of that for the sake of a good story.

They want to read about human characters struggling to achieve a goal, to win a prize, to survive. To live means to suffer, but also to strive against and despite that suffering. The struggle reveals the human qualities of bravery, ingenuity, perseverance, loyalty, love, and others. These timeless truths persist no matter how much science morphs our understanding of the cosmos.

As essayist James Wallace Harris stated in this post, “It’s the story, stupid.” Author Michael Sapenoff put it this way: “So while the language itself remains outdated, the ideas are not.”

You may shake your head, chuckle, or even sneer at the obsolete notions in SF stories, ideas since debunked or overturned by later discoveries. But remember, while looking down your nose, science fiction is more about the fiction than the science.

I encourage you to suspend your scientific skepticism and just enjoy the tale, follow the spinning of the yarn. Set aside the transitory and obsolete parts and appreciate the unchanging, permanent parts.

Maybe, in the end, the SF obsolescence problem isn’t a problem after all, for you or for—

Poseidon’s Scribe

February 19, 2023Permalink

Sale on 20,000 Leagues Remembered – Only $2.99!

Two days ago, I mentioned a sale on the new anthology, Extraordinary Visions. Now I’m announcing a sale on another Jules Verne-related anthology—20,000 Leagues Remembered.

Maybe these publishers and book distributors are trying to celebrate Verne’s 195th birthday on February 8, I don’t know.

At any rate, in conjunction with a promotion at the Fussy Librarian, the ebook version of 20,000 Leagues Remembered is on sale for $2.99 at the publisher’s site, as well as Amazon, Nook, Kobo, and Smashwords.

At the Fussy Librarian, 20,000 Leagues Remembered is listed with their Bargain E-books under General Fantasy. That promotion may only last today, Saturday, February 4, but the sales at the other sites will likely remain in effect until Friday, February 10.

20,000 Leagues Remembered, published on the 150th anniversary of Verne’s masterwork, contains 16 stories by modern authors, each inspired by the classic tale of underwater adventure. Read exciting stories by Mike Adamson, Alfred D. Byrd, Demetri Capetanopoulos, J. Woolston Carr, Maya Chhabra, Eric Choi, Corrie Garrett, Andrew Gudgel, Nikoline Kaiser, James J.C. Kelly, M. W. Kelly, Jason J. McCuiston, Gregory L. Norris, Allison Tebo, Stephen R. Wilk, and Michael D. Winkle.

Prices are rising for everything else, but for this book—at least for a while—the price has dropped. When it comes to good deals, it’s hard to beat this one. Everyone likes a bargain, even—

Poseidon’s Scrive

February 4, 2023Permalink

Sale on Extraordinary Visions – 20% Off!

BearManor Media, Inc., the publisher of Extraordinary Visions: Stories Inspired by Jules Verne is letting the book go for 20% off. The sale only runs through February 4, so hurry.

When you order either the hardcover or paperback version, it will show up at full price until you put the book in your shopping cart. Then you’ll see the discount.

As a reminder, the North American Jules Verne Society sponsored their first-ever anthology of stories written by modern authors, each inspired by Verne’s works. Not only does the book contain thirteen wonderful tales, but each story is accompanied by an original illustration from the earliest publications of Jules Verne’s novels. In an appendix in the back, you’ll find a complete listing of all of his writings.

You had this book on your to-read list, but never got around to buying it yet. Now’s your chance to grab it at a discounted price. For the hardcover version, click here, and for the paperback, click here.

Forgot to mention: one of the co-editors of this anthology is—

Poseidon’s Scribe

February 2, 2023Permalink

7 Science Fiction Predictions for 2023

Though I’ve tried and failed to predict future science fiction trends before, practice makes…well, better. I used the wrong techniques, that’s all. It’s obvious to me now—you can’t see the future in crystal balls, tea leaves, tarot cards, or astrology charts.

You need to read palms. Chiromancy—that’s the foolproof way. My hands have touched so many science fiction books during my life, it should have been obvious to look there for what’s coming in 2023. I had it all along, right in the palm of my hand.

As I gaze at the length and curvature of the lines and the fleshiness of the seven mounts on my hands, it all becomes clear. Some of my predictions repeat those of previous years, but that only means a trend continues or re-emerges in 2023. Here are the types of science fiction books you can expect next year:

  • Artificial Intelligence. A continuing trend, yes, but in 2023, we’ll see a twist. Authors will get past the Frankenstein reruns and the cute-robot-is-nobler-than-humans plot. Novels will show us more sophisticated AI, computers with a different order of intelligence, one alien to us.
  • Classics redone in LGBTQ. Authors will explore the contours of the LGBTQ realm by rewriting classic tales, but repopulating them with LGBTQ characters.
  • Climate Fiction. CliFi hasn’t run its course yet. Readers want it, and authors will supply it.
  • Mars. The Red Planet is in again. We’ll see books featuring the fourth rock from the sun.
  • Private Space Flight. I jumped the gun, er, rocket, in predicting this for 2022. 2023 is the year we’ll see spaceships funded by billionaires without government involvement, for better or worse.
  • Solarpunk. I’m seeing more novels in the coming year with this motif, bringing us sustainable, renewable energy and diverging from capitalism and a colonial mindset.
  • Terraforming. Once seen as an extension of man’s dominion over Earth, terraforming will show its warts in 2023. We’ll see stories of botched terraforming, opposed terraforming, and weaponized terraforming.

There they are—rock solid predictions you can take to the bank. Or, more correctly, the bookstore. As you peruse the New Releases section of bookselling websites or stores, seeing novels on those topics, you’ll say “I’ve really got to hand it to—

Poseidon’s Scribe

December 31, 2022Permalink