Fiction Elements by Genre

In earlier posts I’ve blogged about the various elements of fiction (Character, Plot, Setting, Theme, and Style). I’ve also blogged a bit about the various genres of fiction. Here I thought I’d explore how the various genres emphasize certain elements and de-emphasize others.

For the chart, I used the genres listed in the Wikipedia “List of Genres” entry. As the entry itself points out, people will never agree on this list. Even more contentious will be my rankings in the chart for how much each genre makes use of each fiction element.

Fiction elements vs GenreFor each genre, I assigned my own rough score for each fiction element. I’ve placed the genres in approximate order from the ones emphasizing character and plot more, to the ones emphasizing style and theme more.

Go ahead and quibble about the numbers I assigned. That’s fine. There’s considerable variation within a genre. Also, the percentages of the elements vary over time. If we took one hundred experts in literature and had them each do the rankings, then averaged them, the resulting chart would have more validity than what I’m presenting, which is based on my scoring alone.

But the larger point is that the different genres do focus on different elements of fiction. In my view, character is probably the primary element for all but a few genres. Theme is probably the least important, except for a limited number of genres.

Of what use is such a chart? First, please don’t draw an unintended conclusion. If you happen to know which elements of fiction are your fortes, and which you’re least skilled in, I wouldn’t advise you to choose a genre based on that.

Instead, look at the chart the opposite way. Find the genre in which you’d like to write, and work to strengthen your use of its primary fiction elements in your own work. You might even glance at the genres on either side of your favorite one and consider writing in those genres too.

I can’t seem to find online where anybody else has constructed a chart like mine. Perhaps the only one you’ll see is this one made by—

Poseidon’s Scribe

September 28, 2014Permalink

Book Review — Lost Empire

Over the years, I’ve read a lot of Clive Cussler’s novels, mainly because they’re exciting and they convey the author’s love of the sea and history.  Nearly all the Cussler books I’ve read were within his Dirk Pitt series.

I just finished listening to Lost Empire, which Cussler wrote with Grant Blackwood.  The audiobook was a product of Recorded Books, LLC and was narrated by Scott Brick.  This book involves a different set of protagonists.  Sam and Remi Fargo (nice pun–“far go”) are a wealthy, young married couple who enjoy treasure-hunting.  While scuba-diving in Tanzania, they discover a ship’s bell that gets the adventure going.

First the good points. Remi is a strong female character–something missing from the Dirk Pitt novels.  Sam ends up dealing with most of the physical rough stuff, but Remi is no slouch.  The story is a rollicking adventure along the lines of most of Cussler’s works.  The tensions build nicely and the chapters are short, making for easy reading.  I haven’t done any fact checking to see how plausible the historical aspects of the plot were, but I didn’t detect any real howlers as I was listening to the book during my commute.  Scott Brick did a great job with the narration, providing authentic-sounding and consistent accents to the various characters.

However, the character physical descriptions are sparse and I didn’t get a great feel for the character’s inner selves.  In fact, there were times when I wasn’t sure whose point of view I was seeing the world from.  It seemed as if parts of the book were written rapidly; here’s an actual sentence from the book:  “I agree,” Sam agreed.  What’s wrong with ‘said?’  As with many of Cussler’s books, a character with the actual name ‘Clive Cussler’ makes an appearance and assists the heroes at one of their most desperate moments.  As a best-selling author, Mr. Cussler has earned the right to employ such deux ex machina devices, I suppose, but any such manuscripts from me would be rejected amidst gales of laughter.  Lastly, Cussler is starting to re-use concepts from earlier books; I seem to recall that his novel Treasure also involved a manic trying to create a modern version of the Aztec Empire.

You know my book rating system by now.  I give Lost Empire two seahorses.  If you enjoyed Mr. Cussler’s other books, or love easy-to-read adventure novels, then this book will pass the time effectively.  Otherwise, well, there are reasons some empires should become lost.  I could be wrong, though, and in that case you should leave a comment for–

                                                                 Poseidon’s Scribe

February 8, 2012Permalink