Writing Without Electricity

Recently I endured a power outage lasting over 38 hours. I’m not complaining about the outage. Many people have gone without electricity much longer than that.

Up until the dawn of the 20th Century, all people went without electrical power for their entire lives. However, many of us have become dependent on those tiny electrons flowing through wires, and it’s a major disruption when those particles stop moving.

Like most people, writers fall prey to this dependency We type on computer keyboards, we conduct research online, we write by the light of electric bulbs. It’s hard to imagine writing without these things. It is even possible?

Yes, of course it is. I wrote the rough draft of this post with pen and paper. I could have written it by candlelight, but used battery powered lights. Later, when the emergency was over, I transcribed and edited it on a computer. In fact, I create most of my first drafts—fiction stories and blogposts—using pen and paper.

I’m not suggesting you do that. You should write by whatever mechanism suits you, using the tools you prefer, when available. (Note: chiseling words into marble can be slow going).

All I’m saying is that you shouldn’t lose hope when the power goes out. You can satisfy your urge to write by different means.

You might even enjoy the pen-and-paper method. Freed from the computer, your writing might take a different direction. You might write about different subjects or explore new tones, settings, characters, or themes.

When the power comes back on, you can revert back to your accustomed methods. But you’ll always know you have a reliable backup.

The electricity’s back on here, but who knows when it will go out again? At least a simple power outage won’t slow down writing progress for you or for—

Poseidon’s Scribe

February 21, 2021Permalink

Has It Been 10 Years Already?

I started this Poseidon’s Scribe blog in January 2011, so it seems I’ve been doing this for a decade now. I’m closing in on 600 blog posts (this is my 587th). Hard to believe Poseidon’s Scribe is ten years old.

It was very kind of author Todd Sullivan to interview me on the subject of blogging discipline. You can watch the interview on YouTube.

In fact, I’ve included a new Interviews tab on my website, so you can read or view all the interviews of your favorite blogger and author.

Back to Todd Sullivan’s interview of me. In that video, I provided the following overall advice about blogs:

  • Valuable content. Provide useful information to readers.
  • Quality writing. Keep posts brief, interesting, and well written.
  • Clean appearance. Make your site uncluttered and easy to navigate.
  • Periodic posts. Establish a rhythm of posting and stick to it.

Here’s what I advised about starting a blog:

  • Write down why you want to blog. What’s your niche?
  • Identify your intended audience. Whom are you writing to?
  • What might your audience want to know, that you can provide?
  • Write down 20 topics for your first 20 blogposts
  • Add to that list as you come across other ideas
  • Commit to posting on a regular schedule (helps you, readers, and site popularity)
  • Don’t expect instant followers, comments, or notice, let alone fame.

This was what I said about writing individual blogposts:

  • Craft an interesting and useful subject line. Numbers catch readers’ eyes, as do the words you, your, and you’re.
  • Include an image or video with your posts
  • Start with a rough outline before writing, but be willing to deviate from it.
  • Edit by imagining you’re a reader just surfing to that post. Cut boring stuff. No long paragraphs. Keep the overall post short.
  • Proofread before publishing

To supplement the advice I gave in the interview, I’d add this—it’s best not to dedicate your blog to the craft of writing. The net is saturated with writers writing about writing. Consider blogging about the subjects you write about instead. If your fiction focuses on certain settings, or characters, or themes, write about them.

I’ll go further than that. Consider not blogging at all. Set up a website, sure. It can be a fairly static one, with your bio, your bibliography, your scheduled appearances, etc. But think about this before you start blogging: time spent blogging is time you could be spending on your fiction.

Back in 2011, experts advised all beginning writers to blog. It was, and remains, a good way to increase your online footprint and to raise your site ranking in searches for the topics you blog about.

However, I’m not sure it increases sales of your fiction, or improves the quality of your stories. Think about that before you start a blog.

If your goal is better fiction, or more sales, work on your fiction and your marketing.

For me, though, a decade-old habit is hard to break. You can look forward to more years of steady blogging from—

Poseidon’s Scribe

February 14, 2021Permalink

Happy Birthday, Jules Verne!

He’s looking good, for a 193-year-old.

That’s the thing about great writers of the past, they still speak to us. In a sense, they live forever.

Would you expect there’d be an active fan club devoted to you, in a foreign country, 116 years after your death? In Verne’s case, there are several. The one I’m most familiar with is the North American Jules Verne Society.

