Monthly Archives: February 2021

The 1000-Idea Mind

Do you, or does someone you know, have a 1000-Idea Mind?

For years, I worked for a boss who had 1000 creative ideas a week. About 100 of them were good ideas. About 10 might be practical, given enough time and money. If I worked hard all week, I might make good progress on 1 of those ideas. Then a new week would roll around and my boss had 1000 new ideas.

Such people overflow with ideas. They come up with far more creative thoughts about tasks and projects than they could ever accomplish by themselves. In the working world, they tend to get promoted to positions of authority where they have employees to execute some of their plans.

But there are never enough employees, or hours in the week, or other resources, to come close to realizing more than a small fraction of the notions of a 1000-Idea Mind.

People with 1000-Idea Minds look at the world differently. They see things as they could become. They see possibilities, how the world would be better if this were moved there, or that had a hole in it, etc. That a task might be too complicated, or unprecedented, or need resources far beyond what’s available, that rarely bothers them. Those constraints are, at best, details to be worked out by others, or, at worst, excuses for avoiding work.

Visit the home of someone with a 1000-Idea Mind, and you’ll see it’s filled with partially-completed projects all strewn about in haphazard order. They’re big on starting, not on finishing.

Often such people don’t seem upset about the low accomplishment rate for their ideas. They believe other people exist for the purpose of implementing their notions, and they understand those people aren’t miracle workers. Those other people are doing the best they can with their limited minds, so one must learn to tolerate the low fruition rate.

I suspect 1000-Idea Minds are rare within the population, but I believe they’re valuable to society. Leonardo da Vinci probably had such a mind. He sketched a lot of inventions and left the actual construction to others. He knew all his notes needed to get organized, and he intended to do that someday, but never got around to it.  That’s something he should have delegated.

Some writers have 1000-Idea Minds, and I feel sorry for them. Writers don’t have a staff of employees to turn their story ideas into finished prose, to submit them for publication, to assist with marketing. They work alone. A writer with such a mind gets 1000 story ideas a week, but finishes few stories, if any.

Perhaps you find it frustrating to work for a boss with a 1000-Idea Mind. Imagine how frustrating it must be to have such a mind. Still, the world is much better for having such people in it. I suspect every daring project ever undertaken in human history started out as an idea within a 1000-Idea Mind.

I salute people with 1000-Idea Minds. However, when you’re getting your next idea and you’re casting about for someone to do the actual work, don’t look at—

Poseidon’s Scribe

February 28, 2021Permalink

Writing Without Electricity

Recently I endured a power outage lasting over 38 hours. I’m not complaining about the outage. Many people have gone without electricity much longer than that.

Up until the dawn of the 20th Century, all people went without electrical power for their entire lives. However, many of us have become dependent on those tiny electrons flowing through wires, and it’s a major disruption when those particles stop moving.

Like most people, writers fall prey to this dependency We type on computer keyboards, we conduct research online, we write by the light of electric bulbs. It’s hard to imagine writing without these things. It is even possible?

Yes, of course it is. I wrote the rough draft of this post with pen and paper. I could have written it by candlelight, but used battery powered lights. Later, when the emergency was over, I transcribed and edited it on a computer. In fact, I create most of my first drafts—fiction stories and blogposts—using pen and paper.

I’m not suggesting you do that. You should write by whatever mechanism suits you, using the tools you prefer, when available. (Note: chiseling words into marble can be slow going).

All I’m saying is that you shouldn’t lose hope when the power goes out. You can satisfy your urge to write by different means.

You might even enjoy the pen-and-paper method. Freed from the computer, your writing might take a different direction. You might write about different subjects or explore new tones, settings, characters, or themes.

When the power comes back on, you can revert back to your accustomed methods. But you’ll always know you have a reliable backup.

The electricity’s back on here, but who knows when it will go out again? At least a simple power outage won’t slow down writing progress for you or for—

Poseidon’s Scribe

February 21, 2021Permalink

Has It Been 10 Years Already?

I started this Poseidon’s Scribe blog in January 2011, so it seems I’ve been doing this for a decade now. I’m closing in on 600 blog posts (this is my 587th). Hard to believe Poseidon’s Scribe is ten years old.

It was very kind of author Todd Sullivan to interview me on the subject of blogging discipline. You can watch the interview on YouTube.

In fact, I’ve included a new Interviews tab on my website, so you can read or view all the interviews of your favorite blogger and author.

Back to Todd Sullivan’s interview of me. In that video, I provided the following overall advice about blogs:

  • Valuable content. Provide useful information to readers.
  • Quality writing. Keep posts brief, interesting, and well written.
  • Clean appearance. Make your site uncluttered and easy to navigate.
  • Periodic posts. Establish a rhythm of posting and stick to it.

Here’s what I advised about starting a blog:

  • Write down why you want to blog. What’s your niche?
  • Identify your intended audience. Whom are you writing to?
  • What might your audience want to know, that you can provide?
  • Write down 20 topics for your first 20 blogposts
  • Add to that list as you come across other ideas
  • Commit to posting on a regular schedule (helps you, readers, and site popularity)
  • Don’t expect instant followers, comments, or notice, let alone fame.

