How To Help Readers Understand Complex Topics

You science fiction writers and technical writers face a difficult problem. How do you convey complicated information to an average reader in an understandable way? The late Dr. Richard Feynman may have your answer.

Who Was Richard Feynman?

Dr. Richard Feynman

Feynman (1918-1988) studied quantum mechanics, helped develop the atomic bomb, foresaw nanotechnology, investigated the Space Shuttle Challenger accident, and won a Nobel Prize in Physics. For purposes of this blogpost, Dr. Feynman developed his own technique for learning and understanding things.

The Feynman Technique

Wikipedia mentions the technique here. In brief, here’s how to do it:

  1. Research your topic
  2. Teach it to a child
  3. Fill in knowledge gaps
  4. Review, organize, simplify, and go back to step 2.

First, find out as much as you can about the subject. The second step requires you to teach it to a child who’s about eight years old. You can simulate that step if you wish, but it forces you to use simple words and think of relatable analogies. While doing this, you’ll notice holes in your knowledge (often by confusing the eight-year-old), so the next step involves seeking source materials to fill those gaps. Then you can review your notes, put them in order, simplify them further and try again to teach the topic to a child.

Thoughts on the Technique

My father portraying Richard Feynman

My father used to participate in historical portrayals, in which he acted the part of a historical figure. One time, he chose Richard Feynman, not so much for the scientist’s learning technique, but for his space shuttle commission work. Still, in preparing for his presentations, my dad made use of the technique to get to the essence of Feynman himself.

I wish someone had shown me the technique when I was going through school. Even if I’d imagined I’d have to teach the topic to others, I would’ve paid more attention.

How well do we know what we know? Could we teach an eight-year-old a complex subject? While in the submarine service, I had to study all the systems on the boat. Qualified watchstanders asked me detailed questions about each system, probing until they reached something I didn’t know. Then they’d send me away to look up the answer to the missed questions. That process shares similarities with the Feynman Technique.

Later, in my engineering career, I came upon other engineers who used big words, but I suspected they only knew how to pronounce them, not the details of their meaning. Some people try to impress with high-sounding language, but often those who use simpler vocabulary understand subjects best.

How Can Writers Use the Technique?

Author Isaac Asimov explained complex topics in plain terms. Few writers demonstrate that skill. More than other fiction genres, science fiction delves into complicated technical subjects. Writers strive to entertain, not educate, so must work their explanations into the prose in a manner that neither confuses readers nor slows down the action.

Following the Feynman Technique can help with that. If you follow that method, you’ll know the material well, and possess the simple words and analogies to allow you to convey it to readers without info dumps or head-scratching jargon.

If you need to understand a new topic, or describe it to readers, try the Feynman Technique. It’s a new favorite of—

Poseidon’s Scribe

Write Better with Steve Jobs’ 10-Minute Rule

You’re stuck. You’ve written your character into a plot hole. Or you’re not sure where to go next with the story. Or you can’t decide on a setting or character name. The late Steve Jobs of Apple has a method of solving your problem.

The Problem

You’re determined to write the story. The flame within you still burns, but it’s sputtering. Whatever form the roadblock takes, you can’t seem to drive past it. You’ve sat for ten minutes focused on the problem, but you’re getting nowhere and feeling frustrated.

The Solution

According to this article in Inc. by Jessica Stillman, Steve Jobs used to get stuck as well, though not while writing fiction. Even so, his technique works for writers, too. If you’re stuck after ten minutes of trying, stop working and take a walk.

That’s it. Rise from the chair and go for a walk. Preferably outside.

Chances are, you’ll come up with a solution to the story problem while strolling. Either that, or when you return to pen or keyboard, you may find yourself in a better frame of mind to attack the problem.

Why it Works

Stillman’s article discusses research conducted by neuroscientist Mithu Storoni that helps explain the science behind this. Often, we get stuck because we focus too much on the problem and on traditional solutions. We need a way to open our mind to more creative ideas. We need a looser mental state.

That requires a mental nudge, the kind a walk can provide. While walking, you’re less focused on the problem. Your brain must busy itself with other things—directing footsteps, sensing for hazards, perhaps even just enjoying the day. That puts your brain in the “loose” state necessary for creative problem-solving, for innovative idea generation.

It’s All Connected

Steve Jobs’ simple advice parallels the idea of the Pomodoro Technique, which I’ve blogged about before. That technique involves focused work for twenty-five minutes followed by a five-minute break. The break clears the mind, readying you for the next twenty-five-minute focus session.

If you’re able to take your walk outside, you’ll get benefits spelled out in Good Energy: The Surprising Connection Between Metabolism and Limitless Health, by Dr. Casey Means. She advocates frequent outdoor activities as a way toward better health.