A couple of months ago, I mentioned the NAJVS is sponsoring an anthology of short fiction, the first of those it’s ever done. The working title for the anthology is Extraordinary Visions: Stories Inspired by Jules Verne. I’m fortunate enough to be part of the editing team.

That call for submissions is still active and NAJVS will be accepting stories (and artwork) until April 30. For more details, click here.

So far, we’ve received some good story submissions. However, we could use more stories based on the full range of Verne’s oeuvre. To start creative fluids coursing through your veins, allow me to mention that Jules Verne wrote about:

  • A 35-day balloon trip over Africa (Five Weeks in a Balloon)
  • A voyage to the North Pole with a mutiny, an ice palace, and a volcano (The Adventures of Captain Hatteras)
  • A hike many miles underground, encountering a subterranean ocean and prehistoric animals (Journey to the Center of the Earth)
  • A journey to the Moon aboard a projectile launched from a cannon (From the Earth to the Moon)
  • A globe-girdling quest for a lost father, knowing only his geographic latitude (In Search of the Castaways)
  • A trek across Russia by courier who can’t see where he’s going (Michael Strogoff)
  • A comet slicing off a chunk of the Earth, with people and animals still on it (Off on a Comet)
  • A family living underground for a decade (The Child of the Cavern)
  • Two men using their halves of an inheritance to establish rival utopian cities (The Begum’s Fortune)
  • A steam-powered mechanical elephant marching across India (The Steam House)
  • A ship-sized helicopter operated by a mad scientist (Robur the Conqueror)
  • An attempt to alter the Earth’s axis (The Purchase of the North Pole)
  • A mysterious Count in a Transylvanian castle, that might have inspired Bram Stoker’s Dracula (The Carpathian Castle)
  • A man-made, propeller-driven island (Propeller Island)
  • A vehicle that operates on land, on and beneath the water, and in the air (Master of the World)
  • A plan to flood the Sahara Desert to create an inland sea in North Africa (Invasion of the Sea)
  • A description of Paris nearly 100 years in Verne’s future. (Paris in the Twentieth Century)

Oh, yeah. Verne also wrote a book about a submarine (Twenty Thousand Leagues Under the Sea). In fact, the above list is way, way incomplete.

Still, something on that list should nudge a neuron in your noggin, move your muse to murmuring, and cause you to commence clacking on your keyboard.

Today, his birthday, is a fine day to channel your inner Verne. Allow him to inspire you to write a great story, or create a cover image. Send it in. Eagerly waiting to read your tale or view your art is a group of NAJVS editors, who happen to include—

Poseidon’s Scribe

February 8, 2021Permalink

Time to Re-Enlist

How do I get myself into these things? Hot on the heels of 20,000 Leagues Remembered, I’m now co-editing another anthology. This one is called Re-Enlist, from Pole to Pole Publishing. My co-editor is the wonderfully talented author and editor Kelly A. Harmon.

Re-Enlist will consist of previously published short stories (reprints) related to the military and war. Re-Enlist will join Pole to Pole’s previous anthologies in the Re-Imagined series: Re-Launch, Re-Enchant, Re-Quest and Re-Terrify.

If you’ve written a dark SF tale that’s military in nature, a short story between 3000 and 5000 words that’s been published before and the rights have reverted back to you, send it our way.

For all the details and to submit, go to this site.

Will you Re-Enlist? I know one editor who’s anxious to read your short story submission, and that’s—

Poseidon’s Scribe

February 5, 2021Permalink

Putting on Your Writer’s Hat

Metaphorically, we all wear many hats. That is, we have many roles in life. For some of us, one of those roles is Writer. Let’s explore that.

I got the inspiration to write this post from this one, by Brian Feinblum.

You started your life with the role of daughter or son, and may still have that role. Maybe you’re a sister or brother, spouse, parent, employee, grandparent, volunteer. Most likely you’re a citizen, too. These are all examples of possible roles in your life. When you think about it, you probably have a good number of roles, between two and twenty or more at any one time. If you care about being a good person, you work hard to fulfill all of your roles well.

Problem is, it’s a balancing act. Each role requires time, and you only have so much of that. They all compete for your precious hours. That requires you to divide your time, keeping each plate spinning as best you can.

On occasion, you must devote nearly full time to one role and set the others aside. When someone you love becomes sick or injured, for example, your role involving that person must take precedence and the others must wait until the emergency is over. When there’s a major project at work, your employee or boss role predominates until the project is done.

