The Publishing Times, They Are A’Changin’

To distort a line from a Bob Dylan song, times are indeed a’changin’ in the publishing industry.  In the long march from storytellers to clay tablets to papyrus scrolls to bound books to electronic books, each technology has brought a revolution and we’re now in the middle of one.

Publishing

After Gutenberg’s printing press and right up until the Internet, the book publishing industry had optimized into a fairly lean and stable operation, full of specialized tasks.  Each task was fairly well understood.

The writer wrote, and sought an agent.  The agent sought a publishing house and handled all the contractual details for the writer.  At the publishing house, of which there were only a few big ones, the editor polished the prose.  Upon agreement about the text, the publisher took care of cover design, printing, distribution, and marketing to booksellers.  The bookseller catered to the reading public, offering books for sale from their stores.

Despite all the middlemen, that process had been pretty well honed such that readers could still obtain books inexpensively.

With the advent of the Internet, much has changed, and it’s got all of the middlemen wondering what their future role will be, if any.

For the writer, there are software word processors and Internet research options, but not much else has changed.  A writer still must create the prose.

At the other end, the reader has more options, including e-readers and audiobooks, but for the most part reading is unchanged.

But agents, editors, cover designers, marketers, distributors, and booksellers are all left wondering what’s going to happen to them.  These days, writers can connect directly with readers, bypassing all the former steps.  An author can work with a single website such as Amazon, Smashwords, Kobo, and others, to get e-books directly to the reading public.

These websites offer many services, but the writer must do most of the tasks formerly accomplished by middlemen.  This includes reviewing the contract, editing, cover design, and marketing.

So where is all this going?  At what sort of equilibrium state will all this turmoil settle out?

It may be too early to tell, but I think there will be places for all the publishing middlemen in the future, assuming they adapt to an Internet-based world.  Some writers still need agents, editors, cover designers, and distributors.  Some readers still want bound books.  Much like the continued (but low) demand for horseshoes and oil lamps, there will be niche markets for all these functions.

As for me, I have yet to take the full plunge into self-publishing.  So far, with my short stories, I’ve been dealing with an independent ebook publisher, and with publishers of anthologies.

If Bob Dylan’s right, and the times they are a’changin’, where do you think the book publishing industry is headed?  What change would you like to see?  Leave me a comment and perhaps we can change things together, just you and—

                                                  Poseidon’s Scribe

December 29, 2013Permalink

The Life Story of a Short Story

AlexandersOdyssey9Hello.  I’m a short story.  Since Poseidon’s Scribe never got around to blogging about the whole short story process, he invited me to guest blog today.  My title is “Alexander’s Odyssey,” and I was written by Steven R. Southard.  My life story is typical of other tales, and might be obvious to many of you, but the steps weren’t clear to Steve when he started.

Idea1.  Idea.  I started as an idea.  You did too, I suppose, but with stories you only need one human with an idea, if you know what I mean.  Getting a story idea isn’t as difficult as most believe.  Ideas are all around you.

Outline2.  Outline.  This can take many forms, not just the standard I-A-1-a-(1) type.  It can be a mind-map, for example.  An outline can keep you focused as you write, but don’t be afraid to deviate from it if the story takes off in a different direction.  Steve used an outline for me, but if you don’t want to, just skip this step.

Research3.  Research.  You might have to conduct research for your story like Steve did for me.  Use the most authoritative sources you can.  Steve didn’t include all the researched data when writing me, just a tiny fraction.  You might enjoy research, but don’t get stuck at this stage.  At some point, enough is enough.

First draft4.  First Draft.  Steve wrote my first draft fast, without caring about quality.  He didn’t even stop to correct typos.  He got it all down, the emotions, the drama, and the character interactions.

Edits5.  Edit.  Steve did several drafts of me where he corrected typos; deleted extraneous stuff; added in foreshadowing, metaphors, similes, and symbolism, etc.  Don’t get stuck at this stage either; some stories never even get submitted.

Submit6.  Submit.  Steve located a suitable market, and had to modify me a bit to conform to the submission guidelines.  After much hesitation, he submitted me.   These days, you writers have the option of self-publishing us stories, so you could skip this step.

Reject7.  Rejection.  Actually, I didn’t get rejected the first time, but I know the feeling.  I don’t understand why writers take rejection so personally; the editor is rejecting me, not you.  Just shake it off and submit your story to some other market.  Keep us moving!