If a brief walk helps to get your writing flowing again after being stuck, remember to send a thank-you thought toward Steve Jobs and—

Poseidon’s Scribe

Why I Don’t Write the Hemingway Way

Ernest Hemingway offered advice to writers and the folks at Open Culture did a wonderful job collecting and condensing his tips.

I don’t believe Hemingway intended these as eternal rules, engraved on stone tablets. Like most authors, he knew what worked for him, and also knew other writers succeeded by following their own, opposing rules. In that spirit, I’ll give my take on the seven Hemingway tips for writers.

1. To get started, write one true sentence.

To me, this sounds like a trick he used to begin a story when he felt stuck, when too many ideas floated around and he felt the need to fit everything in at once. I believe he meant to strip it all down, cut away all pretentious words, edit out the introductory phrases and get to the core of things. Hemingway called that pure, distilled essence, a “true sentence.” After writing that, he found all the other sentences flowed well.

I, too, spend a good bit of time crafting a story’s first sentence. Even after writing to the tale’s end, I go back and re-write the opening.

2. Always stop for the day while you still know what will happen next.

I agree with this. It’s difficult to call it quits when you’re in the flow, but it saves time the next day.

3. Never think about the story when you’re not writing.

To the extent I understand this, I disagree. The full paragraph version confused me. I think he found it beneficial to stop writing for the day and exhaust himself in other activities, forgetting the story until the next day, when he returned to it fresh and ready to go.

I find the opposite true for me. In restful non-writing moments, my subconscious returns to the story, then forces me to pay attention. It tells me I’ve made an error in that day’s writing, or missed an enhancing metaphor, or need to resolve a plot problem in the next day’s anticipated scene.

My subconscious finds and solves problems better than my focused mind, but can’t write on its own. When I return to writing, I’m always better off, having thought of things between sessions.

4. When it’s time to work again, always start by reading what you’ve written so far.

I concur. This sets me in the right frame of mind to pick up where I left off and to resume the flow. Most often, I find some editing of previous material is in order.

5. Don’t describe an emotion. Make it.

Solid gold advice, but I find this gold difficult to mine. Expanding on the “show, don’t tell” adage, Hemingway urges us to explore beyond explaining what a character feels. Make the reader feel it too. Crystalize the raw emotion, condense it to words, and drag the reader through it so every tender nerve ending scrapes on that feeling, so the reader’s stomach bubbles and churns with the acidity of that emotion. If I could just do that all the time, I’d be…well, like Ernest.

6. Use a pencil.

Hemingway wrote before personal computers, so this advice sounds outdated. Unlike a pen or typewriter (his only alternatives), a pencil allows self-editing in a way that makes mistakes disappear. Errors no longer clutter the page in a distracting way. Computer word processors take things a step further, always presenting your latest version, devoid of scratch-outs, in printed text as it would appear in finished form.

Even so, I most often write first drafts in pen, type them in a word processor, print and edit with pen again. It’s a personal preference. Something about the tactile sensation of writing by hand, I guess.

7. Be brief.

Well, that worked for Hemingway. Writers’ styles differ. Some authors rush readers along in an avalanche of words, and their readers enjoy the ride. Other authors force each word to pull its weight. They write as if fearing an impending word shortage, and their readers love the brevity.

With apologies to, and admiration for, Ernest Hemingway, I can’t agree with all his writing tips. Now that I think about it, perhaps that’s why he’s forever famous, and I’m just—

Poseidon’s Scribe

If Authors Named Football Teams

Teams in the National Football League received their names in various ways, but most don’t derive from literary references.

The Baltimore Ravens stand out as a sole exception. Taken from the mysterious talking bird of the Edgar Allan Poe poem, that team name epitomizes the city where Poe lived.

What works for Baltimore might work for other NFL cities as well. Let’s find out what could happen if they left team-naming up to fiction writers.

Arizona

The Cardinals would become the Arizona Thrillers. Adventure author Clive Cussler lived in Arizona.

Atlanta

Replacing the Falcons are the Atlanta Argonauts, named for Rick Riordan’s book The Mark of Athena, which is set in Atlanta and features a trireme named Argo II. 

Buffalo

Writers would cross out the name Bills and write in the Buffalo Rangers. Writer Fran Striker, creator of the Lone Ranger, was born in and lived in Buffalo.

Carolina

In place of the Panthers, this team becomes the Carolina Crawdads. Delia Owens’ Where the Crawdads Sing is set in North Carolina.

Chicago

Writers need something fiercer than Bears. Instead, meet the Chicago Tyrannosaurs. Author Michael Crichton, born in Chicago, wrote Jurassic Park.

Cincinnati

Let’s replace Bengals with the Cincinnati Werewolves. Kim Harrison wrote The Hollows series, which is set in Cincinnati and contains werewolves.

Cleveland

Fiction writers could come up with a better name than Browns. How about the Cleveland Hellcats? Marie Vibbert, born and living in Cleveland, authored Galactic Hellcats.