When you must set several roles aside like that, the writer role is especially problematic. It’s a self-assigned role, based on your love of an activity, not a person. Unlike the role of spouse or employee, if you neglect your writing, it will patiently wait in the background, not complaining or otherwise reacting. If you set it aside for weeks, months, or years, there will be no adverse consequences.

Oh, your muse may squeal a bit. That voice inside, the one urging you to write, will yell loudly for a while. Eventually, that voice will fade and you’ll hear only an occasional whimper.

However, if you’re lucky enough, if life’s other roles allow you the time, you’ll remain a writer. You’ll carve out the time as best you can.

There are ways to make the best use of that time. Although the general guidance I’ll present below works for all your roles, I’m focused on your writer role.

In his book The 7 Habits of Highly Effective People, Stephen R. Covey recommends you take each role and set long-term goals, then make shorter term plans to achieve those goals, then set aside time each week to schedule the most important tasks to advance the plans.

The goals and plans don’t all have to be writing projects (stories). The tasks that support them can also include:

  • attending writing or genre conferences,
  • reading books about writing,
  • taking writing classes,
  • self-assigned writing assignments to work on particular weaknesses,
  • researching aspects of writing you’re curious about or need help with,
  • critiquing other writer’s works,
  • reading classic fiction,
  • increasing your online footprint,
  • blogging,
  • updating your website,
  • getting an author photo taken, or
  • hundreds of other ideas that might help you achieve your writing goals.

This needn’t be a complex or overly organized process. Mold it to suit you.

Uh oh. Another role is beckoning. Time to take off the Writer hat of—

Poseidon’s Scribe

January 31, 2021Permalink

Break Bad Habits, Forge Good Ones

A sad fact of human nature is that it’s easy to form and continue bad habits, while it’s tough to make and maintain good ones. Although this post is meant to help writers, the technique I present could help anyone with a habit problem.

An excellent post by Leo Babauta inspired me to build on his thoughts.

Perhaps you’d like to break a bad habit of using too many adverbs in your writing. Or maybe you’d like to form the good habit of incorporating all five senses into your descriptions. Whatever bad thing you want less of, or good thing you want more of, read on.

The Habit Chain

Since I last wrote about habits, I’ve refined my thinking. I now think of them as a process, a chain with links. Habits start out as deliberate routine actions. You have to consciously think about them the first few times. They usually are triggered by something else, and I’ll call that a cue. The cue occurs, you perform the routine action, and get a reward. The reward generally satisfies some need you have. (In the case of good habits, you usually have to provide the reward yourself.)

Eventually, whenever the cue occurs, you feel a strong urge to perform the routine so you can get the reward. With enough repetition of this process, you start performing the action unconsciously, right after the cue, and you earn the reward right away. That routine action has now become a habit. The shorter the time between cue and action, and action and reward, the stronger the links are and the more ingrained the habit will be.

Obviously, the idea is to break your bad habit chains and forge good habit chains.

