Do We Really Need National Tell a Story Day?

Today is National Tell a Story Day. You can honor this day by telling a story. Now that I think of it, you might find it harder not to tell a story.

Image courtesy of Pixabay

Definition

At its essence, a story consists of a character and at least one event, but usually a series of connected events. The character might be you, someone you know, someone you’ve heard of, some animal, or some other non-human creature.

Born Storytellers

Since the development of verbal language, our species has told stories. Our prehistoric ancestors likely related tales of hunting game, of gathering plant food, of having babies and raising children, of combat, and of death. They spun these stories by firelight in caves and painted the tales on cave walls.

Today, much of our everyday speech takes the form of stories. “I had a good day at work.” Character and event. As children, our earliest sentences formed stories. “Mommy, I’m hungry.”

You may not think of these humdrum, trivial utterances as stories, but they meet the definition. In fact, you could count every day as National Tell a Story Day.

Methods

Face-to-face verbal communication still serves as the most common way to tell stories. We’ve invented countless others over the millennia, including cave paintings, etched tablets, inked scrolls, books, magazines, comic books, audiobooks, video games, podcasts, e-books, and more.

Interesting Stories

Though you can classify most of what we say, and most emails we write, as stories, the majority of those don’t intrigue us beyond the transient purpose of conveying information. To qualify as interesting, a story needs to satisfy more criteria:

  • Problem. The main character (MC) needs a problem to solve.
  • Attraction. Something about the MC must cause readers or listeners to identify with and care about the character.
  • Antagonist. The MC must struggle against an opposing force, which could be another character.
  • Setting. The story should convey a sense of place, and that location should be described well enough for readers or listeners to imagine themselves there.
  • Plot. More than a series of events, a plot orders the events such that the MC strives and fails again and again, with the stakes rising each time.
  • Resolution. The story should end with the problem resolved in some way, through actions of the MC, though perhaps not the way the MC expected. Perhaps the MC dies, but does so in a meaningful way that resolves the problem.

    Enduring Stories

    Some stories transcend even the interesting ones. These tap into some universal themes of the human condition. The style of writing captivates readers and listeners by rising above mundane prose. These stories last for centuries, getting endlessly repeated, re-read, and copied into other forms. These classics include Aesop’s fables, the books of the great religions, the Iliad and Odyssey, and myriads of others.

    Your Challenge Today

    On National Tell a Story Day, I offer an either/or challenge to you. You may choose Task A or Task B, and I’m unsure which one’s harder:

    Task A: Using my broad definition of “story,” go through this entire day without saying or writing a story.

    Task B: Make at least one of your stories interesting.

    It’ll be Task B for—

    Poseidon’s Scribe

    How to Construct a Fictional Vehicle

    A good story can take your readers for a journey. Characters need to go places and readers yearn to ride along. A distinctive vehicle makes the trip more interesting and you can peruse Wikipedia’s list of the best-known vehicles in fiction. As a writer, how can you give some personality to your fictional vehicles?

    Credit to fity.club for Odysseus’ Ship, ar.inspiredpencil.com for Pequod, moriareviews.com for Time Machine, hotcars.com for KITT, and Wikipedia for Chitty Chitty Bang Bang, Nautilus, Enterprise, and Batmobile.

    Vehicles as Setting

    A vehicle can serve as a means to move through the setting, from one setting to another, and as a setting itself. Most vehicles separate the inside from the outside, the moving from the static. They isolate characters from the exterior environment. Vehicles can provide a way for characters to shift settings in a short time, or to protect characters from a dangerous environment, or to perform a task.

    Describing Vehicles

    The general principles of describing settings apply to vehicles as well. If it serves the plot, readers need to picture the vehicle’s exterior and interior. If appropriate, convey the experience of being inside it using as many of the five senses as you can.

    Familiar, standard vehicles like taxis, rental cars, or bicycles require little or no description. Also, once your characters have traveled in a vehicle once, you need not bore readers with details again, unless something about the vehicle, or the character’s perception of it, changes.

    Resist the impulse to bog down the prose with long descriptions. You’re not writing an owner’s manual or trying to close a sale, so don’t slow down the story.

    Vehicle Purposes

    Vehicles serve different functions, and their design reflects that. Whether for exploration, warfare, transit, or specialty purposes like farming or construction, vehicles exist to perform a purpose. Your characters might use the vehicle for an unintended task if circumstances demand it, and that can add to interest and drama.

    Unique or Commonplace?

    If your character boards a standard city bus, the story gains little from a description of the bus. Your readers know what buses look like and wish you’d get on with the action. Unusual vehicles require more explanation, but you can insert bits of description in several places rather than lumping them together. Dialogue works well for vehicle descriptions, especially if one character knows the vehicle and another character doesn’t.