This was what I said about writing individual blogposts:

  • Craft an interesting and useful subject line. Numbers catch readers’ eyes, as do the words you, your, and you’re.
  • Include an image or video with your posts
  • Start with a rough outline before writing, but be willing to deviate from it.
  • Edit by imagining you’re a reader just surfing to that post. Cut boring stuff. No long paragraphs. Keep the overall post short.
  • Proofread before publishing

To supplement the advice I gave in the interview, I’d add this—it’s best not to dedicate your blog to the craft of writing. The net is saturated with writers writing about writing. Consider blogging about the subjects you write about instead. If your fiction focuses on certain settings, or characters, or themes, write about them.

I’ll go further than that. Consider not blogging at all. Set up a website, sure. It can be a fairly static one, with your bio, your bibliography, your scheduled appearances, etc. But think about this before you start blogging: time spent blogging is time you could be spending on your fiction.

Back in 2011, experts advised all beginning writers to blog. It was, and remains, a good way to increase your online footprint and to raise your site ranking in searches for the topics you blog about.

However, I’m not sure it increases sales of your fiction, or improves the quality of your stories. Think about that before you start a blog.

If your goal is better fiction, or more sales, work on your fiction and your marketing.

For me, though, a decade-old habit is hard to break. You can look forward to more years of steady blogging from—

Poseidon’s Scribe

February 14, 2021Permalink

Happy Birthday, Jules Verne!

He’s looking good, for a 193-year-old.

That’s the thing about great writers of the past, they still speak to us. In a sense, they live forever.

Would you expect there’d be an active fan club devoted to you, in a foreign country, 116 years after your death? In Verne’s case, there are several. The one I’m most familiar with is the North American Jules Verne Society.

A couple of months ago, I mentioned the NAJVS is sponsoring an anthology of short fiction, the first of those it’s ever done. The working title for the anthology is Extraordinary Visions: Stories Inspired by Jules Verne. I’m fortunate enough to be part of the editing team.

That call for submissions is still active and NAJVS will be accepting stories (and artwork) until April 30. For more details, click here.

So far, we’ve received some good story submissions. However, we could use more stories based on the full range of Verne’s oeuvre. To start creative fluids coursing through your veins, allow me to mention that Jules Verne wrote about:

  • A 35-day balloon trip over Africa (Five Weeks in a Balloon)
  • A voyage to the North Pole with a mutiny, an ice palace, and a volcano (The Adventures of Captain Hatteras)
  • A hike many miles underground, encountering a subterranean ocean and prehistoric animals (Journey to the Center of the Earth)
  • A journey to the Moon aboard a projectile launched from a cannon (From the Earth to the Moon)
  • A globe-girdling quest for a lost father, knowing only his geographic latitude (In Search of the Castaways)
  • A trek across Russia by courier who can’t see where he’s going (Michael Strogoff)
  • A comet slicing off a chunk of the Earth, with people and animals still on it (Off on a Comet)
  • A family living underground for a decade (The Child of the Cavern)
  • Two men using their halves of an inheritance to establish rival utopian cities (The Begum’s Fortune)
  • A steam-powered mechanical elephant marching across India (The Steam House)
  • A ship-sized helicopter operated by a mad scientist (Robur the Conqueror)
  • An attempt to alter the Earth’s axis (The Purchase of the North Pole)
  • A mysterious Count in a Transylvanian castle, that might have inspired Bram Stoker’s Dracula (The Carpathian Castle)
  • A man-made, propeller-driven island (Propeller Island)
  • A vehicle that operates on land, on and beneath the water, and in the air (Master of the World)
  • A plan to flood the Sahara Desert to create an inland sea in North Africa (Invasion of the Sea)
  • A description of Paris nearly 100 years in Verne’s future. (Paris in the Twentieth Century)

Oh, yeah. Verne also wrote a book about a submarine (Twenty Thousand Leagues Under the Sea). In fact, the above list is way, way incomplete.

Still, something on that list should nudge a neuron in your noggin, move your muse to murmuring, and cause you to commence clacking on your keyboard.

Today, his birthday, is a fine day to channel your inner Verne. Allow him to inspire you to write a great story, or create a cover image. Send it in. Eagerly waiting to read your tale or view your art is a group of NAJVS editors, who happen to include—

Poseidon’s Scribe

February 8, 2021Permalink

Time to Re-Enlist

How do I get myself into these things? Hot on the heels of 20,000 Leagues Remembered, I’m now co-editing another anthology. This one is called Re-Enlist, from Pole to Pole Publishing. My co-editor is the wonderfully talented author and editor Kelly A. Harmon.

Re-Enlist will consist of previously published short stories (reprints) related to the military and war. Re-Enlist will join Pole to Pole’s previous anthologies in the Re-Imagined series: Re-Launch, Re-Enchant, Re-Quest and Re-Terrify.

If you’ve written a dark SF tale that’s military in nature, a short story between 3000 and 5000 words that’s been published before and the rights have reverted back to you, send it our way.

For all the details and to submit, go to this site.

Will you Re-Enlist? I know one editor who’s anxious to read your short story submission, and that’s—

Poseidon’s Scribe

February 5, 2021Permalink