Accept8.  Accept.  I was pretty happy when an anthology editor accepted me, but Steve was positively giddy.  I’d never seen him so thrilled and, frankly, the details are embarrassing, so I’ll just move on.

Rewrite9.  Rewrite.  The editor suggested Steve change me a bit.  He agreed the changes would do me good, and made them.  I’ve seen Steve agonize over suggested changes to other stories, though.  I’ve even seen him push back against the editor.  In the end, they always reach agreement and Steve signs the contracts.  I guess he could always refuse and walk away if he wanted.

Launch10.  Launch.  These days, publishers don’t just publish us, they launch us.  It does make me feel like a rocket going off, sort of.  Again, Steve seems really happy when a story launches, and again it’s awkward to watch.

Market11.  Market.  If I’d been picked up by one of the top publishing houses, they’d spread the word about me.  Steve didn’t send me there, so he had to do it.  Boy, does he hate that part, though I’ve heard some authors like marketing.  Use social media, newsletters, writing conferences—anything to advertise.

Read12.  Read.  My favorite step.  When a reader buys me and reads me cover to cover, that’s what I live for.

Reprint13.  Reprint.  When the rights to me reverted back to Steve, he submitted me for publication as a reprint.  After three rejects, another market accepted me, but asked for significant changes.  My reprint version states where and when I was published the first time.

Spin-off14.  Spin-off.  Oh, I hope, I hope I can get spun-off into a novel, a play, or even a movie.  Hey, a story can dream, can’t it?

That’s my story.  Forget about Steve, or Poseidon’s Scribe.  Address your comments to—

                                            Alexander’s Odyssey

December 8, 2013Permalink

Promoting Your Short Story with a Video

Should you use videos to promote your short stories?  Do they help sales?

promo videoBack a year ago when I came up with this idea for a blog post topic, I figured I would have made a few short story promotional videos by this time.  That didn’t happen, but lack of experience has never prevented me from having opinions.  (In fact sometimes I have more to say about things I know less about!)

Some writers have developed videos to encourage sales of their short stories, though the practice is more common for novels.  Many people today watch videos online, sometimes while surfing on a topic of interest, and it’s possible they could run across the video about your story, like it, and buy the story when they otherwise wouldn’t have known about it.  This is especially true if the video gets lots of hits.

If you decide to make a promo video, how should you go about it?  First, let’s list some basic principles:

  • The point of your video is to influence people to buy your story.
  • To do that, the video has to convey what your story is about, what readers can expect when they read the story—the genre, setting, conflict, and protagonist.
  • The video must be appealing and enticing.  Don’t ever bore the viewer.  Keep image changes frequent, and don’t make the video too long.

There are various software packages available for making videos and prices range quite a bit based on features and user-friendliness.  The two main elements of any video are the visual portion and the aural portion and the software will have the ability to deal with both.

The visual portion usually consists of some combination of moving images (video), still images, and text.  For videos and still images you can shoot your own, use free ones that are in the public domain, or seek permission to use those that are owned by someone else.  If you do use still images, I suggest using zoom in or out, or some other way to keep the picture changing to avoid viewer boredom.  Any text you use should be in a big, readable font with good contrast against its background.

The audio part of your clip can consist of music, voice, or both.  Music can really help make the video appealing.  If you have musical talent, you can create and tape your own tunes to use.  If you have musical friends who are agreeable, see if they’ll accommodate you.  Otherwise you’ll have to get music that is in the public domain, or seek permission and pay for the use of owned music.  Make sure the images in your video shift in sequence with the music.  If you decide to have a voice-over, make sure the narrator enunciates and doesn’t speak too fast.

Is there value in making such videos?  Do they increase sales?  I can’t really answer that, due to my lack of experience.  However, I do know that time spent making promo videos is time not spent writing your next story.  Also, I don’t see these videos very often on author websites.  In various blogs about promoting stories, I don’t see the making of videos highlighted as a sure-fire marketing strategy.

What do you think of videos for the promotion of short stories?  Ever made one?  If so, how did it work for you?  Leave a comment and let me know.  Or put your comment in the form of a video.  Still waiting to go viral on YouTube, I’m—

                                                   Poseidon’s Scribe

 

January 20, 2013Permalink