    Attitude Toward the Vehicle

    In real life, people develop feelings for vehicles, and characters can do so in fiction as well. Characters can love or hate their vehicle, and their attitude may change over time. You can use this attitude as a means of revealing the character’s personality, and the vehicle might even substitute for another character, in metaphor. (For example, he’s angry with her, but kicks his car’s tire.)

    Characters also anthropomorphize their vehicles by naming them, just as we do in real life. This practice depends on the vehicle, and is more common with ships and spacecraft than with cars or aircraft. Odysseus’ unnamed ship and the Chitty Chitty Bang Bang car stand as exceptions, but the practice of naming vehicles, and the name chosen, can reveal something of the character’s personality.

    Bonding of Character and Vehicle

    In some stories, a strong association of character with vehicle merges the two. A reader can’t think of one without thinking of the other. What is Captain Ahab without the Pequod, the Time Traveler without the Time Machine, or Captain Nemo without the Nautilus? In the TV world, where is Captain Kirk without the Enterprise, Michael Knight without KITT, or Batman without the Batmobile?

    Vehicle as Character

    Some stories elevate the vehicle to such importance that it almost becomes a character itself. By that I mean the story revolves around the vehicle. A reader might conclude the story is all about the vehicle and might consider the human characters incidental and forgettable. If you write a story like that, make your vehicle fascinating, since readers identify more with human characters than they do with vehicles. You can increase the fascination level by creating a first-of-its-kind vehicle. I dealt with those in an earlier blogpost.

    Fate of the Vehicle

    Like human characters, vehicles might change during the course of a story. Being mechanical in nature, they rarely improve, though. Parts wear out. Subsystems fail. Human operators, drivers, or pilots push vehicles past limits. Vehicles break down. They might even get destroyed in the end, by accident or on purpose, to suit the needs of the story. Whatever sort of degradation the vehicle suffers, be sure to show how that affects any character who’s formed an attachment (positive or negative) with the vehicle.

    Thank you for riding along on the Blogpostmobile. This concludes our journey. Watch your step getting out. It’s been my pleasure to serve as your driver today. Once again, I’m—

    Poseidon’s Scribe

    Dive! Dive! It’s National Submarine Day

    How will you celebrate National Submarine Day? It’s today, by the way. I’ll offer some suggested activity ideas later in this blogpost.

    USS Holland

    USS Holland (SS-1)

    125 years ago today, the U.S. Navy acquired the submarine USS Holland, designated SS-1. Though small, slow, shallow-diving, and lightly armed by today’s norms, that craft steered a course for all U.S. Navy subs to follow in her wake.

    The Holiday

    Senator Thomas J. Dodd, back in 1969, introduced a bill proposing April 11 as National Submarine Day. No president since has ever signed it, but submariners don’t need anyone’s permission to celebrate. It’s our day because we say it is.

    In Memoriam

    Pause today to remember those lost aboard submarines. Working, living, and fighting in a steel tube underwater involves risks, and according to this Naval History and Heritage Command website, over 4000 men have died in U.S. submarines from accidents or enemy action. The majority of these occurred during World War II. Most often, when a submarine suffers significant damage, the whole crew dies together.

    Submarines in History

    You can read elsewhere about the role submarines have played in U.S. naval history, including World War II, the development of nuclear power and nuclear missiles, North Pole visits, and the first voyage around the world submerged.

    Submarines in Fiction

    As a fiction author and former dolphin-wearer, I love good stories involving submarines. The best include 20,000 Leagues Under the Seas by Jules Verne, The Hunt for Red October by Tom Clancy, Run Silent, Run Deep by Edward L. Beach, Under Pressure (The Dragon in the Sea) by Frank Herbert, and The Deep Range by Arthur C. Clarke. I also recommend Aquarius Mission by Martin Caidin, The Voyage of the Space Bubble series by John Ringo (especially the last three novels), and any novel by Michael DiMercurio.

    My Service

    USS Bluefish (SSN-675)

    I reported aboard USS Bluefish (SSN-675) in February 1982. Home-based in Norfolk, Virginia, that sub carried me to the Caribbean, Germany, north of the Arctic Circle, and elsewhere during the course of several years. Though I last strode her decks forty years ago, the memories of old Blue remain vivid. So distinct are my recollections that I rendered them in poetry. As a caution to younger readers, “The Good Ship Bluefish” gets bawdy in spots. Read it at your own risk.

    Ways You Can Celebrate

    Don’t let today pass without doing something to commemorate it. My suggestions follow, but you might think of others.

    • Tour a real submarine. Find a submarine museum and take a tour aboard. With the help of your guide, you’ll get a good notion of submarine life.
    • Read a submarine story. Consider any of those I recommended above.
    • Watch a submarine movie. Options include 20,000 Leagues Under the Sea (1954), Das Boot (1981), The Hunt for Red October (1990), Crimson Tide (1995), Down Periscope (1996), U-571 (2000), Hunter Killer (2018), and others.
    • Watch an online video or listen to a podcast about subs.
    • Simulate submarine life in your own home
    • Assuming you’re eligible, go to your local Navy recruiter and sign up to join the U.S. Navy submarine service.
    • If none of the above appeal to you, then just leave a comment wishing a happy National Submarine Day to—

    Poseidon’s Scribe

    National Library Week – Are You Drawn to the Library?

