Author Interview—N.O.A. Rawle

The fun continues today as I interview another author with a story appearing in the anthology Hides the Dark Tower. To obtain this interview, I had to travel all the way to Greece…well, virtually.

NaomiRawleN.A.O. Rawle is a British writer, teacher and translator living and working in mythical Thessalian Plain in Greece. She graduated from Manchester Metropolitan University with a degree in Creative Writing and Philosophy. After many years of procrastinating, she took the plunge and has started publishing short sci-fi/horror/fantasy stories. She’s had over a dozen short stories and poems published. She’s been published in the anthology Once Bitten, and The Girl at the End of the World, Book II  and the anthology Denizens of Steam.

Here’s the interview:

Poseidon’s Scribe: How did you get started writing? What prompted you?

N.A.O. Rawle: First, thank you for having me on your blog, it’s great to talk to you. I grew up with books as my dad was a librarian. He had a study stuffed floor to ceiling with books, mostly about fly fishing and theology, but that’s where I got the bug. The actual writing started with fan fiction when I was in Secondary school and progressed into photocopied comic books in my late teens. Published work came a lot later.

P.S.: What other authors influenced your writing? What are a few of your favorite books?

N.R.: Harder to answer than I imagined. I can’t say who has influenced my writing style as I don’t think I’ve really found my own. (At the moment I’m going through a phase of stories in rhyming prose and that comes straight from Dr Seuss and ‘The Night Before Christmas’!) Once I had finished James Herbert’s The Magic Cottage, I remember thinking “I should like to do that.” I love Clive Barker, Anne Rice, Iain M. Banks, George Orwell, John Steinbeck, Bret Easton Ellis, Harlan Ellison and Bruce Sterling…

P.S.: In your blog, you’ve mentioned having thirty writing projects going at once, in various stages. Have you accepted that as a normal state of affairs for you, or would you prefer to be more focused?

N.R.: That’s normal. I live by flitting from one thing to the other and half finished projects everywhere, and I don’t mean just writing. I can focus and do occasionally, to the point of obsessive! That’s when work gets done fast.

P.S.: What are the easiest, and the most difficult, aspects of writing for you?

N.R.: Being asked to do edits is the hardest. Not because I’m too proud and don’t want to change what I’ve written but because I find incorporating another’s perspective bewildering. Will it look right to the reader? Have I clarified and tidied up the waffle? The easiest is writing. I can sit and type for hours and hours.

P.S.: Your bio mentions your British nationality, your current work location in Greece, your teaching and translation work, and your education in creative writing and philosophy. In ‘Core Craving’ and ‘Those Who Can, Do,’ you touch on two of those aspects. In what other ways do your varied background and education inspire your stories?

N.R.: I’ve done (counts on fingers and gives up) many jobs since the age of fifteen so there’s always a bit of those experiences in my writing but it’s not necessarily what I know about them. In ‘Those Who Can, Do’ I was more interested in the fact that so many teachers appear to have forgotten the purpose of their jobs and get into some sort of power place ‘us’ and ‘them’. I also had some hideous teachers at school who really didn’t understand that the colour of my shirt was not a factor in the learning process. Greece crops up in my work frequently, I’ve spent almost half my life here now and it would be weird for it not to feature. A character might come from someone I’ve met or the atmosphere of a place might inspire a scene, I’m always trying to paint a picture so that my reader can see what I do.

P.S.: It appears you’re participating in NaNoWriMo (the National Novel Writing Month) for the first time this year. How is that going?

N.R.: It’s going…I did it in the hope that I could complete one of those projects I’ve been composting for about a decade as there is outside interest in it after a short story grew from some of the remnants that I had cut from the original work. (‘Synchronysi’ due to be published in the New Year). If I can get the plot down then I know I’ll get it sorted.

P.S.: Lately, you’ve been writing some steampunk stories. Why does that genre appeal to you?

N.R.: It’s what Goths do when they discover brown, or so a friend of mine tells me. No, I like that I can mix up fancy frocks with feminism and mechanical monsters! Oh and rhyming prose, ‘A Walk in the Park’ is the first story I’ve self-published that is Steampunk in Denizens of Steam, an anthology that I helped ‘curate’ to promote the Scribbler’s Den writing forum on the Steampunk Empire.

P.S.: You’ve guest-blogged for Rie Sheridan Rose about your story ‘Core Craving’ in Pageflex Persona [document: PRS0000039_00001]Hides the Dark Tower and mentioned the research you did on the castle. Had that story idea been kicking around in your mind before the anthology’s call for submissions, or did it all click together afterward?

N.R.: The story was fully formed but had not found a home. Vonnie and Kelly [editors Vonnie Winslow Crist and Kelly A. Harmon] made it welcome in Hides the Dark Tower, an anthology, which is a real treat to read and an honour to be included in! ‘Core Craving’ is such a small story but one that took a long time to build and the first one published which is set in my home town (I have several others) so I’m pleased it’s found its niche amongst so many respected authors.

P.S.: Among your many current Works in Progress (or, as you have quipped, Works in Procrastination), would you mind telling us a little about one of them?

