Writing by Number, Part II

Are you the type of writer who measures progress through word counts? If so, here’s today’s question: how do you measure your progress in the second draft?

I first explored the metrics of writing in this post, but I was thinking of first drafts as I wrote it.

It’s easy to measure progress on your first draft. The manuscript was x words long at the end of yesterday, and y words long at the end of today; therefore, today’s word count is y – x. Any word processor can count those for you. There are several blog posts where you can compare your words/day count to those of many famous authors.

That’s fine for the first draft. There was a blank screen before, and there are words on it now. Easy to see and measure the difference.

What about the second draft, and all subsequent ones? For me, those are the more difficult and time-consuming drafts, and therefore it’s even more important to find a way to measure progress. But despite the crying need for a good metric in these drafts, there doesn’t seem to be a reliable one.

Let’s illustrate the problem with some numerical examples. Let’s say the first draft of your short story contains 6000 words. At this point, you don’t really know how long the finished story will be. That first draft might have been too verbose, so cutting will be necessary. Or you might have left out some key points, so it needs to be longer.

You start the 2nd draft editing process, using whatever technique you’ve grown accustomed to. At the end of the first day of this, you reviewed 1000 words of that first draft. To that, you added 100 words and cut 200. Those 1000 words are now 900 words (1000+100-200), with 5000 remaining to review.

How do you measure the work of that first day of editing?

  • Do you count added words as positive, and cut words as negative? That would be -100. On days when you cut more than you add, your ‘progress’ will be negative.
  • Do you count the percentage complete for editing the entire story (900 ÷ 6000 = 15%)? In that case, how long do you think the final story will be; what number do you put in the denominator? 6000 was the length of the first draft and most likely won’t be the length of the second.
  • Since both adding and cutting represent work on your part, do you add the adds and subtracts together (100 + 200 = 300)? That may not be easy to get your word processor to do.
  • Do you count all 900 words as the finished portion of your 2nd draft?

To me, the last option seems the best. It’s easy to get your word processor to count, and does represent completed work on your part. On the other hand, some days, you may not have much editing to do and will nevertheless get credit for quite a bit of work. On other days, you may cut most of what you read, and will end up with very little credit for all that work.

I offer the question up to the wisdom of the web. Comment and let me know how you measure your daily progress through 2nd and subsequent drafts. If there’s one writer you can count on who can learn from others, it’s—

Poseidon’s Scribe

Emotional Roller-coaster

As you and the story you’re writing go through time together, do you find yourself on the same type of emotional roller-coaster as with a personal relationship? Do you feel elated by positive events and dejected by negative ones? I’ve been through the process enough to detect a repeatable pattern. Maybe it will be the same for you.

Let’s follow through as I experience the highs and lows of writing a story and getting it published. This is my relationship with a single story, so the line will overlap with other stories in various stages.

Emotional RollercoasterGetting a story idea is enjoyable, having it mature in my mind while I imagine the possibilities, the characters, the plotline, the settings, and some of the dramatic scenes. It’s a good feeling to go through that, because that imaginary, unwritten story is as good as it’s ever going to be. Once the reality starts and I put words down, the story never reaches the exalted heights of perfection that it achieved when just a dream.

Still, putting words down has a gratification all its own. I feel I’m making progress, producing product, assembling widgets on my keyboard / word / sentence / paragraph assembly line.

Until I get stuck with writer’s block. Here I mean the minor writer’s block I’ve described before, where I can’t get out of a plot hole, or I need a character to act contrary to his or her motivations, etc. Although temporary, this is a real downer. I don’t always experience this, (as shown by the reddish line) but there’s usually some drop-off in enthusiasm as the glow of the original idea fades a bit.

Reaching THE END of the first draft is a definite up-tic in satisfaction for me. The mad rush of getting words down is over. It’s good to know I can start the reviewing-editing-improving phase.

For simplicity, my graph only shows two drafts, but there may be more, with minor wave crests for completing each one. I get to the highest emotional state so far when I consider the story done and submit it for publication. “Here, Dear Editor, this is my newborn! Don’t you love it as much as I do?”

That emotional high fades, as they all do, while waiting for a response. Usually I’ve begun another story by then, so I get an overlap with a similar-looking graph displaced in time.

My graph depicts two paths here, one showing a rejection. Despite my earlier advice to look at rejections positively, I still find that hard to do. Rejections stink. Maybe not as much now as my first one, but still…

An acceptance of a story is a very high emotional state, especially the first time. It’s time to celebrate, indulge, and surrender to the grandeur and magnificence of me.

No one can maintain a very high or very low state forever, so I do descend from the grand summit as I get through the rewrites and signing of the contract, though these are not unpleasant.

The launch of a story is another sublime pinnacle of emotional ecstasy, and that’s no hyperbole. “For all human history, readers have awaited a story like this, and today, I, yes I, grant your wish and launch this masterpiece, this seminal work of ultimate prose, so you may purchase and read it. You’re quite welcome.”

After the story is launched, you’ll get occasional uplifting moments, such as favorable reviews, or book signings, etc. These are never quite as exciting as acceptance or launching, but they’re gratifying anyway.

I’ve not gotten through all these stages with a novel yet, but I suppose a novel’s graph is longer in time, and has many more ups and downs than that of a short story.

Also, your mileage may vary such that your graph looks quite different from mine. Leave me a comment and let me know about the emotional stages of your writing experience.

Remember, when on a roller-coaster (emotional or state fair-type), it sometimes helps to raise your hands in the air and scream. Whee! Here goes—

Poseidon’s Scribe

October 26, 2014Permalink