    Today marks the start of National Library Week. Remember the last time you saw, and smelled, so many books? Time for another visit there.

    Theme

    Sponsored by the American Library Association (ALA), National Library Week has grown since 1957 to include other countries, making it international. For this year’s theme, they chose “Drawn to the Library.”

    Something about libraries draws us in. Even in the Internet Age, libraries retain the aura of vast, free knowledge that nothing online can match. Entering even the smallest one, we feel akin to those who wandered, awestruck, amidst the scrolls of the ancient Library of Alexandria. The full shelves whisper, “Here you’ll find the information you seek, the wonder, the adventure, the knowledge of those who came before. Borrow a book. They’ll all free.”

    Authors and Libraries

    You might think authors hate libraries, since you can read the author’s books without paying. Perhaps some authors harbor a grudge, but few libraries carry every book written by the more prolific authors. If you sample a few for free, you might well buy those you can’t borrow.

    In a larger sense, libraries encourage reading. The more people who read books, the greater chance some readers will read mine. All good.

    When asked about libraries in a 2013 interview, author Ray Bradbury said, “Well, that’s my complete education. I didn’t go to college, but when I graduated from high school I went down to the local library and I spent ten years there, two or three days a week, and I got a better education than most people get from universities. So I graduated from the library when I was twenty-eight years old.” He went on. “[Libraries are] the center of our lives.”

    Little Free Libraries

    Perhaps I shouldn’t neglect libraries so small you can’t walk into them. Over 200,000 tiny libraries, just boxes containing a few books, have appeared in front yards all over this country, and over 120 others. Sponsored by Little Free Library, these small containers remain available for sharing books even when the library building is closed. You can find the little free library nearest you here or build your own.

    Don’t Resist the Draw

    Admit it. You’re drawn to the library, and you haven’t visited one in awhile. You couldn’t pick a better week to go, and re-establish the habit. It’s National Library Week. When you go there, you might see—

    Poseidon’s Scribe

    Starting Today, You Can Hear Visions

    BearManor Media just published the audiobook version of Extraordinary Visions: Stories Inspired by Jules Verne. You can get it at Amazon, Audiobooks.com, Audible, Hoopla Digital, AudioBookStore.com, Downpour, and Indigo.

    Perhaps you lack the time to sit and read print books or ebooks, but enjoy listening to literature instead. You heard about Extraordinary Visions when it got published, but passed on it, since the anthology wasn’t available in your preferred format. Your long-awaited opportunity arrived today.

    While playing the audiobook, the voice of narrator Tad Davis will transport you into the marvelous world of every story. He imbues a distinct and appropriate quality to each character’s dialogue.

    As you listen, you’ll learn the answers to thirteen perplexing questions:

    • If mysterious beings dwell at the center of the Earth, might they take revenge on the surface?
    • The Baltimore Gun Club wouldn’t try to alter Earth’s rotational speed—would they?
    • Who robbed that bank in Durango, and why did the thief’s movements seem so mechanical?
    • On the front lines of World War I, did a steam-powered mechanical elephant join in battle?
    • What if your son recreated a thrilling chapter of 20,000 Leagues…inside your house?
    • What really happened when Nellie Bly met Jules Verne during her 1889 trip around the world?
    • Captain Nemo vowed never to set foot on land, so why would he go ashore to lead a dangerous rescue mission?
    • What is so odd, so very odd, about a particular shop full of Vernian antiques?
    • When a father and son find an old box on one of Norway’s Lofoten Islands, could it contain Captain Nemo’s logbook?
    • At the traveling Jules Verne adventure show, don’t those costumed actors seem a bit too realistic?
    • When Civil War Confederates build an underwater prison, can Captain Nemo free its enslaved prisoners?
    • The keeper of the lighthouse at the end of the world seems content with his mechanical inventions, but why does someone want to kill him?
    • What secrets await a salvage team raising the Nautilus, and who else desires that submarine?

    You may, of course, still purchase the ebook, paperback, and hardcover editions. But before today, you couldn’t buy the audiobook version.

    If you’ve long enjoyed stories by Jules Verne, or just recently developed an interest in his novels, consider joining the North American Jules Verne Society (NAJVS). Few authors spark fan clubs still thriving over a century after their death, on other continents, but Verne did.

    NAJVS never undertook an anthology of new fiction before sponsoring Extraordinary Visions: Stories Inspired by Jules Verne. Co-editors for this anthology include Reverend Matthew T. Hardesty and some guy whose nickname is—

    Poseidon’s Scribe