N.R.: I have a story called ‘Touched’ which has been simmering for a long time (read years). It’s a fantasy/horror mishmash involving fae folk who live in the beautiful Greek mountain forests. (I am told, in all seriousness, that fairies do reside there.) I have so much written but on an ancient word processor whose disks I have been unable to print up anywhere since the WP died on me. I’ve been trying to remember the story but there are big gaps in the plot and I am so sad. I’m patching it up but it’s beginning to resemble Frankenstein’s monster not the glorious creation I envisaged. In my heart I know I can make it good but I need determination.

Poseidon’s Scribe: What advice can you offer aspiring writers?

N.O.A. Rawle: Jim Morrison wrote “Words dissemble, words be quick, words resemble walking sticks, plant them and they will grow…”

Sow the seeds of stories and see what becomes of them. Some will become roses and others prickly thistles that you’ll need to weed out. Like plants, some tales are therapeutic and others poisonous. Some will charm you with their beauty and there will be down-right ugly ones; they will all teach you something about writing but only if you keep tending them.

 

Thanks, Naomi! I know readers of my blog will want to find out more about you, and, luckily, I have that information handy. You have a blog and you’re on Facebook, Twitter, and Goodreads. You also appear on Google+, Pinterest, and Amazon as N.O.A. Rawle, and on Steampunk Empire as Lady Naomi.

Poseidon’s Scribe

November 15, 2015Permalink

Meet the Punk Family

If you’re into science fiction, particularly alternate history or speculative fiction, there are some interesting sub-genres to be aware of.  They all have -punk in their name:  cyberpunk, clockpunk, steampunk, dieselpunk, and atompunk.

Punk FamilyI’ve blogged about steampunk before, but here I’ll step back and introduce the Punk family.

  • Cyberpunk. This term describes fiction involving a world of the near future where computer technology has made life miserable and degraded society.  Author Bruce Bethke is credited with coining the term in 1980 in connection with his short story “Cyberpunk.”  Major writers of cyberpunk include Pat Cadigan, William Gibson, and Bruce Sterling.  Some cinematic examples of cyberpunk are 1984, Blade Runner, Mad Max, the Terminator movies, and Tron.  In my graphic I’ve depicted it as the parent of the Punk Family since it came first.
  • Clockpunk.  This refers to fiction set in a time when metal springs are the primary technological energy storage mechanism, an era prior to the invention of the steam engine.  A player of the Generic Universal RolePlaying System (GURPS) invented the term.  Clockpunk authors of note include Jay Lake, S. M. Peters, and Terry Pratchett.
  • Steampunk.  This subgenre depicts settings with steam-powered mechanisms, often in time periods similar to the nineteenth century.  Author K. W. Jeter invented the term in 1987.  Early giants of steampunk literature include James Blaylock, K. W. Jeter, and Tim Powers, though there are many, many writers continuing in their footsteps.  Movie examples of steampunk include Atlantis: The Lost Empire, The League of Extraordinary Gentlemen, The Prestige, Sherlock Holmes, Van Helsing, and Wild Wild West.  I think it’s fair to say this child of cyberpunk has surpassed its parent and all its siblings in popularity.  It has spawned a culture all its own with jewelry, clothing, art, music, and dedicated conventions in addition to books.
  • Dieselpunk.  In Dieselpunk we see the gasoline-based technology of the 1920s, 30s, and 40s.  Game designer Lewis Pollak came up with the term in 2001.  Authors of dieselpunk include David Bishop, Robert Harris, Brian Moreland, and F. Paul Wilson.  Some examples of dieselpunk movies are Rocketeer and Sky Captain and the World of Tomorrow.  As with steampunk, dieselpunk also comes with its own visual style — art deco.
  • Atompunk.  This refers to fiction set in the exuberant post World War II age, the Atomic Age.  I couldn’t find anything about who coined the term.  Some atompunk authors are Adam Christopher and Dante D’Anthony.  I don’t know of any atompunk movies made since the sub-genre emerged, but many science fiction movies of the 1950’s can be thought of as proto-atompunk.  There are associated visual styles with atompunk, too:  Googie Architecture, Populuxe, and Raygun Gothic.

There are other, lesser known, members of the Punk family:  Decopunk, Biopunk, Nanopunk, Stonepunk, Nowpunk, Splatterpunk, Elfpunk, and Mythpunk.  Perhaps if these attract sufficient readers, I’ll blog about them too.

The ‘-punk’ aspect of each of these is meant to convey that these are not celebrations of the technology in question.  The idea in these stories is to convey dark and disturbing faults in the societies driven by the technology, and by extension, to point out analogous problems with our own modern society.

My steampunk stories include “The Steam Elephant,” “The Wind-Sphere Ship,” (call that one Iron Age steampunk), “Within Victorian Mists,” “A Steampunk Carol,” “The Six Hundred Dollar Man,” and the upcoming “Rallying Cry.”

I’ve written a couple of clockpunk stories too:  “Leonardo’s Lion” and “A Tale More True.”

Perhaps you’ll enjoy getting to know the Punk Family.  They’re an odd bunch, but they’re getting more famous every day.  Leave a comment and explain what you think about them to the world and to—

                                                        Poseidon’s Scribe

November 24, 2013Permalink