Quarantine and the Writing Scene

The spread of the COVID-19 coronavirus has got us all thinking. Each of us is reacting in his own way. As a writer, my mind turns toward fiction possibilities.

Please don’t take this post as some attempt to minimize or make light of this contagious and deadly disease. The numbers of infected and dead continue to mount as this new virus spreads around the world. Nobody knows how bad this coronavirus will get. Though panic may be unwarranted, so is blind optimism.

So far, I’m not showing any symptoms and am not under quarantine, neither the imposed nor self-directed kind. To my knowledge, that’s also true of everyone I know well. I’m not blogging about quarantines due to any personal experience, but merely because the topic is timely and it interests me as an observer of society.

COVID-19 is causing some changes in our behavior. For the most part, we’re all washing our hands more often and more thoroughly. We’re travelling less, and going to fewer well-attended events. We’re practicing ‘social distancing,’ and greeting others with fist or elbow bumps. We’re staying in our homes more and connecting with each other virtually.

When TV journalists conduct video interviews of symptom-free people who’ve been quarantined out of caution, the people all say they’re binge-watching movies and playing games to pass the time. (Not reading books? Come on!) But they feel lonely and isolated. They want the two weeks to be over.

That’s understandable. We’re social animals. We gain comfort from the close presence of others. If we now must view others as potential bringers of disease, that sets up an internal conflict, a tension between self-preservation and a need for acceptance.

For most writers, a symptom-less quarantine wouldn’t be so bad. Writing is solitary anyway, and necessary social interaction represents an interruption of the writing process. To some extent, writers practice a quasi-quarantine all the time.

Perhaps because of their self-imposed isolation, authors sometimes write about disease pandemics. Early examples include The Decameron (1353) by Giovanni Boccaccio and The Last Man (1826) by Mary Shelley.

More recent novels about pandemics are The Plague by Albert Camus, The Andromeda Strain by Michael Crichton, and The Stand by Stephen King.

All these works depict horrible results after the disease has run its course. Few novels (except The Plague) show the effects of quarantine, of forced separation.

One extreme fictional example of human separateness, though not involving disease, is The Naked Sun by Isaac Asimov. In it, citizens of the planet Solaria grow up detesting the physical presence of other humans. They don’t mind robots, but can only talk to other people through holographic communication, a sort of 3-D version of Skype.

Could COVID-19 or some later, more deadly virus, force us to behave like Solarians, alone in our homes, communicating only by email and text, with drones delivering all our supplies direct from robot factories? What would that isolation do to our psyches, to our instincts for close contact?

There’s your next story idea, free of charge. You may thank me for it, but not in person. Alone (with my spouse) in quasi-quarantine, I’m—

Poseidon’s Scribe

Dear Dr. Asimov

You may have some difficulty reading this, since you’ve been dead for over 21 years, but I hope somehow this tribute finds its way to you nonetheless.  I just wanted to say thanks, however belatedly, for your books and the way they influenced me.

isaac-asimov2I started reading science fiction in the early 1970s, and by then you were a giant in the field.  I read dozens of your short stories, and some of your novels including Foundation, Fantastic Voyage, The Gods Themselves, The End of Eternity, The Naked Sun, and others.  Later I read some of your nonfiction books and essays and some of your non-SF fiction, including The Union Club Mysteries and Azazel.

In fact, I read more stories written by you than by any other author.  (Of course, there are more stories written by you than any other SF author!)

In the late 1980s or very early 1990s I had the opportunity to attend one of your speeches—a great thrill for me since I was then thinking of becoming a writer.  You had traveled (by train, of course, since you never flew) to my area to speak in a lecture hall.

Alone on stage, you began speaking in your thick Brooklyn accent.  “I’ve done a number of these things already, so to save time, I’ll ask the questions you would ask, and then answer them.  First question:  Dr. Asimov, how did you come to write so many books?  Well, I type ninety words a minute and before I knew it, I’d written five hundred books.  If someone wants a 5000 word short story, I type 5000 words and stop; with any luck, I’m at the end of a sentence.”

You gave advice to budding writers like me that day also.  “My first draft is my final draft.  I don’t believe in rubbing words together until they sparkle in the sunlight.  As my good friend, the late Bob Heinlein said, ‘They didn’t want it good; they wanted it Wednesday.’”

It was a great hour-long lecture, and you kept the audience laughing the whole time.  But that was just one hour.  Your impact on my life goes much deeper.

Your SF stories are based on sound science, and your characters confront bedeviling problems that spring from unalterable facts.  The science is a central part of each story.  I’ve strived for that in my stories as well.

Moreover, your tales are celebrations of science.  I don’t recall any stories where science leads humanity irrevocably astray.  Even your dystopian works end with hope for the future.  That’s true of my writing, too.

Others have spoken of your clear, uncluttered style of writing, and you’ve acknowledged that yourself.  My critique group tells me my style is similar at times.

Looking back over the list of my published short stories, I think I can see your influence in each one, to some extent.  Alas, I don’t type ninety words a minute, and I labor over several drafts, so I will never equal the quantity of your output.  But it’s my dream to write a story someday that approaches the quality of your fiction.

Here’s to you, Dr. Isaac Asimov!  Thank you.

Steven R. Southard

aka

Poseidon’s Scribe

October 20, 2013Permalink