Happy Birthday, H.G. Wells!

Science Fiction pioneer H.G. Wells was born September 21, 1866, 150 years ago. Although he died in 1946, his works live on and inspire us today.

The novels of his I’ve read include The Time Machine, The Island of Dr. Moreau, The Invisible Man, The War of the Worlds, The First Men in the Moon, and The Sea Lady. Most of those remain classics today.

h-g-_wells__c1890
H.G. Wells

As readers of my blog know, my main author-crush is with Jules Verne, but Wells gave us several archetypal story themes and ideas that Verne did not explore.

The two authors approached their writing differently, too. Verne strove for scientific plausibility and accuracy, but Wells concentrated on telling a good story and gave only a passing nod to the science.

After Verne read The First Men in the Moon, which includes an anti-gravity substance named cavorite, he wrote, “I sent my characters to the moon with gunpowder, a thing one may see every day. Where does M. Wells find his cavorite? Let him show it to me!”

Despite my preference for Verne’s stories, I have to say, “Lighten up, Jules. If a scientist does invent an anti-gravity mechanism, your criticism will look antiquated. Further, you knew your gunpowder cannons couldn’t really launch men to the moon when you wrote From the Earth to the Moon, so you’re not a paragon of accuracy, yourself.”

As discussed by Steven R. Boyett, this dichotomy between scientific exactitude and telling a good story with a smattering of sciency stuff persists today in the arguments between hard and soft science fiction.

Returning to Wells, you do have to overlook his personal life and philosophy as you read his books. A believer in socialism, anti-Semitism, and eugenics, he also led a sex life that was, well, complicated. Fortunately, his early, less philosophical works don’t give hints of any of this.

afterthemartians5My readers know that Wells’ The War of the Worlds inspired my own story, “After the Martians,” so I owe him a great debt.

So, happy birthday, Herbert George Wells! Your legacy is looking great after all these years. Your works remain classics today, read and enjoyed by millions, including—

Poseidon’s Scribe

September 25, 2016Permalink

Twain’s Attack on Cooper

In 1895, Mark Twain published “Fenimore Cooper’s Literary Offenses,” a lengthy criticism of James Fenimore Cooper’s writing, especially his novels The Pathfinder and The Deerslayer. Since it’s one of the more famous examples of literary criticism, let’s explore it, as well as the overall reasons for such criticism.

Twain vs CooperIn Twain’s acerbic style, he starts by accusing three Cooper-praising reviewers of never having read the books. He then lays into Cooper, saying, “…in the restricted space of two-thirds of a page, Cooper has scored 114 offenses against literary art out of a possible 115. It breaks the record.” Twain asserts there are 19 or 22 rules “governing literary art in domain of romantic fiction” and says Cooper violated 18 of them. He lists those 18 rules.

Twain scorns Cooper for over-using certain favorite “cunning devices, tricks, artifices.” He also slams Cooper for some improbable events involving shore water undertows, cannon ball rolling, and footprint erasure by erosion.

At length, Twain ridicules Cooper for creating a forest stream of varying breadth, for conjuring a boat so big as to be unlikely to navigate the stream, and for having five Indians lay in wait for this giant craft and yet miss it when attempting to jump aboard. For several paragraphs, Twain then takes Cooper to task for scenes involving implausible target-shooting with rifles, and eyesight beyond human capability.

In Twain’s judgement, Cooper’s dialogue is inconsistent, and his word choices “dull” and “approximate.”

That’s the summary version of the “Literary Offenses.” Twain’s writing style is humorous and satirical, making the essay fun to read and accounting for its lasting popularity.

Once published, Twain’s essay itself became subject to criticism, and one fine example of this is “Fenimore Cooper’s Literary Defenses,” by Lance Schachterle and Kent Ljungquist of Worcester Polytechnic Institute.  Schachterle and Ljungquist take Twain to task for attempting literary criticism while accomplishing little more than sniping at the physics of certain scenes. Twain, they say, gets some of his physics wrong, and in the case of the river craft and the awaiting Indians, fills in his own details to prove that Cooper’s scene wouldn’t work.

Laying aside the particulars of the criticisms, why would Twain write such an essay at all? Cooper couldn’t respond, having been dead some forty-four years. (In fairness, Twain didn’t reserve his barbs only for deceased authors. He criticized his contemporaries George Eliot and Robert Louis Stevenson as well.) That gap in time is illustrative, since Cooper wrote in the Romantic style, a style no longer in vogue in Twain’s time.

Was Twain trying to tarnish Cooper’s reputation? That was unlikely to suffer, Cooper having become a best-selling author whose works remained popular well into Twain’s era, and even now.

I suspect Twain, like many writers, chafed at the inexplicable popularity of other authors who didn’t write the way he did. In a sense, he’s criticizing the book-buying public. He’s saying, “Americans, here are the rules for literature, and I adhere to them in my stories. Why do you keep buying books by Cooper, who violates them at every turn?”

Still, who can explain why readers line up to buy certain books and ignore others? What makes a book popular? Strict adherence to Twain’s self-imposed rules doesn’t seem to be the answer; otherwise, we’d be reading little else but Twain.

Similarly, Jules Verne criticized H. G. Wells’ book The First Men in the Moon for using a fictional anti-gravity metal. Wells did not obey rules Verne imposed on himself, and Verne couldn’t understand why readers would accept that.

Authors are free to comment on other authors, of course, but should be wary of applying their own criteria of merit on others, or of assuming readers use those same criteria in their book-purchasing decisions.

I must admit, I’m glad Mark Twain never had the chance to criticize any books by—

Poseidon’s Scribe

One more thing: remember Smashwords is selling many of my books at ½ price through the end of this month. These deals don’t come along often. Buy two or more!