Breaking or Forging Habit Chains

  1. State Your Reason. This method takes some effort, so identify why you want to tackle this particular habit. Later, when the going gets tough, it will be useful to remind yourself why you set off on the journey.
  2. Commit to the Effort. This isn’t an ‘oh, well, I’ll give it a try’ kind of thing. This is heart and soul time. This is not the hen’s involvement with your breakfast; it’s the pig’s total commitment. You didn’t form the bad habit overnight, and you won’t forge the good one quickly either; this will take time.
  3. Obtain Support and be Accountable. Seek an ‘accountability partner’ who will periodically ask for progress updates and to whom you’ll report. Schedule regular meetings with your partner to keep on track.
  4. Identify your Cues. Find the event that triggers your bad habit. Or, to forge a good habit, pick an event that will trigger you to perform that good habit.
  5. Work on the Cue-Action Link.
    • For bad habits, pause when the cue occurs. Try to resist the urge to perform the habit. Also, think about alternate, or replacement actions you could take to satisfy the need, and work on performing those instead of the ingrained habit action.
    • For good habits, perform the desired action as soon after the cue as possible. Whenever the cue occurs, work on making the routine action as automatic as possible.
  6. Work on the Action-Reward Link.
    • For bad habits, think about why you crave the reward. What need is it satisfying? Are there other ways to satisfy it? If it’s possible to deny yourself the reward, try that and see what happens.
    • For good habits, reward yourself promptly after completing the action. Tightening that link will help ingrain the habit.
  7. Remind Yourself. Bad habits become so automatic that they follow the cue by reflex action. Good habits need to follow immediately after their cue. Therefore, you need visual reminders of your habit-breaking or habit-forging effort placed around where the cues occur.
  8. Permit No Exceptions. You’ll never break that bad habit or adopt that new one if you give yourself an out. The moment you backslide and make excuses for that, you’re well on the road to abandoning the effort.
  9. Don’t Beat Yourself Up. Okay, the ‘no exceptions’ rule didn’t work and you messed up. The cue occurred and you went back to your bad habit or failed to perform the good habit. Rather than giving up, or getting a self-defeating attitude, look back at Step 1 and remind yourself of the important reason you started taking these steps. Then, learn from the backsliding episode. Analyze what happened and why. Alter your approach. Consider new ways to break a bad habit chain or reinforce a good habit chain. Focus on the cue and realize there’s a moment of decision between it and the habit, an opportunity for you to change.
  10. Stay Positive. Maintain an upbeat and confident attitude about this habit-changing process. You can do it. You’re not doomed to repeat your past mistakes. You have the capacity to change for the better and you can make those changes work for you. Of course it will be difficult, but few worthwhile things are easy.

There you have it. Good luck! Remember, some habits are okay and require no change, like my habit of signing all my blogposts as—

Poseidon’s Scribe

January 24, 2021Permalink

End of the Story

…and they lived… Well, how exactly does the story end? Some time ago, I discussed rules for writing endings, but today let’s explore various ways stories can end.

I did a little research, and writers agree there are only five or six possible story endings. However, they each have their own categorization methods, so there may be well over six, even after counting for overlaps. (In each case, I’m simplifying their lists for brevity.)

For example, author C. Patrick Schulze categorizes endings by the protagonist, the goal, and the protagonist’s state of mind:

  1. Attains goal (happy)
  2. Attains goal (sad)
  3. Doesn’t attain goal (happy anyway)
  4. Doesn’t attain goal (sad)
  5. Realizes goal was flawed (doesn’t care)

Scott Francis categorizes in terms of the protagonist, the goal, and things greater than the goal:

  1. Attains goal (happy)
  2. Doesn’t attain goal (sad)
  3. Attains goal, but loses something greater (classic tragedy)
  4. Sacrifices goal for something greater
  5. Ending is ambiguous or bittersweet (literary fiction)

A blogger known as NDRW postulates these five more plot-centric endings:

  1. Happily ever after
  2. To be Continued…
  3. Learn something
  4. Deux Ex Machina
  5. Sorrowfully ever after

Dean Elphick’s six endings are different, but also plot-based:

  1. Resolved Ending
  2. Unresolved Ending (to be continued)
  3. Implied Ending (ambiguous, often unsatisfying)
  4. Twist in the tale (surprise)
  5. Tie-Back (ending foretold at beginning)
  6. Crystal Ball (months or years later/epilogue)

The Write Redhead cites writer Michael Orlofsky’s six ending types (mostly character-based):

  1. Death Ending
  2. Recognition Ending (learn something)
  3. Framing with Recognition (cyclic, return to beginning)
  4. Surprise/Revelation Ending
  5. Journey Endings (protagonist starts a new journey)
  6. Response to Theme (need to balance emotional and intellectual power)

These various bloggers and writers may differ in how they categorize ending types, but they do concur that endings must flow naturally and logically from the story.

I also think they’d all agree you should spend a lot of time getting the ending right. Take the same effort you did in coming up with the perfect beginning hook, to make sure you’ve ‘nailed the landing,’ as Michael Orlofsky put it.

If you’re unsure how to end your story, look over the list above, read the blogs I’ve linked to, and write a few different endings. Your optimum story ending should emerge from that effort.

Now, with the perfect ending to this post, I’ll close with my characteristic sign-off, as—

Poseidon’s Scribe

January 17, 2021Permalink

The Misery Problem

Imagine this: you’re a successful author with a long-running book series. Suddenly the creative well runs dry and your muse wants to end the series and write different stories, with different characters. However, your fans are begging for the series to continue.

That’s the problem faced by author Paul Sheldon in Stephen King’s novel Misery (1987), so let’s call it the Misery Problem. I mentioned this in a previous blogpost and promised I’d get back to it.