Dallas

How ‘bout something other than them Cowboys? Writers would substitute the Dallas Vampires, since Charlaine Harris, who lives in Texas, wrote Living Dead in Dallas, which is set in Dallas.

Denver

For writers, the name Broncos won’t do. They’d choose the Denver Doomsdays, since Connie Willis was born in Denver and wrote Doomsday Book.

Detroit

Rather than Lions as a team name, writers would select the Detroit Wheels. Arthur Hailey’s novel Wheels was set in Detroit.

Green Bay

Could fiction writers surpass the name Packers? I think so. How about the Green Bay Starshooters? Not only does author Jason Mancheski live in Green Bay, but his book Shoot for the Stars is about the city’s football team.

Houston

Rather than Texans, writers might opt for the Houston Battleships, since author Daniel da Cruz penned The Ayes of Texas, a novel set partly in Houston.

Indianapolis

For this football city, fiction writers would replace Colts with the Indianapolis Titans (sorry, Nashville). The name is more appropriate here because Kurt Vonnegut, author of The Sirens of Titan, was born in Indianapolis.

Jacksonville

Writers might replace Jaguars with the Jacksonville Alligators. Diana K. Kanoy wrote She Swims with Alligators. Though not fiction, it is set in Florida.

Kansas City

For authors, this one’s obvious. Leave the name Chiefs aside and substitute the Kansas City Twisters. L. Frank Baum’s book The Wonderful Wizard of Oz, with its introductory tornado, is set in Kansas.

Las Vegas

Here, writers might swap the name Raiders with the Las Vegas Miners, to honor Mark Twain’s book, Roughing It, a partly true tale of silver mining in the Territory of Nevada.

Los Angeles

The City of Angels hosts two NFL teams. Writers would retreat from the name Chargers and forge ahead with the Los Angeles Demons. After all, William Peter Blatty lived near LA and wrote The Exorcist.

Los Angeles

Rather than the Rams, the other LA team should be renamed the Los Angeles Martians. Ray Bradbury lived much of his life near LA and authored The Martian Chronicles.

Miami

Writers would choose a harder-hitting name than Dolphins. How about the Miami Punchers? Elmore Leonard’s Rum Punch is set in Miami.

Minnesota

Some residents of the North Star State might prefer the Vikings, but writers would call that team the Minnesota Wobegons. Lake Wobegon Days, by Garrison Keillor, is set in Minnesota.

New England

Since the Patriots were named for a region, rather than a specific state or city, that gives writers some latitude to re-name the team the New England Cthulhus. Rhode Island is part of New England, and author H.P. Lovecraft, creator of the Cthulhu Mythos, was born and lived there.  

New Orleans

Here, writers would replace the name Saints with the New Orleans Steamboaters. Mark Twain’s Life on the Mississippi, includes descriptions of New Orleans.

New York

With two teams in New York City, let’s go alphabetically and rename the Giants first. Writers might choose the New York Atlases, since author Ayn Rand, who wrote Atlas Shrugged, lived in NYC.

New York

As for the Jets, the New York Bombardiers seems appropriate. Joseph Heller was born and lived in NYC, and wrote Catch-22, about WWII bombardiers.

Philadelphia

The literary crowd wouldn’t go for Eagles, and might instead select a name requiring a change in the team’s colors—the Philadelphia Purple Riders. Having gone to college in Philadelphia, Zane Grey wrote Riders of the Purple Sage.

Pittsburgh

The other Pennsylvania team needs a name change from the Steelers. Writers would call it the Pittsburgh Furies. Stephen King’s novel Christine is set in Pittsburgh and involves a Plymouth Fury.

San Francisco

In replacing the 49ers name, writers would go for the San Francisco Wolfdogs in honor of Jack London’s White Fang. London was born in San Francisco.

Seattle

Ditch the Seahawks name. Authors have a better one in mind. They’d like the Seattle Boneshakers. This honors Cherie Priest, whose novel Boneshaker: A Novel of the Clockwork Century is set in Seattle.

Tampa Bay

This team wouldn’t be the Buccaneers any more after writers got their blue pens out. They’d rename the team the Tampa Bay Cannoneers. After all, Jules Verne had his characters build a gigantic cannon near Tampa in his novel From the Earth to the Moon.

Tennessee

Earlier, I stole the name Titans from Tennessee and gave it to Indianapolis. Writers would rename this team the Tennessee Devils. Jaden Terrell’s novel Racing the Devil is set in Nashville.

Washington

Some in the District want to change the name from the Commanders anyway. If they let writers pick, they might come up with the Washington Scorpions. Lisa Howorth’s novel Summerlings is set in D.C. and involves scorpions.

There. I’ve done the hard part. Others can come up with team logos, uniform designs, and characteristic colors. If any NFL teams desire a name makeover based on literary references, feel free to contact—

Poseidon’s Scribe