Your 3 Distinguishing Words

Using computers, you can measure peoples’ writing. You can compare recent bestsellers to books that didn’t sell well.

One man with interests in numerical analysis and literature tried just that. Ben Blatt wrote Nabokov’s Favorite Word Is Mauve: What the Numbers Reveal About the Classics, Bestsellers, and Our Own Writing. Megan Gambino interviewed him in this post.

Blatt analyzed books by many bestselling authors of the 19th and 20th Centuries, looking for patterns of word usage. He compared the practices used by these authors to the practices recommended in writing classes (and in blogs about writing, like mine). Among his findings are the following:

  • Advice: Keep your opening sentences short.
    • Finding: True. The bestselling books start with short sentences more often than not.
  • Advice: Don’t open with the weather.
    • Finding: False. Many bestselling books do.
  • Advice: Shun adverbs.
    • Finding: True. The bestselling books tend to include fewer adverbs.

He also set out to discover whether American authors write in a ‘louder’ manner than British authors. That is, do American author cause their characters to yell and scream more than British authors cause their characters to do? That answer is yes.

I found one aspect of Blatt’s research of particular interest. He analyzed what words some authors used more than others. For Jane Austen, the words civility, fancying, and imprudence showed up a lot. John Updike used rimmed, prick, and f**ked more than most. As you can guess from the title of Blatt’s book, Vladimir Nabokov favored the word mauve. Nabokov associated numbers, letters, and sounds with colors, a symptom of synesthesia. Blatt found Ray Bradbury used spice and smell words more than most.

These findings intrigued me. If someone performed a numerical analysis of my own published works, what would that reveal? What words do I use more frequently than other writers do? If you’re a writer, are you curious about that aspect of your own work?

If someone crunched the numbers for your writing and told you your three distinguishing words, what would these words say about you? Nabokov’s mauve pointed to his synesthesia. Bradbury’s spices brought him back to the smells of his grandmother’s pantry. If you knew your distinguishing words, would they surprise you? Delight you? Disgust you?

After knowing them, would you own them and seek to use them more in future stories, or disavow them and expunge them from your vocabulary?

One thing’s certain. Considering just my blogposts alone, my two most distinguishing words must be—

Poseidon’s Scribe

Just Your (Writing) Style

Style is one of the five fundamental elements of fiction, along with character, plot, setting, and theme.  It’s also the most difficult of the five to explain or understand.

StyleI like to start my blog posts by defining terms, but this time I’ll let the definition of style emerge as we go.  For now, I’ll say that every author writes differently, with certain identifying characteristics.  In theory, if we took a sufficient random sample of any single author’s writing, we could identify the author by the style.

According to Wikipedia, the components of style include:  Fiction-writing modes, Narrator, Point of View, Allegory, Symbolism, Tone, Imagery, Punctuation, Word choice, Grammar, Imagination, Cohesion, Suspension of disbelief, and Voice.

Each item on that long list does contribute to style, but some are more important than others, and some are more characteristic of a particular story than of the author’s general manner of writing.

To me, the major characteristics of style are Tone, Word choice, and Grammar:

  • Tone is the attitude displayed by the writer toward the subject matter of the story.
  • Word choice, or diction, relates to the author’s vocabulary.  Does the author stay with simple, understandable words or employ arcane words?  Does the author embellish with adjectives and adverbs, or let the nouns and verbs do the work?
  • Grammar is all about the structure and logic of sentences.  What sentence patterns and lengths does the author prefer?

Although your style may change as you mature in your writing, readers like it better when authors maintain a consistent style.  Style can set you apart from all other writers; it can be the factor that keeps readers buying more of your books.

If you’re wondering how to go about creating your own style, I recommend you read the list created by author David Hood in this blog post.  His eleven-item list can seem intimidating, so just focus on items 1, 2, 3, 5, and 7.  I think if you learn the rules of writing, expand your vocabulary, read a great deal, experiment with different styles, and learn about literary techniques, your own style will emerge naturally.

What’s more, you shouldn’t have to work too hard to continue using your newly discovered style.  It should flow from you in a natural way.  Unlike your stories, which are overt acts of creative effort, your style is something that should emerge.  In a sense, you’re unleashing it, not creating it.  Even if it does require a little effort at first, in time it will get easier.

Perhaps you’ve gotten a better understanding of style now, that signature or fingerprint that identifies you and separates you from other writers.  With any luck, readers will love your style.  For now, I’ll sign off in the usual style of—

                                                         Poseidon’s Scribe