What if the Misery Problem happened to you, in real life? Assuming you didn’t become the victim of an obsessed reader fan who’s also a psychotic nurse, what would you do?

Before I discuss some of your options, I must say this is a problem I’d love to have! After considering it, I’ve come up with the following options:

  • Follow Your Muse. End that series that’s become an albatross around your neck. Terminate it by killing off one or more of the beloved characters. You’re tired of those books and you need to move on to other things. Let the fans complain all they want. They’ll adjust.
  • Throw Your Fans a Bone. If you really don’t want to disappoint your readers, and if you can stand to write some more stories in the series, but along a different vein, consider:
    • A Prequel. Explore what happened before the events of your series.
    • An Origin Story. This is a special kind of prequel that relates the story of how your series character(s) got started.
    • A Spinoff. Pick an engaging secondary character from your series and write stories about that character. This might work well if you tried to end your series with the death of a main character.
    • A Crossover. Consider this if you’ve started a second, unrelated series set in the same time period as the first. In a crossover, characters from the two series meet and interact.
  • Please Your Fans. You hate to disappoint your readers, and perhaps you can bring yourself to continue the series. However, you’ve killed off a beloved main character. What to do?
    • If you write fantasy, you could conjure up some magical explanation for bringing that character back to life.
    • If you write scifi, you’ll need a pseudo-scientific explanation for bringing the character back to life.
    • Re-read the scenes where you killed the character off. Is there some wiggle room? Did the character really die, or is survival possible somehow?

Can you come up with other solutions to the Misery Problem? We can only hope it’s a conundrum to be faced someday by you and by—

Poseidon’s Scribe

January 10, 2021Permalink

Make Better New Year’s Resolutions, and Keep Them

Welcome to 2021, a brand-new year. It’s an empty page, waiting to be written on. What are your hopes, dreams, and goals for this year? Do you make New Year’s Resolutions? Or are you unwilling to do so because you’ve broken all your past ones?

If you’ve had bad experiences with resolutions in the past, this post is for you. Likely you’ve experienced one or more of the following problems making and keeping your resolutions. After each problem, I’ve proposed a solution that might work for you.

Problem 1: I’m too busy for resolutions. Life gets in the way of getting them done.

Solution: Ask yourself if all the things you’re currently doing with your time are more important than your resolution. If so, fine, don’t change anything. However, I suspect you’ll find some things you’re doing are less important than your resolution, and the real problem lies elsewhere on this list.

Problem 2: I just lack willpower. I don’t have the discipline to follow through on my resolutions.

Solution: In the moment of decision, remember why you made your resolution. Remember why you think it’s important.

Problem 3: The resolution was easy to make, but now seems too big. It’s overwhelming.

Solution: Break it into parts. Make it a project with several manageable tasks. Do the tasks one at a time.

Problem 4: I like my resolution, but don’t really know how to accomplish it. (Example: “I want a life of joy.”)

Solution: Rewrite your resolution to be actionable. Start it with an action verb. (Example: “Find joy in everything, if possible, and spread it to others. When not possible, seek to re-attain the feeling of joy as soon as I can.”)

Problem 5: My resolution seemed like a good idea, but it’s a little vague. Now that I read it again, I’m not sure how or when to say I’ve accomplished it. (Example: “Lose weight.”)

Solution: Rewrite your resolution in a more specific way. Assign dates and measurable outcomes. (Example: “Lose 20 pounds by August 31, and keep the weight off through the end of this year.”)

Problem 6: Whenever I work on my resolution, I just can’t get anywhere. It’s easier to forget the whole thing.

Solution: Visualize a future in which you’ve accomplished the resolution. Imagine your life after that goal is achieved. Paint a mental picture of success. Rewrite your resolution, if necessary, to include and reinforce that vision.

Problem 7: I wrote down my resolutions and stuck them in a drawer. Now I’ve forgotten all about them.

Solution: Find a short motivational phrase, ideally a single word that represents your resolution. Recall Winston Churchill’s catchword: “Victory.” Put it everywhere you’re likely to notice it. (You can still keep a longer version, perhaps broken down into separate tasks as mentioned in Problem 3 above, but the short version is meant to inspire you to work on the remaining tasks.)

Now you’re well on your way to making resolutions that work for you. Here’s a fine example to get you started: I resolve to read all the weekly blogposts written by—

Poseidon’s Scribe